Yagazie Emezi

47:18 “Then & Now: Photographers Repicturing Their Archive in 2020” presented with Everyday Projects, HuffPost, and RYOT THEN & NOW: PHOTOGRAPHERS REPICTURING THEIR ARCHIVE IN 2020 presented with Everyday Projects, HuffPost, and RYOT Featuring Sheila Pree Bright, Yolanda Escobar Jiménez, Brian Otieno, Xiaojie Ouyang, and moderated by Christy Havranek and Elie Gardner Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWIngs with additional support by the Philip and Edith Leonian Foundation This year–amidst the compounded pandemics of COVID-19 and systemic racism, amidst global social upheaval–thirteen photographers returned to places and moments they have photographed before, to make new images and record the visual impact of 2020. Their photographs reveal evolutions in our interactions and traditions, how we use (or have stopped using) public spaces, inequality and unrest, economic strain, and demands for justice. Photographers Sheila Pree Bright (Atlanta, U.S.A.), Yolanda Escobar Jiménez (Quito, Ecuador), Brian Otieno (Nairobi, Kenya), and Xiaojie Ouyang (Wuhan, China), discuss what it was like to return to places they had photographed before and make new photographs. Moderated by Christy Havranek of HuffPost, and Elie Gardner of The Everyday Projects, they will discuss their findings, their photographs, why they chose those specific places, and what their photographs may tell us as we collectively look for a roadmap to our futures. photoville.nyc/online/then-now-photographers-repicturing-their-archive-2020/ The Everyday Projects 1:36:08 The Essentials: Finding Project Support with Danielle Villasana Danielle Villasana will share tips on preparing grant applications for new or ongoing projects. She’ll cover the do’s and don'ts as well as various funding organizations within the visual media industry. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Everyday Projects 1:13:45 The Essentials: Building a Narrative with Kiana Hayeri Kiana Hayeri is known for her visual storytelling that is intimate, personal, and lyrical. In this class, she will discuss how to build a narrative from start to finish, including how to pitch a story to an editor and how to break down a story while photographing on assignment. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Everyday Projects 1:23:58 The Essentials: Honing Your Skills with Nicky Woo Nicky Quamina-Woo has a career as both a commercial and documentary photographer. In this class, she will touch on the basics of portraiture lighting, marketing your work, and tailoring your portfolio to fit the client. She reviews the portfolio of three students for the class to learn from, and shows examples of successful images, investigating why each works (or doesn’t) from a lighting perspective. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Everyday Projects 1:33:03 “Demystifying Digital Security: Practical Guidance for Journalists” with Ela Stapley From surveillance to identity theft, journalists face a range of digital security threats as they go about their work. Knowing what steps to take to better protect themselves and their sources is more and more important. From secure communications to protecting online data, this session will teach journalists practical tips that they can use to increase their security. If you have doubts about WhatsApp security or have ever wondered if it is safe to store your passwords in your browser, then this session is for you! Ela Stapley is a digital safety expert and trainer working with journalists around the world to help them be safer both when online and when using technology. She is part of the Emergencies team at the Committee to Protect Journalists where she supports journalists on a wide range of issues ranging from device security to online harassment. Ela also leads the online harassment initiative at the International Women's Media Foundation where she works with journalists and other organisations to find solutions to violence online. Ela is a former freelance journalist and holds an MA in International Journalism from Cardiff University, UK. The Everyday Projects 1:24:07 “Building Your Career” with Sarahbeth Maney and Sarah Waiswa Careers in photography have no roadmap, and a common question is, how do I get started? How do I make my first contacts in the industry, get my first assignment, work on my first projects? Photographers Sarahbeth Maney and Sarah Waiswa will use their own passion projects and reporting projects to walk you through the start of their careers and highlight some of their most important learnings along the way. Coming from different points of their career and different backgrounds, Sarabeth and Sarah will showcase what they were able to do with limited support and discuss what it was truly like to get their careers off the ground. Sarahbeth Maney is a 2021-22 photography fellow at The New York Times' Washington bureau. Her personal work focuses on topics related to housing insecurity, disability, and inequalities that disproportionately impact Black and brown communities. Most recently, she has documented immigration along the U.S.-Mexico border, the Black Lives Matter movement, and the California wildfire season. In addition, she filmed a short documentary following Ahmet Ustunel, the first blind person to kayak independently from Asia to Europe using navigational prototype technology. Maney graduated from San Francisco State University in 2019 with a degree in photojournalism and has interned at the San Francisco Chronicle and The Flint Journal in Michigan. She is a recipient of the inaugural Pulitzer Center and Diversify Photo Eyewitness Photojournalism Grant in 2020. Her photography has been published by TIME, Vanity Fair, Apple, The Washington Post, and the San Francisco Chronicle, among others. Maney is a member of Diversify Photo, the National Association of Black Journalists, Authority Collective, and Black Women Photographers. You can follow her @sbmaneyphoto. Sarah Waiswa is Ugandan-born, Kenya-based documentary and portrait photographer with an interest in exploring the New African Identity on the continent. With degrees in sociology and psychology, Sarah’s work explores social issues in Africa in a contemporary and non-traditional way. In 2015, she was awarded first place in the story and creative categories in the Uganda Press Photo Awards and second place in the Daily Life and portrait categories. In 2016 she was awarded the Discovery Award in Arles, France and in 2017 she was awarded the Gerald Kraak Award in Johannesburg, South Africa. In 2018, she was named a Canon Brand Ambassador and was selected for the World Press Photo 6x6 Africa Program. She is a Pulitzer Center Rainforest Journalism Fund grantee. Her work has been exhibited around the world, most recently at the National Gallery of Victoria in Australia. Her work is currently on display at the Bristol Photo Festival 2021 in collaboration with the Bristol Archives. Her photographs have been published in the Washington Post, Bloomberg, the New York Times, among other publications, and she has worked with brands such as Christian Dior and Chloe. Earlier this year, she founded African Women in Photography, a non profit organization dedicated to elevating and celebrating the work of women and non binary photographers from Africa. She is a contributing photographer to Everyday Africa. You can follow her @lafrohemien. The Everyday Projects 1:30:37 “So You Got An Assignment – Now What? Working with Photo Editors” with Jehan Jillani and Olivier Laurent When on an assignment, knowing what an editor expects of you can be challenging, especially early on in your career. Photo editors Olivier Laurent (The Washington Post) and Jehan Jillani (The Atlantic) will take a practical approach to explaining the barebones of how to make photojournalism a sustainable career, and will delve into strategies on how to work with photo editors, how to make sure your voice is heard, and how to turn in photos with the proper information. Jehan Jillani is a Visuals Editor at The Atlantic where she commissions photography and illustrations for the publication’s digital features and special projects. She was previously the lead Picture and Visuals editor at the Guardian US. Jehan has also worked as a photo editor at National Geographic and The New Yorker. Her work has been recognized by the Society of Publication Designers and American Photography, and she has spoken about photography at numerous educational institutions. Jehan is a graduate of Smith College and is based in Brooklyn, NY. You can follow her @jehanjillani. Olivier Laurent is a foreign photo editor at The Washington Post, with a specific focus on Africa, Asia and the Middle-East. He also edits the Climate & Environment section, assigning photographers to cover the climate emergency. In 2019, he was part of the climate team that won the Pulitzer Prize in Explanatory Reporting for a series that "showed with scientific clarity the dire effects of extreme temperatures on the planet." In 2018, he coordinated the newspaper's visual coverage of the humanitarian crisis in Yemen, working with Lorenzo Tugnoli, a contract photographer with the Post. The photo essay won the 2019 Pulitzer Prize in Feature Photography. You can follow him @olivierclaurent. The Everyday Projects 1:23:15 “Managing Risk, Safety, and Trauma as a Journalist” with Alison Baskerville and Tara Pixley This session discusses key elements of risk assessment, safety and security planning, and the management of bio/psycho/social impacts in the work of journalists, understanding those experiences and the realities of the job through an intersectional lens. By recognizing how identity, environmental, organizational, and operational variables impact our health and safety for every assignment, we are better prepared to enter any space or experience. Tara Pixley (she/her) is a visual journalist and educator with 20 years of experience as a freelance photographer and photo editor for news organizations such as the New York Times, Newsweek, CNN, Wall Street Journal, ProPublica, and many others. She is currently an IWMF NextGen Fellow in journalist safety and risk assessment and a professor of journalism at Loyola Marymount University in Los Angeles. Tara was a Knight Visiting Fellow at Harvard’s Nieman Foundation of Journalism, an inaugural awardee of the World Press Photo Solutions Visual Journalism Initiative, and holds a Ph.D. in Communication from the University of California San Diego. You can follow her @tlpix. Ali Baskerville (she/her) is a documentary photographer and a media safety trainer and advisor with a focus on freelancers. A former-soldier-turned-photographer, Alison is able to blend her military experience with her career as a conflict photographer to translate into realistic safety training for the media community. As a photographer she uses her experience to comment on, document and question the military experience that aims to make work reflecting on important contemporary issues such as social inequality, military occupation, gender identity and safety as well as the long-term consequences of emotional trauma through conflict. You can follow her @ali_baskerville. The Everyday Projects

1:36:08 The Essentials: Finding Project Support with Danielle Villasana Danielle Villasana will share tips on preparing grant applications for new or ongoing projects. She’ll cover the do’s and don'ts as well as various funding organizations within the visual media industry. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Essentials 1:13:45 The Essentials: Building a Narrative with Kiana Hayeri Kiana Hayeri is known for her visual storytelling that is intimate, personal, and lyrical. In this class, she will discuss how to build a narrative from start to finish, including how to pitch a story to an editor and how to break down a story while photographing on assignment. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Essentials 1:23:58 The Essentials: Honing Your Skills with Nicky Woo Nicky Quamina-Woo has a career as both a commercial and documentary photographer. In this class, she will touch on the basics of portraiture lighting, marketing your work, and tailoring your portfolio to fit the client. She reviews the portfolio of three students for the class to learn from, and shows examples of successful images, investigating why each works (or doesn’t) from a lighting perspective. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Essentials 1:24:07 “Building Your Career” with Sarahbeth Maney and Sarah Waiswa Careers in photography have no roadmap, and a common question is, how do I get started? How do I make my first contacts in the industry, get my first assignment, work on my first projects? Photographers Sarahbeth Maney and Sarah Waiswa will use their own passion projects and reporting projects to walk you through the start of their careers and highlight some of their most important learnings along the way. Coming from different points of their career and different backgrounds, Sarabeth and Sarah will showcase what they were able to do with limited support and discuss what it was truly like to get their careers off the ground. Sarahbeth Maney is a 2021-22 photography fellow at The New York Times' Washington bureau. Her personal work focuses on topics related to housing insecurity, disability, and inequalities that disproportionately impact Black and brown communities. Most recently, she has documented immigration along the U.S.-Mexico border, the Black Lives Matter movement, and the California wildfire season. In addition, she filmed a short documentary following Ahmet Ustunel, the first blind person to kayak independently from Asia to Europe using navigational prototype technology. Maney graduated from San Francisco State University in 2019 with a degree in photojournalism and has interned at the San Francisco Chronicle and The Flint Journal in Michigan. She is a recipient of the inaugural Pulitzer Center and Diversify Photo Eyewitness Photojournalism Grant in 2020. Her photography has been published by TIME, Vanity Fair, Apple, The Washington Post, and the San Francisco Chronicle, among others. Maney is a member of Diversify Photo, the National Association of Black Journalists, Authority Collective, and Black Women Photographers. You can follow her @sbmaneyphoto. Sarah Waiswa is Ugandan-born, Kenya-based documentary and portrait photographer with an interest in exploring the New African Identity on the continent. With degrees in sociology and psychology, Sarah’s work explores social issues in Africa in a contemporary and non-traditional way. In 2015, she was awarded first place in the story and creative categories in the Uganda Press Photo Awards and second place in the Daily Life and portrait categories. In 2016 she was awarded the Discovery Award in Arles, France and in 2017 she was awarded the Gerald Kraak Award in Johannesburg, South Africa. In 2018, she was named a Canon Brand Ambassador and was selected for the World Press Photo 6x6 Africa Program. She is a Pulitzer Center Rainforest Journalism Fund grantee. Her work has been exhibited around the world, most recently at the National Gallery of Victoria in Australia. Her work is currently on display at the Bristol Photo Festival 2021 in collaboration with the Bristol Archives. Her photographs have been published in the Washington Post, Bloomberg, the New York Times, among other publications, and she has worked with brands such as Christian Dior and Chloe. Earlier this year, she founded African Women in Photography, a non profit organization dedicated to elevating and celebrating the work of women and non binary photographers from Africa. She is a contributing photographer to Everyday Africa. You can follow her @lafrohemien. The Essentials 1:21:57 The Essentials Season 3: “SO YOU GOT AN ASSIGNMENT, NOW WHAT: THE PHOTOGRAPHER’S PERSPECTIVE” WITH ANNIE FLANAGAN You’ve put in all the work to pitch, make connections with editors, and you’ve landed a commission. Now what? A prolific photographer with ample assignment experience, Annie Flanagan will share their know-how on what to do in preparation for the assignment (both logistically and photographically), how to communicate with editors, and stay safe in the field. They’ll also talk about the crucial side of assignment work that’s not brought to light enough: rates, budgeting, expenses, and contracts. And, Annie will give tips on how to maintain relationships with editors even after the assignment is over. Annie Flanagan is a photographer based in New Orleans, Louisiana. Their photographs are rooted in the documentary tradition, frequently exploring themes of gender, memory, and people’s relationship to place. Their select clients include The New York Times, National Geographic, The Guardian, ESPN, and The Players’ Tribune. Annie holds a Master of Science from Syracuse University S.I. Newhouse School of Public Communications. Follow Annie on Instagram at @annieflanagan. The Essentials 1:31:31 The Essentials Season 3: “DO NO HARM: ETHICS” WITH CHERISS MAY In this session, prominent photographer and adjunct professor at Howard University Cheriss May explores one of the most—if not the most—important aspects of making honest and compelling work: ethics. She’ll teach about the many layers of consent, avoiding stereotypical or sensationalistic approaches, establishing trust with people you photograph, and how to control the use of your images and how to have those conversations with editors. Cheriss will also showcase examples of social impact through photography and walking the line between activism and photojournalism. Cheriss May is a lauded portrait photographer and adjunct professor at her alma mater, Howard University. Her passion radiates through her aptitude to connect to the soul of those she photographs. Cheriss’s work centers on the intersectionality of race, culture, and politics—from the White House to Capitol Hill, and everyday life in communities across the country. She is a frequent contributor to The New York Times and has been published in O Magazine, The White House website, People, ABC News, The Today Show, among other publications. Her work is featured in the permanent collection of the African American Museum in Philadelphia, PA, and the Schomburg Center for Research in Black Culture in Harlem, NY. Originally from Kansas City, MO, Cheriss is based in Washington, D.C., and is a member of Black Women Photographers. Follow Cheriss on Instagram at @cherissmay. The Essentials 1:12:39 The Essentials Season 3: “FROM PITCHING TO PUBLICATION” WITH HANNAH REYES MORALES In this kickoff class, National Geographic Explorer Hannah Reyes Morales will discuss how she ideates for visual stories, and the key elements for pitching those ideas for publication. With extensive experience publishing long-term projects and stories, Hannah will also address the reality that not all pitches are successful and how to learn from each attempt so your spirit remains lifted and determined. And, she’ll walk through best practices after publication, such as promoting, sharing, and archiving your work. Hannah Reyes Morales is a Filipina photographer who focuses on bringing historical memory and current events home by looking at how they shape daily life. Her long term project “Living Lullabies” explores the role of lullabies in creating safer spaces for children and caregivers in challenging environments globally. Blending photography, audio, animation, and performance from collaborators, the project illuminates critical issues facing women and children through the storytelling of families’ nighttime rituals. As a working photojournalist, she has been published in The New York Times, National Geographic Magazine, and the Washington Post, among others. She is the recipient of the Tim Hetherington Visionary Award and the ICP Infinity Award for Documentary Practice and Visual Journalism. She was commissioned for the Nobel Peace Prize exhibition in 2021. Hannah is currently focusing on longer term projects. She is a co-founder of Emerging Islands, an artist-run residency in the Philippines. She is a National Geographic Explorer and currently a fellow at Columbia University’s Institute for Ideas and Imagination in Paris. Follow her at @hannahreyesmorales. The Essentials 1:14:52 The Essentials Season 3: “Supporting your Long-term Vision” with James Rodríguez Accomplished photographer James Rodríguez will unpack the difficulties around sustaining long-term projects by illustrating how to create a unified vision, how to build and maintain relationships with communities, and how to seek various avenues of funding and support for the same project over time—whether through assignments, grants, or outside sources such as NGOs, commercial work, fixing, and video assignments. In this session, James will divulge his tips and tricks for achieving success with ongoing projects and how to create continuity and avoid burn-out. James Rodríguez is a Guatemala-based documentary photographer and filmmaker focusing on post-war processes, human rights abuses, migration, land tenure, and social conflicts in Mexico and Central America, but particularly in Guatemala, where his long-term project stems back to 2004. James, who holds a B.A. in Cultural Geography from UCLA, is represented by Panos Pictures and is a proud community member of The Everyday Projects, Diversify Photo, and Frontline Freelance Mexico. Currently working on a separate long-term project in the Yucatan peninsula funded by the Mexican National Fund for Culture and Arts (FONCA), James has worked for publications such as National Geographic, Le Monde, The LA Times, The New York Times, NPR, Vogue, and The Guardian, among others. James also collaborates regularly with NGOs, including Amnesty International, Oxfam, Human Rights Watch, UNDP, CARE, Justice in Motion, Rotary International. Follow James, also a member of @EverydayLatinAmerica, on Instagram at @mimundo_org. The Essentials