Tom Kennedy

3:41 Sara Terry on Collaboration In this video, award-winning photographer Sara Terry discusses how the seemingly solitary work of photography is actually very collaborative, from the connection between a photographer and their subject, to working with distribution partners, and how collaboration can be energizing and supportive. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis. Blue Earth Alliance 2:05 Sara Terry on Words, Photography & Motivation Award-winning photographer Sara Terry thought she might become a lawyer when she was a student, and only found photography later in life. Here, she tells us about the process of discovering the power of visual storytelling. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis. Blue Earth Alliance 32:46 Amy Gulick - Salmon in the Trees WildSpeak Presentation 2016 Home to an abundance of bears, bald eagles and salmon, the Tongass National Forest in Alaska contains one-third of the worlds rare old-growth coastal temperate rain forest. Seeing the forest for the fish is key to understanding and conserving this magnificent ecosystem and the wild and human communities it supports. Amy Gulick has been working in the region for years and her book on this work, "Salmon in the Trees: Life in Alaska's Tongass Rain Forest," is the recipient of an Independent Publisher Book Award. Blue Earth Alliance 27:55 David Moskowitz – Fundraising and Public Engagement in Conservation Storytelling | Collaborations for Cause 2017 David Moskowitz is the author and photographer of two books, Wildlife of the Pacific Northwest and Wolves in the Land of Salmon. As a biologist, photographer and educator, David has worked on wildlife studies and conservation initiatives around the United Sates and internationally. The focus of much his work has been on using tracking and other non-invasive research methods to study wildlife and promote conservation. David is certified as a Track and Sign Specialist, Trailing Specialist, and Senior Tracker through Cybertracker Conservation and is an Evaluator for this rigorous international professional certification program. David holds a bachelor’s degree in Environmental Studies from Prescott College. David’s current project, the Mountain Caribou Initiative, is a multi-media exploration of the conservation challenges faced in the world’s largest remaining inland temperate rainforest, found in the interior mountains of western North America and home to one of the most unique and endangered populations of caribou found on the planet. Blue Earth Alliance 27:05 Thomas Patterson – What I Look For When I Hire A Photographer | Collaborations for Cause 2017 Thomas Patterson is a photo editor and content specialist for the international humanitarian organization Mercy Corps. After more than a decade on the photo staff of the Statesman Journal newspaper, Thomas earned a master's degree in Multimedia Journalism and undertook a Graduate Teaching Fellowship at the University of Oregon School of Journalism and Communication. Based in Portland, Oregon, Thomas is also a photojournalist and multimedia storyteller specializing in multimedia projects for editorial, corporate and non-profit clients around the world. Blue Earth Alliance 31:39 World Vision – Content Is Not King | Collaborations for Cause 2017 The role of content and image in fulfilling storytelling, marketing and editorial needs at World Vision US. Tom Costanza spent the sixteen years as television news photographer at stations from Scranton to Seattle covering everything from presidential inaugurations and shuttle launches to earthquakes, hurricanes, and house fires. TV news helped him develop resourcefulness, compassion, and solid storytelling skills. When the opportunity to work at World Vision presented itself, Tom was able to use storytelling for a cause. Since joining World Vision in July 2001, Tom has spent a good part of the last sixteen years on the road capturing stories, spending three weeks traveling around the world to cover the Asia tsunami and in 2010, the earthquake in Haiti. He’s reported on child soldiers in Uganda, street children in Mexico, AIDS in India, and hunger in the Horn of Africa. Fortunately, the many heart-rending moments have been balanced by witnessing the joy, faith, and resilience of the world’s extraordinary people, his camera reflecting their light in some of the world’s darkest places. Phil Manzano is the director of Content Development in the Brand & Campaigns division of World Vision US. Currently, he oversees a team of writers and photographers, publications and promotional content. Prior to World Vision, he worked at The Oregonian in Portland, Ore. for more than 25 years as a writer and editor. He lives in the Rainier Valley area of South Seattle, and, on sunny days, can be found biking along Lake Washington. For almost 30 years, Jon Warren has dedicated his life to helping the poor to be seen and heard. He has traveled to upward of 60 countries producing photographs for many global publications and organizations such as World Vision. As Photojournalism Manager for World Vision, Jon travels the globe to tell the story of the charity’s work to build a better world for children. He’s photographed everything from the Haiti earthquake to the famine in Somalia. He lived with a Kenyan family trying to survive on food rations and spent a month with children in Cambodia working in a garbage dump. Through it all, his goal is to go beyond the statistics of poverty to show his subjects as individual and worthwhile human beings, loved and treasured by God. Jon has won awards from the National Press Photographers Association Pictures of the Year, Communications Arts, Folio, Maggie Awards, the Society of Professional Journalists, and Magnum Opus. Blue Earth Alliance 30:18 Bryan Monroe – Why What We Do Still Matters? Hint: We're Not There Yet | Collaborations for Cause 2017 Bryan Monroe is the Verizon Chair and professor at Temple University’s School of Media and Communication (SMC). Before joining Temple, he was most recently the Washington editor, Opinion & Commentary at CNN and editor of CNNPolitics.com. His work at that network included editorial planning and content strategy across all online platforms for CNN in its Washington, D.C., bureau. He also served as the assistant vice president of news at Knight Ridder Newspapers, where he helped lead journalists at the Biloxi Sun Herald to the 2006 Pulitzer Prize Gold Medal for Public Service for their coverage of Hurricane Katrina. Monroe was also vice president and editorial director at EBONY and Jet magazines, where he led coverage of the 2008 presidential election, conducted the first post-election interview with President Barack Obama and did the last interview with pop legend Michael Jackson before his death. Monroe was a Nieman Fellow at Harvard University and served as a visiting professor at Northwestern University’s Medill School of Journalism. He was president of the National Association of Black Journalists from 2005 to 2007. Blue Earth Alliance 35:02 Collaborations for Cause 2017 Panel Blue Earth Alliance

34:46 Melissa Ryan & Mercy Mason – Engaging Communities In Conservation Through Photography | Collaborations for Cause 2017 Nature Conservancy magazine’s Director of Photography Melissa Ryan will discuss the participatory photography workshop that she and photographer Jason Houston created to use photography as an engagement experience for individuals & communities working to conserve their natural resources. Mercy Mason, one of the high school students who participated in the workshop, will present her personal experience and speak to the impacts the workshop had on her and her community. The participatory photo workshop was held in July 2016 in the remote village of Klemtu, deep in the heart of British Columbia’s Great Bear Rainforest. http://blog.nature.org/science/magazine/outtakes-class-in-session-in-the-great-bear-rainforest/ Mercy Mason is a high-school senior at Kitasoo Community School in Klemtu, British Columbia, Canada. Mercy has participated in several programs supported by the Spirit Bear Lodge and designed to help engage youth in the community with their cultural heritage and the environment including the Súa Youth Cultural Group and the Supporting Emerging Aboriginal Stewards (SEAS) Community Initiative Internship. In 2016, as part of a Nature Conservancy magazine assignment on the SEAS program, TNC Canada hosted Photography Director, Melissa Ryan, and photographer, Jason Houston, to run a participatory camera workshop with SEAS interns. Mercy is in the Blackfish clan of the Kitasoo Xai'Xais First Nations. Melissa Ryan is the director of photography for Nature Conservancy magazine, the flagship publication of the world’s leading environmental conservation organization, The Nature Conservancy. Melissa works in close partnership with photographers to create & publish dynamic environmental conservation stories that reveal the connections between global natural resource use, scientific research, and the beauty & wonder of the natural world. Melissa’s goal is to elevate the authentic, unique vision of the photographer so they can create compelling visual images that will inspire & inform viewers and help ensure lasting conservation solutions. Previously, Melissa was a photo editor at National Geographic Books where she edited 16 books on topics, such as: nature, space, travel, ancient civilizations, dolphins, and clean water. Melissa began her career more than twenty-five years ago at the University of Texas-Austin where she earned her photojournalism degree specializing in social documentary projects on youth, incarceration, and elder care. Collaborations for Cause 29:03 Helen Cherullo – We Are Not Alone | Collaborations for Cause 2017 Images have played a decisive role in preserving wild places in North America for well over 100 years, and they are essential in campaigns to protect the Arctic, which few people will ever see firsthand. But images alone are not enough. Helen Cherullo, executive director of Braided River, and a dedicated Arctic protection proponent, will present the critical role of photographers, incredible imagery, and genuine coalitions in the “We Are the Arctic” campaign to date, and marching forward. Helen Cherullo is the publisher of Mountaineers Books and founder of Braided River. She believes that wilderness is sacred, and appreciated through beauty: if we capture the heart, the mind (and responsible public policy) will follow. She has worked with many of the continent’s finest emerging and veteran nature photographers and writers on books, media, exhibits, and events. Braided River collaborates with grassroots organizations and committed philanthropists to preserve the last remaining wild places in western North America—including the topic of her presentation—the Arctic National Wildlife Refuge. In 2011 she received the “Voice of the Wild” award from the Alaska Wilderness League to recognize individuals whose actions, commitment, and contributions lead to greater awareness about protecting and preserving Alaska’s wilderness. She has a degree in Journalism, with a major in Fine Arts from the University of Montana. Previous professional experience includes graphic design and advertising production, and being sole proprietor of a graphic design and printing management company. Her passion is developing creative, professional visually-driven communication campaigns that support grassroots engagement. Collaborations for Cause 30:40 Roberto Hernandez – Documenting Injustice | Collaborations for Cause 2017 In 2009, a low-budget documentary film called Presumed Guilty was released in movie theaters across Mexico. The film tells the story of Toño Zúñiga, a man who was wrongfully convicted of murder in Mexico City. Through documenting his life in prison and his legal struggles to regain his freedom, the film made a compelling case for criminal justice reform in Mexico and challenged dominant policy narratives. The film’s impact was unexpectedly explosive. Its depiction of Mexico’s court system was so realistic and embarrassing that a federal judge issued a ban. In response to the censorship, the film was uploaded to YouTube and pirated DVD copies flooded the streets. Today, Presumed Guilty remains the most successful documentary in Mexican history. According to polls, one in every three Mexicans has seen the film. Layda Negrete and Roberto Hernández, the filmmakers, will discuss their experience making Presumed Guilty and explain how the film helped catalyze national judicial reforms in Mexico. Roberto Hernández (Director/Producer) was trained as a lawyer in Mexico and Canada and had no particular interest in cameras or film until he found himself collecting statistics in the basement of Mexico City's Superior Court, which houses the archived legal cases of one of the largest cities in the world. What he saw inspired him and his wife, Layda Negrete, to make "El Túnel," a short documentary that presented scandalous facts about Mexico's justice system and was broadcast on several television stations throughout Mexico. As a result of the support the film received, in 2008 Mexico's Congress passed the most significant amendment to its constitution's due process clause, requiring public trials and the presumption of innocence. But Hernández, currently a graduate student in public policy at the University of California, Berkeley, notes, "The implementation of this reform is hardly progressing at all, as the Mexican government today remains ostensibly focused on an offensive against drug cartels." Collaborations for Cause 30:09 Poulomi Basu Postmodernism in Photography and Transmedia Activism | Collaborations for Cause 2017 Poulomi Basu's body of work, A Ritual of Exile, investigates the causes and the consequences of normalized violence against women in Nepal. Perpetrated under the guise of Hindu tradition, the root cause of this violence is the belief in the impurity of a women’s menstrual blood. Hidden, under-reported and unresolved, these women are untouchable and, as a result, this violence takes the form of ‘exiles,” a way to keep menstruation shrouded in mystery and taboo, a weapon to shame women into subservience. In a world that is ravaged by war, the media is often full of images of those affected by conflict but, for many, the conflict begins at home. This multidisciplinary project, combining still photography and virtual reality films, is designed to reach multiple audiences across different platforms, including print, virtual and physical installations. "I want to turn my audience into activists and crack open the veil of silence and shame around women whose lives are shattered by such gender based violence," Basu says. A Ritual of Exile reveals how the chaupadi ritual disrupts the lives of girls, exposes them to recurring danger and imposes unjust restrictions on women throughout their lives. Poulomi Basu is a storyteller, artist and activist. Her name sounds like ‘follow me’ with a ‘P’. She was raised by her mother in Calcutta, India and found early inspiration in the city’s rich cinematic history. After her father’s sudden death when Poulomi was 17, her mother told her to leave home, to follow her dreams and live a life of breadth and choices that was denied to her. Since then, Poulomi prefers the path less trodden. She has slept in the wilderness under a cloudless sky staring at a million stars in search of a guerrilla army whose story strikes right at the very heart of modern India’s global ambitions, through to divided families eking out an Alaskan existence on the last rocky outpost of American soil. Time and again, she has found herself amongst ordinary people who quietly challenge the prevailing orthodoxies of the world in which they live: rural women in armed conflict, a mother's pain for a son lost to ISIS, to the wonder of a near blind child reaching for the light. Poulomi is forever in awe of the resilience shown by those in extraordinary circumstance, by those who are bent but not broken. Poulomi’s work has become known for documenting the role of women in isolated communities and conflict zones and more generally for advocating for the rights of women. In December 2015, she shared a platform with the parents of the Nirbhaya Delhi rape victim talking about her social activist initiative, The Rape in India Project. And, in January 2016 at the UN Young Changemakers Conclave, Poulomi spoke on the social impact of sustainable development with specific reference to her long-term project A Ritual of Exile and her collaboration with NGO Water Aid and their To Be A Girl campaign, which raised £2 million, using this material. Poulomi was featured alongside Hilary Clinton as one of the one of the 'Amazing women from around the world giving their best advice' by Refinery29. Poulomi was part of the VII Mentor Program. She is based between New Delhi and London. She has covered issues across Asia, Europe and America. She is co-founder and director of Just Another Photo Festival, a festival that democratizes photography by taking photography to the people and forging new audiences. Poulomi has also undertaken the 'Reporting in Crisis Zones' hostile management training at Columbia School of Journalism, kindly supported with a bursary from the Rory Peck Trust. Collaborations for Cause 54:38 Annie Griffiths – If You Want to Go Far, Go Together | Collaborations for Cause 2017 In the changing climate of editorial publishing, photographers are learning that, if you want to go far, go together. Friendship, collaboration and collective resolve can motivate action on both editorial and business issues. One of the first women photographers to work for National Geographic, Annie Griffiths has photographed in nearly 150 countries during her illustrious career. She has worked on dozens of magazine and book projects for the Society, including stories on Lawrence of Arabia, Baja California, Galilee, Petra, Sydney, New Zealand, and Jerusalem. In addition to her magazine work, Annie is deeply committed to photographing for aid organizations around the world. She is the Executive Director of Ripple Effect Images, a collective of photographers who document the programs that are empowering women and girls throughout the developing world, especially as they deal with the devastating effects of climate change. Annie is known for her warmth, and for her ability to quickly create photographs that humanize various situations and cultures. Annie’s work has also appeared in LIFE, Geo, Smithsonian, Fortune, Merian, Stern, and many other publications. With author Barbara Kingsolver, she produced Last Stand: America’s Virgin Lands, a book celebrating the last pristine wilderness in North America. Proceeds from the book have raised more than a quarter of a million dollars for grassroots land conservation. In 2008. Annie published A Camera, Two Kids and a Camel, a photo memoir about balance, and the joy of creating a meaningful life. In 2010, she published Simply Beautiful Photographs, which was named the top photo/art book of the year by Amazon and by Barnes and Noble. Annie is currently at work on three new books. Annie has received awards from the National Press Photographers Association, the Associated Press, the National Organization of Women, The University of Minnesota and the White House News Photographers Association. Collaborations for Cause 35:02 Collaborations for Cause 2017 Panel Collaborations for Cause 30:18 Bryan Monroe – Why What We Do Still Matters? Hint: We're Not There Yet | Collaborations for Cause 2017 Bryan Monroe is the Verizon Chair and professor at Temple University’s School of Media and Communication (SMC). Before joining Temple, he was most recently the Washington editor, Opinion & Commentary at CNN and editor of CNNPolitics.com. His work at that network included editorial planning and content strategy across all online platforms for CNN in its Washington, D.C., bureau. He also served as the assistant vice president of news at Knight Ridder Newspapers, where he helped lead journalists at the Biloxi Sun Herald to the 2006 Pulitzer Prize Gold Medal for Public Service for their coverage of Hurricane Katrina. Monroe was also vice president and editorial director at EBONY and Jet magazines, where he led coverage of the 2008 presidential election, conducted the first post-election interview with President Barack Obama and did the last interview with pop legend Michael Jackson before his death. Monroe was a Nieman Fellow at Harvard University and served as a visiting professor at Northwestern University’s Medill School of Journalism. He was president of the National Association of Black Journalists from 2005 to 2007. Collaborations for Cause 31:39 World Vision – Content Is Not King | Collaborations for Cause 2017 The role of content and image in fulfilling storytelling, marketing and editorial needs at World Vision US. Tom Costanza spent the sixteen years as television news photographer at stations from Scranton to Seattle covering everything from presidential inaugurations and shuttle launches to earthquakes, hurricanes, and house fires. TV news helped him develop resourcefulness, compassion, and solid storytelling skills. When the opportunity to work at World Vision presented itself, Tom was able to use storytelling for a cause. Since joining World Vision in July 2001, Tom has spent a good part of the last sixteen years on the road capturing stories, spending three weeks traveling around the world to cover the Asia tsunami and in 2010, the earthquake in Haiti. He’s reported on child soldiers in Uganda, street children in Mexico, AIDS in India, and hunger in the Horn of Africa. Fortunately, the many heart-rending moments have been balanced by witnessing the joy, faith, and resilience of the world’s extraordinary people, his camera reflecting their light in some of the world’s darkest places. Phil Manzano is the director of Content Development in the Brand & Campaigns division of World Vision US. Currently, he oversees a team of writers and photographers, publications and promotional content. Prior to World Vision, he worked at The Oregonian in Portland, Ore. for more than 25 years as a writer and editor. He lives in the Rainier Valley area of South Seattle, and, on sunny days, can be found biking along Lake Washington. For almost 30 years, Jon Warren has dedicated his life to helping the poor to be seen and heard. He has traveled to upward of 60 countries producing photographs for many global publications and organizations such as World Vision. As Photojournalism Manager for World Vision, Jon travels the globe to tell the story of the charity’s work to build a better world for children. He’s photographed everything from the Haiti earthquake to the famine in Somalia. He lived with a Kenyan family trying to survive on food rations and spent a month with children in Cambodia working in a garbage dump. Through it all, his goal is to go beyond the statistics of poverty to show his subjects as individual and worthwhile human beings, loved and treasured by God. Jon has won awards from the National Press Photographers Association Pictures of the Year, Communications Arts, Folio, Maggie Awards, the Society of Professional Journalists, and Magnum Opus. Collaborations for Cause

3:32 MaryAnne Golon: Early Influences, Career Evolution and Mentorship MaryAnne Golon has spent her career at esteemed organizations like Time Magazine and the Washington Post. She tells us about her beginnings in the photojournalism industry and how it felt to go back to photojournalism after leaving Time. MaryAnne Golon is the Director of Photography at The Washington Post. Before joining The Post in 2012, MaryAnne was the director of photography at Time Magazine and a senior photography editor there for more than 20 years. She graduated with honors from The University of Florida with a B.S. in Journalism. Before joining The Post in 2012, MaryAnne curated Look 3: The Festival of the Photograph and help guide the 2-year product build of a digital asset management system for a major non-profit organization. Golon was also director of photography at Time magazine where she co-managed the international newsweekly’s photography department for more than 15 years. She graduated with honors from the University of Florida with a B.S. in Journalism. Golon has received many individual and team picture-editing awards from the POYi (Pictures of the Year International) and NPPA's (National Press Photographer’s Association) Best of Photojournalism competitions. Communication Arts, Society of Publication Designers, and American Photography have all recognized her work. She was awarded Picture of the Editor of the Year from the IFA Lucie Awards in 2013. She was twice selected for American Photo magazine’s list of the 100 most important people in photography. MaryAnne received a Bachelor of Science degree in Journalism and Communications from the University of Florida and is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University. Eddie Adams Workshop 5:10 Laura Roumanos on Education Through Photography At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. Eddie Adams Workshop 35:00 Marco Grob - EAW Archives Eddie Adams Workshop 39:13 Al Bello - EAW Archives Eddie Adams Workshop 2:37 John White - Gaining Access / Storytelling / Legacy Eddie Adams Workshop 6:23 Santiago Lyon | The Content Authenticity Initiative Eddie Adams Workshop 4:20 Santiago Lyon | Working in Afghanistan Eddie Adams Workshop 39:35 Daniel Berehulak Presentation - Eddie Adams Workshop 2020 In this virtual presentation, conducted during the 2020 Eddie Adams Workshop, photojournalist Daniel Berhulak gives a deep dive into his life and career as a professional photographer, from his childhood as a Ukrainian refugee growing up in Australia, to photographing sports for Getty, to creating award-winning photojournalism stories of all varieties in countries around the world. Daniel Berehulak is an independent photojournalist based in Mexico City. Born to immigrant parents, Daniel grew up on a farm outside of Sydney, Australia. His work has been recognized with two Pulitzer Prizes. In 2015, for his coverage of the Ebola epidemic in West Africa and in 2017 for his coverage of the so-called “war on drugs” in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of floods in Pakistan. Daniel has received several other honors, including six World Press Photo awards, two Photographer of the Year awards from POYi, and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually. Eddie Adams Workshop