Tomas Van Houtryve

1:26:12 The Camera at War: 170 Years of Weaponizing Photography, with Hilary Roberts All forms of visual media are vulnerable to being manipulated or ‘weaponized’ in the context of modern conflict. However, the consequences of manipulating photographs are potentially far-reaching and long-term. In recent years, advances in digital technology have led many to question whether photographs of war and conflict can ever be trusted. The conflicts in Ukraine and the Middle East, as well as other world events, have lent urgency to this debate. Drawing on an incredible range of imagery from the Imperial War Museum’s vast collection and other major archives around the globe, expert curator Hilary Roberts presents a new perspective on the role of image manipulation in this field over the past 170 years, exploring the consequences for our understanding of historic and contemporary conflicts. Join Ron Haviv in conversation with Hilary Roberts as they discuss the complicated relationship between conflict photography and the ‘truth’. The discussion will explore the application and legacy of photomanipulation techniques in conflict photography and the myriad ways in which layers of meaning can be added, erased, or changed completely. The VII Foundation 1:14:10 Photo Editors Series - Josh Lustig The Photo Editors Series is a series of conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. The series combines an overview of the contemporary media landscape with practical tips. The editors speak as individuals rather than representatives of their organizations, and the event is interactive and offers good opportunities for audience questions. In this seventeenth episode, Ilvy Njiokiktjien and Fiona Stephen speak with Josh Lustig, deputy photo editor of the Financial Times Weekend Magazine. Josh writes regularly on photography for the magazine, is a frequent participant at festivals and workshops, and has been a visiting lecturer at several universities including, London College of Communication, University of Syracuse, NY, USA and the School of Media and Journalism, Aarhus, Denmark. The VII Foundation 2:22:03 Open-Source Intelligence - An Investigative Journalism Workshop Open-source intelligence (OSINT), publicly available data sources used in the verification of information and events, is integral to the work of many investigative journalists. Increasingly hostile or inaccessible reporting environments, and the weaponisation of disinformation, have intensified the need for verifiable source information to ensure the authenticity and integrity of independent reporting. In this special extended online event, we examine the application of open-source intelligence strategies within media and justice contexts. This two-hour workshop will introduce a range of practical OSINT tools, consider accessibility and online safety, and examine case studies, including long-term operations within closed states and recent high-profile events across the U.S. and Europe, where OSINT tools have enabled critical forensic analysis and reporting. Join David Campbell in discussion with a panel of expert guests; Documentary filmmaker and investigative journalist, Sara Creta, whose research focuses on the intersection of emerging technology and human rights; Davide Piscitelli, Advanced Researcher at Forensic Architecture, a research agency based at Goldsmiths, University of London; and Francesco Sebregondi, architect and researcher specialising in digital investigation, particularly the use of visual and spatial analysis to document violence and human rights violations. The VII Foundation 1:12:20 Photo Editors Series – Gabriel Eisenmeier The Photo Editors Series are conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. Hosted by David Campbell and Ilvy Njiokiktjien, the series combines an overview of the contemporary media landscape with practical tips. The editors in the series speak as individuals rather than representatives of their organizations. In this tenth episode, we are speaking with Gabriel Eisenmeier of de Volkskrant, a daily newspaper in The Netherlands. The VII Foundation 1:00:57 A Presentation of Ed Kashi & Julie Winokur’s film, Sheila and Joe In this special presentation, Ed Kashi and Julie Winokur introduce their short film “Sheila and Joe,” followed by a question and answer. with the filmmakers and subjects. “Sheila and Joe” is a love story that unfolds behind bars. This story is told through hundreds of letters shared by Sheila Rule, a former New York Timescorrespondent, and Joe Robinson, a man serving a prison sentence of 25 years to life. Despite a 20 year age difference, and undeterred by the physical barriers of prison, their love has unstoppable momentum. Intimate and nuanced, this short film visits the space between compassion and passion, revealing a man who transcends his crime and a woman who dares to break the rules. In the process, they shine a light on the practice of mass incarceration in the US. “Sheila & Joe” premiered at the Woodstock Film Festival in 2021 and received Second Place for Documentary Daily Life from Pictures of the Year International 2020. The film was published on NPR’s The Picture Show in 2021. The VII Foundation 54:20 Arturo Soto – The Psycho-Geography of a British City How can photography challenge stereotypes of a well-known city? Is it possible to picture the politics of a place? What are the costs and benefits of asking these questions from the position of the outsider? In this event, Mexican-born photographer Arturo Soto discusses these themes in his work about the British university city of Oxford following the controversial “Brexit” referendum that led to the UK leaving the European Union. Soto’s work has been published in his book “A Certain Logic of Expectations”, which is described as proposing a counter-narrative of Oxford. Drawing on psycho-geography, and using an interplay of words and text, the work reflects on the contested relationship between visual representation and the history and myths of a particular location. The VII Foundation 54:26 Book Club – Ed Kashi, The Cali Years The Cali Years is a 25-year collection of Ed Kashi’s archive from 1979-2004, from his time spent living in California. This significant period marked the development of a college graduate into a renowned visual storyteller. This motley collection of images contains everything from family life to celebrities, from magazine assignments to in-depth personal projects. What was originally intended to be a small zine became a fold-out hand-bound collectible book. This collaborative project made in Ed’s studio with Brenda Bingham and Michael Curry will be produced in a limited edition of 100. In this event – hosted by Ziyah Gafic – Ed, Brenda, and Michael discuss the purpose and production of this book. The VII Foundation 45:35 Kris Graves – 1492/1619 American Aftermaths This event is a conversation between 2021 Aftermath Project grant winner Kris Graves and Aftermath Project founder, and VII photographer, Sara Terry. Their talk focuses on Kris’ grant-winning project, Privileged Mediocrity and the Deceived Within. Kris shows images he made during his grant year, as he explores systematic unfairness in America – and talks with Sara about his critique of the ways racism, capitalism and power have shaped the U.S. They both share ideas about what goes into writing an American Aftermath grant proposal, and the kinds of projects that might be a good fit for the grant. Sara talks about the judging process and what judges look for. The VII Foundation

13:19 PhotoWings CatchLight Partnership Reel CatchLight 16:06 2026 CatchLight Visual Storytelling Summit: Adam Perez CatchLight 9:09 2026 CatchLight Visual Storytelling Summit: Elodie Mailliet CatchLight 7:47 2026 CatchLight Visual Storytelling Summit: Ellen Schmidt CatchLight 15:06 2026 CatchLight Visual Storytelling Summit: Demetri Broxton CatchLight 7:08 2026 CatchLight Visual Storytelling Summit: Kevin Wurm CatchLight 5:18 2026 CatchLight Visual Storytelling Summit: Michael Indriolo CatchLight 17:24 2026 CatchLight Visual Storytelling Summit: Tierney Gearon CatchLight

1:10:10 EDU Lab Workshop DISABILITY / VISIBILITY (part 2) Photoville 59:17 EDU Lab Workshop DISABILITY / VISIBILITY (part 3) + Photography Workshop Photoville 50:03 PhotoWings Reel for Photoville 2026 Photoville 5:10 Laura Roumanos on Education Through Photography At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. Photoville 55:35 “Teaching Creativity: A Case for Art Education” presented with Seven New York City Public Schools TEACHING CREATIVITY: A CASE FOR ART EDUCATION presented by Photoville with Seven New York City Public Schools Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. This panel will celebrate New York City students and their arts educators. We will also present a call to action: Ensure that arts education remains a leading factor in the curriculum of every child. photoville.nyc/teaching-creativity-case-art-education-day/ Photoville 56:14 “Connection and Reflection during COVID-19” presented with Bronx Junior Photo League CONNECTION AND REFLECTION DURING COVID-19 presented by Photoville with the Bronx Junior Photo League and Bronx Documentary Center Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. Students in the Bronx Junior Photo League (BJPL), the Bronx Documentary Center’s (BDC) free documentary storytelling and college success program for 6th through 12th grade students, have been documenting social justice issues and community-based stories since 2013. The BJPL–and the work the students make–is the heart of the BDC’s mission: to use community-based documentary practice and education to explore vital issues, stimulate critical thought, and drive social change. In March 2020, in response to the coronavirus pandemic, the BDC made the decision to suspend all programs and move to remote learning. Our students, who are used to working in a program based on the ability to go outside and photograph in the community, quickly learned to turn their lens to the vulnerable space of their private lives. They created visual and written explorations of their experiences during this time, using photography as a tool of reflection and connection with themselves, their families, and their communities. photoville.nyc/connection-and-reflection-during-covid-19/ Photoville 1:00:03 “The Power of Photographic Storytelling” presented with NYU Tisch Department of Photography and Imaging THE POWER OF PHOTOGRAPHIC STORYTELLING presented by Photoville with NYU Tisch Department of Photography and Imaging Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. Storytelling, identity, prejudice, family, friends, community, intersectionality, activism, and finding freedom through creativity are some of the topics addressed in the photographic projects of the 2020 NYU Tisch Future Imagemakers. They will discuss their work, and how photo-based image-making has empowered them to speak up for social justice. photoville.nyc/the-power-of-photographic-storytelling/ Photoville 58:33 “We Built This City: Destiny Mata and Gogy Esparza in Conversation” presented with Abrons Art Center WE BUILT THIS CITY: DESTINY MATA AND GOGY ESPARZA IN CONVERSATION presented with Abrons Art Center Featuring Destiny Mata, Gogy Esparza, and moderated by Ali Rosa-Salas Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWIngs with additional support by the Philip and Edith Leonian Foundation Photographers Destiny Mata and Gogy Esparza discuss their artistic practices and the role New York City plays in shaping their aesthetic perspectives. Moderated by Abrons Arts Center’s Director of Programming, Ali Rosa-Salas. photoville.nyc/online/we-built-this-city-destiny-mata-and-gogy-esparza-in-conversation/ Photoville

6:36 Jason Eskenazi - Storytelling and Visual Literacy Photographer Jason Eskenazi, a Fulbright Scholar and Guggenheim Fellow, discusses storytelling and visual literacy through the extraordinary photographs he took for his book, Wonderland (which won the prestigious Pictures of the Year International Book Award in 2008). Jason illustrates what he calls the visual grammar of photography, which includes composition, light, perspective, and context, and how he strives to work within that grammar to capture images with an emotional resonance. See more interviews with Foundry Workshop Instructors: https://photowings.org/foundry-photojournalism-workshop/ The fall of the Berlin Wall led Eskenazi out of Queens into the larger world. After trips to Germany and Romania for their first democratic elections he traveled to Russia in 1991, just before the August coup that marked the end of the USSR, and has returned many times since culminating in a photography book project called Wonderland: A Fairy Tale of the Soviet Monolith, winner of Best Photography Book 2008 by Pictures of the Year International. In 2004 he received a Fulbright Scholarship to return to Russia to make a series of large format color portraits called Title Nation with a Russian colleague which will be published Fall 2010. Jason Eskenazi has received numerous awards including a Guggenheim Fellowship, 1999; The Dorothea Lange/Paul Taylor Prize, 1999, for his work in a Jewish Village in Azerbaijan; and The Alicia Patterson Foundation Grant, 1996. His work has appeared in many magazines including Time, Newsweek and The New York Times and Soros Foundation publications. http://www.jasoneskenazi.com/ PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved. Foundry Photojournalism Workshop 22:11 Rodrigo Cruz: Mining in Peru - Foundry Photojournalism Workshop 2017 Foundry Photojournalism Workshop 17:49 Ron Haviv: My World of Motion - Foundry Photojournalism Workshop 2017 Foundry Photojournalism Workshop 54:17 Photo Stories from the Square Mile Initiative This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the Photoville Festival. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. We are delighted to be joined by Peruvian photographer Alejandra Orosco, who presents her project “ Only Memories Do Not Drown”, highlighting the 1978 story of El Peñol, a town whose residents were compelled to relocate because of a hydroelectric project that would eventually supply 30% of Colombia’s population with energy. Doug Barrett is an American photographer who will discuss his series “Riley’s Cancel Journey.” Seven-year-old Riley Simmons faced WilmsTumor, a rare form of kidney cancer. Doug documented the emotions that Riley and her family experienced as they began their courageous battle for survival. Nepalese photographer Uma Bista showcases “ Stay Home, Sisters,” a personal project that addresses taboos surrounding menstruation. During ‘Chhaupadi,’ each month, women in Western Nepal are subjected to a ritual of isolation. Deemed impure, they are forced to stay in cowsheds. The event will be moderated by VII contributing photographer Espen Rasmussen. Foundry Photojournalism Workshop 1:07:56 Photo Stories Documenting Abuse This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photography projects that documenting human rights violations. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. We are delighted to be joined by Ecuadorian photographer David Diaz Arcos, who presents his project “Bird’s Nest” telling the stories of young adolescent women who are survivors of sexual exploitation in Ecuador. Italian photographer Viviana Peretti, currently based in Colombia, discusses her series “Searching for Lost Lives” sharing a light on the people who forcibly disappeared in Colombia. Iranian photographer Shirin Abedi, who grew up and lives in Hanover, shows “Invisible Students” which investigates the long-term effects of school bullying in Germany. The event is moderated by The VII Foundation contributing photographer Anush Babajanyan. Foundry Photojournalism Workshop 49:22 Photo Stories from the Square Mile Initiative This series showcases recent work from members of VII Community. Every few months, we invite photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the PhotoVogue Festival. VII Community provides ongoing education and support to a network of The VII Foundation’s alumni and Foundry Photojournalism Workshop participants, numbering more than 1200 professionals. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. The upcoming edition of Square Mile, curated especially for the PhotoVogue festival, offers an insight into the work of twelve photographers. They show humanity’s multifaceted connection to the natural world, explore the resilience of communities deeply rooted in their land, and pay respect to ancestral traditions. They tell a story about nature’s guardians, who are protecting the environment and creatures that populate it, and examine the intricate relations between humans and all living. We are delighted to be joined by American photographer Jordan Gale, who presents “You Will Never Want for Anything.” His project explores the Klamath River, the site of the world’s largest dam removal project, and in doing so, examines the history of exploitation and resource extraction. Chinky Shukla is an Indian photographer who will discuss “When Buddha Stopped Smiling.”. Her project tells the stories of the desert communities of Pokhran. When India announced its nuclear capability in 1974, the explosions echoed across the world — but in that thunderous moment, local voices were silenced. Mexican photographer Sara Escobar showcases “Burrolandia: The Donkey Obsession,” a story about a donkey sanctuary led by German Flores. As mechanization has replaced working animals, Mexico’s donkey population has plummeted. At this shelter in Otumba, caregivers work to provide dignified lives for Mexican donkeys while preserving their legacy. The event will be moderated by VII contributing photographer Anush Babajanyan.  Foundry Photojournalism Workshop 1:20 Ron Haviv: The business of preserving a legacy, Foundry Photojournalism Workshop 2011 Foundry Photojournalism Workshop 10:03 Marko Drobnjakovic - Foundry 2023 Presentation Foundry Photojournalism Workshop