Sara Terry

45:35 Kris Graves – 1492/1619 American Aftermaths This event is a conversation between 2021 Aftermath Project grant winner Kris Graves and Aftermath Project founder, and VII photographer, Sara Terry. Their talk focuses on Kris’ grant-winning project, Privileged Mediocrity and the Deceived Within. Kris shows images he made during his grant year, as he explores systematic unfairness in America – and talks with Sara about his critique of the ways racism, capitalism and power have shaped the U.S. They both share ideas about what goes into writing an American Aftermath grant proposal, and the kinds of projects that might be a good fit for the grant. Sara talks about the judging process and what judges look for. PhotoWings 59:40 Documenting the Housing Crisis, with Sara Terry How can you tell the story of a social issue like the affordable housing crisis in the U.S.? What does this story reveal about wealth and inequality in America? And when many of society’s problems are often only represented by data, reports, and statistics, what does it take to make a compelling documentary? In this event, Sara Terry will present her film “A Decent Home,” and discuss how and why she spent six and a half years on this project which addresses issues of class and economic inequality through the lives of mobile home park residents who can’t afford housing anywhere else. PhotoWings 56:48 Wounds Ukraine by Joseph Sywenkyj In this event with Joseph Sywenkyj and Sara Terry, Joseph will present his project Wounds, an intimate study of Ukrainian activists and soldiers who were severely wounded during the Euromaidan Revolution and Russia’s ongoing brutal war against Ukraine. It focuses intensely on individuals and their families who fought for justice, democracy, and Ukraine’s continued independence. This ongoing documentation, which he began in 2014, reveals what are likely the most vulnerable and painful moments in the lives of these men and women. A central objective of this project is to give Ukrainians an unvarnished perspective of how those wounded in war heal over time. This can guide and comfort those confronted with similar situations. For the international audience, it helps to serve as a reminder of the human cost of war and the imperative of supporting Ukraine and defending democracy. Wounds was awarded the Aftermath Project Grant in 2022, and Sara Terry will discuss how the grant operates and what it seeks to achieve. PhotoWings 1:07:48 How to apply for grants, with Sara Terry and Raymond Thompson Grants are an increasingly important funding source for documentary photography projects and stories. Grant applications require a mix of written proposals and visual materials. Have you ever wondered how to present the visual materials best? Which photo to put first when you apply for a grant? How to sequence 20 or 30 photos for a proposal? Join our conversation with Sara Terry, director of The Aftermath Project and member of VII Photo, and Raymond Thompson, the 2023 grant winner of the 1492/1619 American Aftermaths grant, to discuss these issues. During this event, Sara and Raymond will explain how to create a strong proposal. They will share writing tips and demonstrate how they recommend sequencing photographs. PhotoWings 1:17:24 1 in 6 by 2030: How to Visualize a Demographic Transition People worldwide are living longer. As the World Health Organization reports, today, most people can expect to live into their sixties and beyond. Indeed, by 2030, 1 in 6 people in the world will be aged 60 years or over. Every country in the world is experiencing growth in both the size and the proportion of older persons in the population, and all countries face significant challenges to ensure that their health and social systems can cope with and benefit from this demographic shift. This shift and the challenges it brings stem from dramatically improved life expectancy. According to Our World in Data, “Since 1900 the global average life expectancy has more than doubled and is now above 70 years [72 years, to be exact]. The inequality of life expectancy is still very large across and within countries. in 2019 the country with the lowest life expectancy is the Central African Republic with 53 years, in Japan life expectancy is 30 years longer.” In this event, we will discuss a major new documentary project–1 in 6 by 2030–led by Sara Terry, Ed Kashi, and Ilvy Njiokiktjien. This global, collaborative project will bring together photographers worldwide to produce compelling ways of humanizing what is, despite its social significance, a dry statistic on aging and demography. PhotoWings 52:04 Four Questions on Photography Sara Terry in Conversation With…Ilvy Njiokiktjien “Four Questions on Photography: Ilvy Njiokiktjien in Conversation With…” is a series of events where well-known photographers discuss with Ilvy their response to the four questions below. In this episode, however, Sara Terry, one of Ilvy’s guests in the series, turns the tables and puts the same questions to Ilvy: – What is your most important photograph, how did you make it, and what impact do you think it had? – What is your biggest photo failure; an image you wanted or needed but you messed up somehow? – What is your dream image or story? – What advice would you give to your younger self? PhotoWings 2:05 Sara Terry on Words, Photography & Motivation Award-winning photographer Sara Terry thought she might become a lawyer when she was a student, and only found photography later in life. Here, she tells us about the process of discovering the power of visual storytelling. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis. PhotoWings 3:41 Sara Terry on Collaboration In this video, award-winning photographer Sara Terry discusses how the seemingly solitary work of photography is actually very collaborative, from the connection between a photographer and their subject, to working with distribution partners, and how collaboration can be energizing and supportive. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis. PhotoWings 1:47 Sara Terry on the Importance of Grace When Disappointed Photographer Sara Terry has traveled around the world, producing many award-winning visual stories over the years. In this video, she gives us insight into how she remains resilient during hard times. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis. PhotoWings 0:56 Sara Terry on Making a Photograph That Is Yours In this video, award-winning photographer Sara Terry explains the importance of finding your personal visual voice. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis. PhotoWings 49:39 Four Questions on Photography Ilvy Njiokiktjien in Conversation With…Sara Terry “Four Questions on Photography: Ilvy Njiokiktjien in Conversation With…” is a series of events where each month well-known photographers discuss with Ilvy their response to these questions: What is your most important photograph, how did you make it, and what impact do you think it had? What is your biggest photo failure; an image you wanted or needed but you messed up somehow? What is your dream image or story? What advice would you give to your younger self? In this first episode of the series, Ilvy is in conversation with Sara Terry. PhotoWings 4:23 Sara Terry: A Lesson on Visual Literacy At the 2016 Collaborations for Cause Conference, we had the privilege of interviewing award-winning photojournalist Sara Terry, who gave us valuable insights into visual literacy and let us view many of her powerful photographs. In this video, Terry discusses creating lesson plans about the power of the still image, and guides us through the process of “seeing” one of her most celebrated photographs, using critical thinking skills to gain understanding. As she says, “I don’t know if there is anything more powerful than a still photo to take you into that vertical space of reflection, engagement and empathy.” This interview was conducted by PhotoWings in partnership with The Aftermath Project and the Blue Earth Alliance. Sara Terry is an award-winning documentary photographer and filmmaker, and journalist. She was a 2012 Guggenheim Fellow in Photography -- and a member of IATSE Local 600. She is also the founder and artistic director of The Aftermath Project, a grant-making, educational non-profit founded on the premise that “War is Only Half the Story.” She has lectured at The Annenberg Space for Photography in Los Angeles, and TedXNashville 2013, "Storytelling in a Post-Journalism World." She teaches at The Community Storytelling Project at Venice Arts. More info: saraterry.com theaftermathproject.org photowings.org blueearth.org © PhotoWings All Rights Reserved PhotoWings 4:56 Sara Terry on The Aftermath Project At the 2016 Collaborations for Cause Conference, award-winning photojournalist Sara Terry offered the history behind her foundation The Aftermath Project, an educational nonprofit she started to support photojournalism documenting post-conflict stories. In this video, Terry takes us through the formative experiences she had as a photojournalist that lead to the evolution of this important organization, which celebrates a decade of remarkable work this year. Terry discusses a number of the powerful projects funded by Aftermath which demonstrate that "war in only half the story." This interview was conducted by PhotoWings in partnership with The Aftermath Project and the Blue Earth Alliance. Sara Terry is an award-winning documentary photographer and filmmaker, and journalist. She was a 2012 Guggenheim Fellow in Photography -- and a member of IATSE Local 600. She is also the founder and artistic director of The Aftermath Project, a grant-making, educational non-profit founded on the premise that “War is Only Half the Story.” She has lectured at The Annenberg Space for Photography in Los Angeles, and TedXNashville 2013, "Storytelling in a Post-Journalism World." She teaches at The Community Storytelling Project at Venice Arts. More info: saraterry.com theaftermathproject.org photowings.org blueearth.org © PhotoWings All Rights Reserved PhotoWings 19:59 Sara Terry: The Aftermath Project, War is Only Half the Story: from project to non-profit - Collaborations for Cause 2016 Sara Terry shares the pros and cons of starting a non-profit as a photographer, and how her own passion for an issue led from a long-term personal project to a grant making program for other artists. Now in the 10th year of the Aftermath Project, Sara reflects on the privilege of curating a conversation, the challenges of fundraising on behalf of other people's projects and how to maintain her own vision, integrity and artistry throughout. Sarah Terry is an award-winning documentary photographer, filmmaker, and journalist. She is a 2012 Guggenheim Fellow in Photography and a member of IATSE Local 600. She is the founder and artistic director of The Aftermath Project, a grant-making, educational non-profit founded on the premise that “War is Only Half the Story.” In addition to this work, Sarah is a teacher, focusing on the aftermath of war and visual literacy. She has given lectures at The Annenberg Space for Photography in Los Angeles and TedXNashville, as well as teaching The Community Storytelling Project at Venice Arts. Collaborations for Cause is a two-day event that brings together cutting-edge content producers and front-line organizations for an exploration of how to harness the power of the evolving media landscape. Presented by Blue Earth Alliance, the third annual conference builds upon the organization's 18-year history of facilitating issue-driven visual storytelling. From a mix of in-depth case studies, insightful panel discussions, and "unconference" break-out sessions, participants leave inspired with fresh approaches, an expanded network of contacts and new resolve to build lasting positive change. PhotoWings 6:34 Creative Collaboration – Blue Earth Alliance Earlier this year at Blue Earth Alliance’s Collaborations for Cause Conference, PhotoWings sat down with award-winning photojournalists and industry leaders to talk about the importance of collaboration. The group reflected on their wealth of experience producing dynamic and creative content, and how others can use the power of teamwork. Featuring (in order of appearance): Tom Kennedy, Tim Greyhavens, Amy Benson, Daniel Beltra, Jeff Cappella, Roger Ressmeyer, Louie Schwartzberg, Alasdair Turner, Greg Constantine, Sara Terry, and Scott Squire Compilation