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29:46
Navigating Care: Empathy in Image-Making | Lynn Johnson x Isadora Kosofsky | CatchLight 2023
Lynn Johnson
Photojournalist, National Geographic
Projects · appears in 3
Eddie Adams Workshop
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Photoville
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Portfolio
8 videos · every appearance
29:46
Navigating Care: Empathy in Image-Making | Lynn Johnson x Isadora Kosofsky | CatchLight 2023
What responsibility does a photographer have to the people whose lives they are documenting? What are the practical and emotional impacts of that responsibility? Johnson and Kosofsky reflect on the intimacy of documentary photography and what they’ve learned from shadowing people they collaborate with in projects often spanning years.
PhotoWings
5:59
Photoville Education Field Trip: Lynn Johnson shares "The Limitless Project"
PhotoWings
11:32
Student Education Field Trip: Lynn Johnson “Mister Rogers, Is Your Neighbor Worth Loving?”
Artist talk with Lynn Johnson, photographer behind “Mister Rogers, Is Your Neighbor Worth Loving?”
PhotoWings
4:01
PTSD: The Lasting Effects of Photojournalism
The life of a photojournalist can be hard and dangerous, and none are immune from the detrimental effects of PTSD. In this video, award-winning photojournalists Mary Calvert, MaryAnne Golon, Ron Haviv, Lynn Johnson, John Moore, and Nichole Sobecki give expert advice about how they deal with low moments and cultivate resilience. Mary Calvert is committed to using photography to affect meaningful social change and is known for producing work on gender-based human rights issues. Calvert has been focusing her journalistic attention on the continually under-reported relegation and abuse of women in the US Armed Forces. Calvert has won the Robert F. Kennedy Journalism Award twice and is a two-time Pulitzer Prize finalist in Feature Photography. Recently, Calvert was awarded the 2015 W. Eugene Smith Memorial Fund Fellowship. MaryAnne Golon is director of photography at the Washington Post. As a member of the senior management team, she supervises all aspects of photography for the daily newspaper and its digital forms: on the web, mobile and tablet. MaryAnne received an IFA Lucie award as Picture Editor of the Year in 2013. She was previously Time magazine's director of photography and co-managed the international newsweekly’s photography department for more than 15 years, and was directly involved in the production of scores of award-winning Time covers and special editions, as well as coordinating Time's photographic coverage of the Olympic Games for sixteen years. She led the photo team that produced the Hurricane Katrina and the September 11, 2001 special Time editions that each won coveted ASME National Magazine Awards. She is on the Board of Directors of the Eddie Adams Workshop. Ron Haviv is an award-winning photojournalist and conflict photographer who as documented international and civilian conflicts around the world since the Cold War. His work on Latin America, Africa, the Middle East, Russia and the Balkan concentrates not only on the direct effects of conflict but also upon the humanitarian consequences which are longer term and continue long after the gunfire has ceased. His awards include World Press Photo, Picture of the Year, Overseas Press Club and the Leica Medal of Excellence. Appreciating the need for a different kind of photo-collective to support and market the images of photographers he co-founded VII in 2001. Lynn Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. John Moore is a senior staff photographer and special correspondent for Getty Images. He has photographed in 65 countries on six continents and was posted internationally for 17 years, first to Nicaragua, then India, South Africa, Mexico, Egypt and Pakistan. Since returning to the U.S. in 2008 he has since focused on immigration and border issues. Moore has won top awards throughout his career, including the 2005 Pulitzer Prize for Breaking News Photography, World Press Photo honors, the John Faber Award and the Robert Capa Gold Medal from the Overseas Press Club, Photographer of the Year from Pictures of the Year International, the NPPA and Sony World Photography Organization. Nichole Sobecki is a photographer and filmmaker based in Nairobi, Kenya. She is represented internationally by the photo agency VII. Sobecki graduated from Tufts University before beginning her career in Turkey, Lebanon, and Syria, focusing on regional issues related to identity, conflict, and human rights. From 2012-2015 Nichole led Agence France-Presse’s East Africa video bureau, and was a Rory Peck Awards News Finalist for her coverage of the Westgate mall attacks in Kenya. In 2018 she was awarded by Robert F. Kennedy Human Rights prize in new media for her images documenting Europe's response to the African migration crisis. Nichole's work has been recognized by Pictures of the Year, the One World Media Awards, the Alexandra Boulat Award for Photojournalism, The Magenta Foundation, and The Jacob Burns Film Center, among others.
PhotoWings
1:47
Lynn Johnson on Early Career Photographers
We sat down to talk with award-winning photojournalist Lynn Johnson at the Eddie Adams Workshop, and in this video, she gives advice for early career photographers about creating visual stories and finding the right subject to work on. Lynn Johnson was hired as the first woman staff photographer at the Pittsburgh Press. She stayed at the newspaper for seven years, and during that time she convinced the editors of the Sunday newspaper to let her do photo essays. Since then, she has climbed the radio antenna atop Chicago’s John Hancock Tower, clambered around scaffoldings with steelworkers, and lived among fishermen on Long Island and guerrillas in Vietnam. She has done in-depth portraits of celebrities including Stevie Wonder, Michael Douglas, Mr. Rogers, and the entire U.S. Supreme Court. Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. Among the pieces she has shot for National Geographic: the environmental issues surrounding cooking on open fires, our attitudes toward death, and the medical uses of marijuana. Johnson’s work has been exhibited at the Annenberg Space for Photography, the House of Memory in Milan, Italy, and Visa pour l’image (International Festival of Photojournalism) in Perpignan, France. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. She lives in Pittsburgh, Pennsylvania. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
PhotoWings
1:02
Lynn Johnson on Storytelling
Award-winning photojournalist Lynn Johnson sat down with us at the Eddie Adams Workshop to talk about the critical importance of visual storytellers and their efforts to give a voice to the invisible and powerless. Lynn Johnson was hired as the first woman staff photographer at the Pittsburgh Press. She stayed at the newspaper for seven years, and during that time she convinced the editors of the Sunday newspaper to let her do photo essays. Since then, she has climbed the radio antenna atop Chicago’s John Hancock Tower, clambered around scaffoldings with steelworkers, and lived among fishermen on Long Island and guerrillas in Vietnam. She has done in-depth portraits of celebrities including Stevie Wonder, Michael Douglas, Mr. Rogers, and the entire U.S. Supreme Court. Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. Among the pieces she has shot for National Geographic: the environmental issues surrounding cooking on open fires, our attitudes toward death, and the medical uses of marijuana. Johnson’s work has been exhibited at the Annenberg Space for Photography, the House of Memory in Milan, Italy, and Visa pour l’image (International Festival of Photojournalism) in Perpignan, France. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. She lives in Pittsburgh, Pennsylvania. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
PhotoWings
2:38
Lynn Johnson on Self-Discovery
Photojournalist Lynn Johnson has been on assignment around the world and won many awards for her work over her long career. We sat down to talk with Johnson at the Eddie Adams Workshop, and in this video, she recalls some early memories of discovering the power the photography, and learning from her mentor Yoichi Okamoto. Lynn Johnson was hired as the first woman staff photographer at the Pittsburgh Press. She stayed at the newspaper for seven years, and during that time she convinced the editors of the Sunday newspaper to let her do photo essays. Since then, she has climbed the radio antenna atop Chicago’s John Hancock Tower, clambered around scaffoldings with steelworkers, and lived among fishermen on Long Island and guerrillas in Vietnam. She has done in-depth portraits of celebrities including Stevie Wonder, Michael Douglas, Mr. Rogers, and the entire U.S. Supreme Court. Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. Among the pieces she has shot for National Geographic: the environmental issues surrounding cooking on open fires, our attitudes toward death, and the medical uses of marijuana. Johnson’s work has been exhibited at the Annenberg Space for Photography, the House of Memory in Milan, Italy, and Visa pour l’image (International Festival of Photojournalism) in Perpignan, France. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. She lives in Pittsburgh, Pennsylvania. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
PhotoWings
1:44
Lynn Johnson on Breaking The Glass Ceiling
Award-winning photojournalist Lynn Johnson is a pioneer in the industry who was the first woman photographer on staff at The Pittsburgh Press. We sat down to talk with Johnson at the Eddie Adams Workshop, and in this video, she tells us a bit about her early days in the journalism business, and the resourcefulness that was required to break through the barriers created by sexism. Lynn Johnson was hired as the first woman staff photographer at the Pittsburgh Press. She stayed at the newspaper for seven years, and during that time she convinced the editors of the Sunday newspaper to let her do photo essays. Since then, she has climbed the radio antenna atop Chicago’s John Hancock Tower, clambered around scaffoldings with steelworkers, and lived among fishermen on Long Island and guerrillas in Vietnam. She has done in-depth portraits of celebrities including Stevie Wonder, Michael Douglas, Mr. Rogers, and the entire U.S. Supreme Court. She has also documented the story of the youngest face transplant patient in the U.S. Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. Among the pieces she has shot for National Geographic: the environmental issues surrounding cooking on open fires, our attitudes toward death, and the medical uses of marijuana. Johnson’s work has been exhibited at the Annenberg Space for Photography, the House of Memory in Milan, Italy, and Visa pour l’image (International Festival of Photojournalism) in Perpignan, France. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. She lives in Pittsburgh, Pennsylvania. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
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Eddie Adams Workshop
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3:32
MaryAnne Golon: Early Influences, Career Evolution and Mentorship
MaryAnne Golon has spent her career at esteemed organizations like Time Magazine and the Washington Post. She tells us about her beginnings in the photojournalism industry and how it felt to go back to photojournalism after leaving Time. MaryAnne Golon is the Director of Photography at The Washington Post. Before joining The Post in 2012, MaryAnne was the director of photography at Time Magazine and a senior photography editor there for more than 20 years. She graduated with honors from The University of Florida with a B.S. in Journalism. Before joining The Post in 2012, MaryAnne curated Look 3: The Festival of the Photograph and help guide the 2-year product build of a digital asset management system for a major non-profit organization. Golon was also director of photography at Time magazine where she co-managed the international newsweekly’s photography department for more than 15 years. She graduated with honors from the University of Florida with a B.S. in Journalism. Golon has received many individual and team picture-editing awards from the POYi (Pictures of the Year International) and NPPA's (National Press Photographer’s Association) Best of Photojournalism competitions. Communication Arts, Society of Publication Designers, and American Photography have all recognized her work. She was awarded Picture of the Editor of the Year from the IFA Lucie Awards in 2013. She was twice selected for American Photo magazine’s list of the 100 most important people in photography. MaryAnne received a Bachelor of Science degree in Journalism and Communications from the University of Florida and is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University.
Eddie Adams Workshop
5:10
Laura Roumanos on Education Through Photography
At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
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Daniel Berehulak Presentation - Eddie Adams Workshop 2020
In this virtual presentation, conducted during the 2020 Eddie Adams Workshop, photojournalist Daniel Berhulak gives a deep dive into his life and career as a professional photographer, from his childhood as a Ukrainian refugee growing up in Australia, to photographing sports for Getty, to creating award-winning photojournalism stories of all varieties in countries around the world. Daniel Berehulak is an independent photojournalist based in Mexico City. Born to immigrant parents, Daniel grew up on a farm outside of Sydney, Australia. His work has been recognized with two Pulitzer Prizes. In 2015, for his coverage of the Ebola epidemic in West Africa and in 2017 for his coverage of the so-called “war on drugs” in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of floods in Pakistan. Daniel has received several other honors, including six World Press Photo awards, two Photographer of the Year awards from POYi, and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually.
Eddie Adams Workshop
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Laura Roumanos on Education Through Photography
At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
Photoville
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“Teaching Creativity: A Case for Art Education” presented with Seven New York City Public Schools
TEACHING CREATIVITY: A CASE FOR ART EDUCATION presented by Photoville with Seven New York City Public Schools Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. This panel will celebrate New York City students and their arts educators. We will also present a call to action: Ensure that arts education remains a leading factor in the curriculum of every child. photoville.nyc/teaching-creativity-case-art-education-day/
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“Connection and Reflection during COVID-19” presented with Bronx Junior Photo League
CONNECTION AND REFLECTION DURING COVID-19 presented by Photoville with the Bronx Junior Photo League and Bronx Documentary Center Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. Students in the Bronx Junior Photo League (BJPL), the Bronx Documentary Center’s (BDC) free documentary storytelling and college success program for 6th through 12th grade students, have been documenting social justice issues and community-based stories since 2013. The BJPL–and the work the students make–is the heart of the BDC’s mission: to use community-based documentary practice and education to explore vital issues, stimulate critical thought, and drive social change. In March 2020, in response to the coronavirus pandemic, the BDC made the decision to suspend all programs and move to remote learning. Our students, who are used to working in a program based on the ability to go outside and photograph in the community, quickly learned to turn their lens to the vulnerable space of their private lives. They created visual and written explorations of their experiences during this time, using photography as a tool of reflection and connection with themselves, their families, and their communities. photoville.nyc/connection-and-reflection-during-covid-19/
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“The Power of Photographic Storytelling” presented with NYU Tisch Department of Photography and Imaging
THE POWER OF PHOTOGRAPHIC STORYTELLING presented by Photoville with NYU Tisch Department of Photography and Imaging Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. Storytelling, identity, prejudice, family, friends, community, intersectionality, activism, and finding freedom through creativity are some of the topics addressed in the photographic projects of the 2020 NYU Tisch Future Imagemakers. They will discuss their work, and how photo-based image-making has empowered them to speak up for social justice. photoville.nyc/the-power-of-photographic-storytelling/
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“We Built This City: Destiny Mata and Gogy Esparza in Conversation” presented with Abrons Art Center
WE BUILT THIS CITY: DESTINY MATA AND GOGY ESPARZA IN CONVERSATION presented with Abrons Art Center Featuring Destiny Mata, Gogy Esparza, and moderated by Ali Rosa-Salas Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWIngs with additional support by the Philip and Edith Leonian Foundation Photographers Destiny Mata and Gogy Esparza discuss their artistic practices and the role New York City plays in shaping their aesthetic perspectives. Moderated by Abrons Arts Center’s Director of Programming, Ali Rosa-Salas. photoville.nyc/online/we-built-this-city-destiny-mata-and-gogy-esparza-in-conversation/
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