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25:50
Mustafah Abdulaziz – Water: Building a Global Understanding
Mustafah Abdulaziz
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25:50
Mustafah Abdulaziz – Water: Building a Global Understanding
Mustafah Abdulaziz lives in Berlin, Germany. His on-going project Water has received support from the United Nations, WaterAid, WWF, VSCO, and Google, has been reviewed by Phaidon, Monopol and published in Der Spiegel, The New Yorker, TIME and The Guardian. Worked as the first contract photographer for The Wall Street Journal. In 2012, was named one of PDN’s 30 Emerging Photographers to Watch. His work has been exhibited at Strandvägen in Stockholm, The Scoop in London, Brooklyn Waterfront in New York City, König Galerie in Berlin and the National Geographic Museum in Washington D.C.
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Foundry Photojournalism Workshop
Collection · Related
6:36
Jason Eskenazi - Storytelling and Visual Literacy
Photographer Jason Eskenazi, a Fulbright Scholar and Guggenheim Fellow, discusses storytelling and visual literacy through the extraordinary photographs he took for his book, Wonderland (which won the prestigious Pictures of the Year International Book Award in 2008). Jason illustrates what he calls the visual grammar of photography, which includes composition, light, perspective, and context, and how he strives to work within that grammar to capture images with an emotional resonance. See more interviews with Foundry Workshop Instructors: https://photowings.org/foundry-photojournalism-workshop/ The fall of the Berlin Wall led Eskenazi out of Queens into the larger world. After trips to Germany and Romania for their first democratic elections he traveled to Russia in 1991, just before the August coup that marked the end of the USSR, and has returned many times since culminating in a photography book project called Wonderland: A Fairy Tale of the Soviet Monolith, winner of Best Photography Book 2008 by Pictures of the Year International. In 2004 he received a Fulbright Scholarship to return to Russia to make a series of large format color portraits called Title Nation with a Russian colleague which will be published Fall 2010. Jason Eskenazi has received numerous awards including a Guggenheim Fellowship, 1999; The Dorothea Lange/Paul Taylor Prize, 1999, for his work in a Jewish Village in Azerbaijan; and The Alicia Patterson Foundation Grant, 1996. His work has appeared in many magazines including Time, Newsweek and The New York Times and Soros Foundation publications. http://www.jasoneskenazi.com/ PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved.
Foundry Photojournalism Workshop
22:11
Rodrigo Cruz: Mining in Peru - Foundry Photojournalism Workshop 2017
Foundry Photojournalism Workshop
17:49
Ron Haviv: My World of Motion - Foundry Photojournalism Workshop 2017
Foundry Photojournalism Workshop
54:17
Photo Stories from the Square Mile Initiative
This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the Photoville Festival. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. We are delighted to be joined by Peruvian photographer Alejandra Orosco, who presents her project “ Only Memories Do Not Drown”, highlighting the 1978 story of El Peñol, a town whose residents were compelled to relocate because of a hydroelectric project that would eventually supply 30% of Colombia’s population with energy. Doug Barrett is an American photographer who will discuss his series “Riley’s Cancel Journey.” Seven-year-old Riley Simmons faced WilmsTumor, a rare form of kidney cancer. Doug documented the emotions that Riley and her family experienced as they began their courageous battle for survival. Nepalese photographer Uma Bista showcases “ Stay Home, Sisters,” a personal project that addresses taboos surrounding menstruation. During ‘Chhaupadi,’ each month, women in Western Nepal are subjected to a ritual of isolation. Deemed impure, they are forced to stay in cowsheds. The event will be moderated by VII contributing photographer Espen Rasmussen.
Foundry Photojournalism Workshop
1:07:56
Photo Stories Documenting Abuse
This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photography projects that documenting human rights violations. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. We are delighted to be joined by Ecuadorian photographer David Diaz Arcos, who presents his project “Bird’s Nest” telling the stories of young adolescent women who are survivors of sexual exploitation in Ecuador. Italian photographer Viviana Peretti, currently based in Colombia, discusses her series “Searching for Lost Lives” sharing a light on the people who forcibly disappeared in Colombia. Iranian photographer Shirin Abedi, who grew up and lives in Hanover, shows “Invisible Students” which investigates the long-term effects of school bullying in Germany. The event is moderated by The VII Foundation contributing photographer Anush Babajanyan.
Foundry Photojournalism Workshop
49:22
Photo Stories from the Square Mile Initiative
This series showcases recent work from members of VII Community. Every few months, we invite photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the PhotoVogue Festival. VII Community provides ongoing education and support to a network of The VII Foundation’s alumni and Foundry Photojournalism Workshop participants, numbering more than 1200 professionals. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. The upcoming edition of Square Mile, curated especially for the PhotoVogue festival, offers an insight into the work of twelve photographers. They show humanity’s multifaceted connection to the natural world, explore the resilience of communities deeply rooted in their land, and pay respect to ancestral traditions. They tell a story about nature’s guardians, who are protecting the environment and creatures that populate it, and examine the intricate relations between humans and all living. We are delighted to be joined by American photographer Jordan Gale, who presents “You Will Never Want for Anything.” His project explores the Klamath River, the site of the world’s largest dam removal project, and in doing so, examines the history of exploitation and resource extraction. Chinky Shukla is an Indian photographer who will discuss “When Buddha Stopped Smiling.”. Her project tells the stories of the desert communities of Pokhran. When India announced its nuclear capability in 1974, the explosions echoed across the world — but in that thunderous moment, local voices were silenced. Mexican photographer Sara Escobar showcases “Burrolandia: The Donkey Obsession,” a story about a donkey sanctuary led by German Flores. As mechanization has replaced working animals, Mexico’s donkey population has plummeted. At this shelter in Otumba, caregivers work to provide dignified lives for Mexican donkeys while preserving their legacy. The event will be moderated by VII contributing photographer Anush Babajanyan.
Foundry Photojournalism Workshop
1:20
Ron Haviv: The business of preserving a legacy, Foundry Photojournalism Workshop 2011
Foundry Photojournalism Workshop
10:03
Marko Drobnjakovic - Foundry 2023 Presentation
Foundry Photojournalism Workshop
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Blue Earth Alliance
Collection · Related
3:41
Sara Terry on Collaboration
In this video, award-winning photographer Sara Terry discusses how the seemingly solitary work of photography is actually very collaborative, from the connection between a photographer and their subject, to working with distribution partners, and how collaboration can be energizing and supportive. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis.
Blue Earth Alliance
2:05
Sara Terry on Words, Photography & Motivation
Award-winning photographer Sara Terry thought she might become a lawyer when she was a student, and only found photography later in life. Here, she tells us about the process of discovering the power of visual storytelling. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis.
Blue Earth Alliance
32:46
Amy Gulick - Salmon in the Trees WildSpeak Presentation 2016
Home to an abundance of bears, bald eagles and salmon, the Tongass National Forest in Alaska contains one-third of the worlds rare old-growth coastal temperate rain forest. Seeing the forest for the fish is key to understanding and conserving this magnificent ecosystem and the wild and human communities it supports. Amy Gulick has been working in the region for years and her book on this work, "Salmon in the Trees: Life in Alaska's Tongass Rain Forest," is the recipient of an Independent Publisher Book Award.
Blue Earth Alliance
27:55
David Moskowitz – Fundraising and Public Engagement in Conservation Storytelling | Collaborations for Cause 2017
David Moskowitz is the author and photographer of two books, Wildlife of the Pacific Northwest and Wolves in the Land of Salmon. As a biologist, photographer and educator, David has worked on wildlife studies and conservation initiatives around the United Sates and internationally. The focus of much his work has been on using tracking and other non-invasive research methods to study wildlife and promote conservation. David is certified as a Track and Sign Specialist, Trailing Specialist, and Senior Tracker through Cybertracker Conservation and is an Evaluator for this rigorous international professional certification program. David holds a bachelor’s degree in Environmental Studies from Prescott College. David’s current project, the Mountain Caribou Initiative, is a multi-media exploration of the conservation challenges faced in the world’s largest remaining inland temperate rainforest, found in the interior mountains of western North America and home to one of the most unique and endangered populations of caribou found on the planet.
Blue Earth Alliance
27:05
Thomas Patterson – What I Look For When I Hire A Photographer | Collaborations for Cause 2017
Thomas Patterson is a photo editor and content specialist for the international humanitarian organization Mercy Corps. After more than a decade on the photo staff of the Statesman Journal newspaper, Thomas earned a master's degree in Multimedia Journalism and undertook a Graduate Teaching Fellowship at the University of Oregon School of Journalism and Communication. Based in Portland, Oregon, Thomas is also a photojournalist and multimedia storyteller specializing in multimedia projects for editorial, corporate and non-profit clients around the world.
Blue Earth Alliance
31:39
World Vision – Content Is Not King | Collaborations for Cause 2017
The role of content and image in fulfilling storytelling, marketing and editorial needs at World Vision US. Tom Costanza spent the sixteen years as television news photographer at stations from Scranton to Seattle covering everything from presidential inaugurations and shuttle launches to earthquakes, hurricanes, and house fires. TV news helped him develop resourcefulness, compassion, and solid storytelling skills. When the opportunity to work at World Vision presented itself, Tom was able to use storytelling for a cause. Since joining World Vision in July 2001, Tom has spent a good part of the last sixteen years on the road capturing stories, spending three weeks traveling around the world to cover the Asia tsunami and in 2010, the earthquake in Haiti. He’s reported on child soldiers in Uganda, street children in Mexico, AIDS in India, and hunger in the Horn of Africa. Fortunately, the many heart-rending moments have been balanced by witnessing the joy, faith, and resilience of the world’s extraordinary people, his camera reflecting their light in some of the world’s darkest places. Phil Manzano is the director of Content Development in the Brand & Campaigns division of World Vision US. Currently, he oversees a team of writers and photographers, publications and promotional content. Prior to World Vision, he worked at The Oregonian in Portland, Ore. for more than 25 years as a writer and editor. He lives in the Rainier Valley area of South Seattle, and, on sunny days, can be found biking along Lake Washington. For almost 30 years, Jon Warren has dedicated his life to helping the poor to be seen and heard. He has traveled to upward of 60 countries producing photographs for many global publications and organizations such as World Vision. As Photojournalism Manager for World Vision, Jon travels the globe to tell the story of the charity’s work to build a better world for children. He’s photographed everything from the Haiti earthquake to the famine in Somalia. He lived with a Kenyan family trying to survive on food rations and spent a month with children in Cambodia working in a garbage dump. Through it all, his goal is to go beyond the statistics of poverty to show his subjects as individual and worthwhile human beings, loved and treasured by God. Jon has won awards from the National Press Photographers Association Pictures of the Year, Communications Arts, Folio, Maggie Awards, the Society of Professional Journalists, and Magnum Opus.
Blue Earth Alliance
30:18
Bryan Monroe – Why What We Do Still Matters? Hint: We're Not There Yet | Collaborations for Cause 2017
Bryan Monroe is the Verizon Chair and professor at Temple University’s School of Media and Communication (SMC). Before joining Temple, he was most recently the Washington editor, Opinion & Commentary at CNN and editor of CNNPolitics.com. His work at that network included editorial planning and content strategy across all online platforms for CNN in its Washington, D.C., bureau. He also served as the assistant vice president of news at Knight Ridder Newspapers, where he helped lead journalists at the Biloxi Sun Herald to the 2006 Pulitzer Prize Gold Medal for Public Service for their coverage of Hurricane Katrina. Monroe was also vice president and editorial director at EBONY and Jet magazines, where he led coverage of the 2008 presidential election, conducted the first post-election interview with President Barack Obama and did the last interview with pop legend Michael Jackson before his death. Monroe was a Nieman Fellow at Harvard University and served as a visiting professor at Northwestern University’s Medill School of Journalism. He was president of the National Association of Black Journalists from 2005 to 2007.
Blue Earth Alliance
35:02
Collaborations for Cause 2017 Panel
Blue Earth Alliance
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