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5:10
Laura Roumanos on Education Through Photography
Laura Roumanos
Executive Producer & Co-Founder, Photoville
Projects · appears in 2
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4 videos · every appearance
5:10
Laura Roumanos on Education Through Photography
At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
PhotoWings
1:33:01
“Crafting Your Career: Grant Writing and Proposals” with Diversify Photo
CRAFTING YOUR CAREER: GRANT WRITING AND PROPOSALS presented with Diversify Photo with support from Leica Camera USA Featuring Judy Cai, Veronika Châtelain, Danielle Villasana, and moderated by Laura Roumanos Photoville 2021 Talks On-demand recordings are made possible in partnership with PhotoWings Photoville is proud to partner with Diversify Photo to host their second set of professional development workshops together. These workshops are aimed towards experienced and emerging photographers and editors who would like to learn about the various journeys to success that leaders in our industry have taken. In this session we will dissect successful grants and proposals and get advice from grant-giving organizations. The workshops are especially geared towards BIPOC photographers, and are open to photographers anywhere in the world. We are here to support BIPOC and non-Western photographers to have successful careers. photoville.nyc/2021-grant-writing-proposals-for-photographers/
PhotoWings
3:11
Archiving Images: History's Primary Sources
From websites like Photobucket to apps like Instagram, the digital age has seen an extraordinary explosion in everyday photography, but are we archiving these images appropriately for posterity? In this video, award-winning photographers Victor Blue, Mary Calvert, Ed Kashi, Laura Roumanos, Camille Seamen, and Adriana Zehbrauskas help us understand the importance of taking care with our photographic history, so that the images can continue to inform and inspire for years to come. Victor J. Blue is a New York based photojournalist whose work is most often concerned with the legacy of armed conflict, human rights and the protection of civilian populations, and unequal outcomes resulting from policy and politics. He has worked in Central America since 2002, concentrating on social conflict in Guatemala, and since 2009 has photographed the Counterinsurgency war in Afghanistan. He has completed assignments in Syria, Mexico, El Salvador, Honduras, Iraq, and India, and has documented news stories and social issues across the United States. He worked as a staff photographer at The Record in Stockton CA, and holds a Masters Degree in Visual Communication from Ohio University. In 2010, 2011, and 2015 his work in Afghanistan was honored in Pictures of the Year International. In 2017 he garnered three awards in the Pictures of the Year International. Mary Calvert is committed to using photography to affect meaningful social change and is known for producing work on gender-based human rights issues. Calvert has been focusing her journalistic attention on the continually under-reported relegation and abuse of women in the US Armed Forces. Her work “Sexual Assault in America’s Military” was awarded 1st Prize, Long Term Projects in the 2016 World Press Photo Contest. Calvert has won the Robert F. Kennedy Journalism Award twice and is a two-time Pulitzer Prize finalist in Feature Photography. Recently, Calvert was awarded the 2015 W. Eugene Smith Memorial Fund Fellowship. Ed Kashi is an acclaimed photojournalist who uses photography, filmmaking and social media to explore geopolitical and social issues that define our times. He is also a dedicated educator and mentor to photographers around the world and lectures frequently on visual storytelling, human rights and the world of media. A leading voice in the photojournalism world, Kashi frequently lectures on a wide range of topics for arts institutions, universities, schools and professional organizations. His work has been published and exhibited worldwide, receiving numerous awards and honors. Laura Roumanos is the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 400 photo exhibitions and public projects worldwide. Originally from Sydney, Roumanos worked as a Producer and Arts Administrator before making the big move to NYC where she joined the Manhattan Theatre Club. She then headed to St. Ann’s Warehouse as the General Manager for several years where she worked to help present and produce large-scale international theatre, music, and art events. Camille Seaman was born to a Native American (Shinnecock tribe) father and African American mother. She graduated from the State University of New York at Purchase, where she studied photography with Jan Groover and has since taken master workshops with Steve McCurry, Sebastiao Salgado, and Paul Fusco. Her photographs have been published in National Geographic Magazine, Italian Geo, The New York Times Sunday magazine, Newsweek, Outside, Zeit Wissen, Men’s Journal, Camera Arts, Issues, PDN, and American Photo among many others. Her photographs have received many awards including: a National Geographic Award, 2006; and the Critical Mass Top Monograph Award, 2007. Adriana Zehbrauskas is a Brazilian documentary photographer based in Mexico City, Mexico. Her work covers mostly issues related to migration, religion and the aftermath of the violence related to the drug wars in Mexico as well as the daily life of sub and misrepresented communities. She contributes regularly to The New York Times, BuzzFeed News, The Washington Post and others. She’s one of the recipients of the first Getty Images Instagram Grant and was awarded Best Female Photojournalist -Troféu Mulher Imprensa (Brazil). Her mobile photography work was selected by Time Magazine for the “29 Instagrams That Defined the World in 2014″ and her project on Faith in Brazil and Mexico was awarded a Art & Worship World Prize by the Niavaran Artistic Creation Foundation.
Compilation
40:47
The Art of the Pitch: Preparing and writing proposals, grants, and more – Photoville 2018
Featuring: Emma Raynes, Laura Roumanos You have been working on a long term project for years, what is next? Applying for a grant to keep going? Search for an exhibition opportunity or try and find a job that pays the bills while documenting that one passion story? Join Emma Raynes, Director of Programs at the Magnum Foundation and United Photo Industries and Photoville’s Co-Founder Laura Roumanos, in a 45 minute crash course that covers everything from searching for job and exhibition opportunities, responding to request for proposals and learning the tricks of the trade to writing the perfect grant submission. Photoshelter’s LUMINANCE At PHOTOVILLE 2018 Produced by United Photo Industries Presented in partnership with PhotoWings Additional support for the Photoville Talks provided by Two Trees Management, the Phillip and Edith Leonian Foundation and School of Visual Arts, Division of Continuing Education for more information: www.photoville.com | www.photowings.org
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Photoville
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EDU Lab Workshop DISABILITY / VISIBILITY (part 3) +
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50:03
PhotoWings Reel for Photoville 2026
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55:35
“Teaching Creativity: A Case for Art Education” presented with Seven New York City Public Schools
TEACHING CREATIVITY: A CASE FOR ART EDUCATION presented by Photoville with Seven New York City Public Schools Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. This panel will celebrate New York City students and their arts educators. We will also present a call to action: Ensure that arts education remains a leading factor in the curriculum of every child. photoville.nyc/teaching-creativity-case-art-education-day/
Photoville
56:14
“Connection and Reflection during COVID-19” presented with Bronx Junior Photo League
CONNECTION AND REFLECTION DURING COVID-19 presented by Photoville with the Bronx Junior Photo League and Bronx Documentary Center Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. Students in the Bronx Junior Photo League (BJPL), the Bronx Documentary Center’s (BDC) free documentary storytelling and college success program for 6th through 12th grade students, have been documenting social justice issues and community-based stories since 2013. The BJPL–and the work the students make–is the heart of the BDC’s mission: to use community-based documentary practice and education to explore vital issues, stimulate critical thought, and drive social change. In March 2020, in response to the coronavirus pandemic, the BDC made the decision to suspend all programs and move to remote learning. Our students, who are used to working in a program based on the ability to go outside and photograph in the community, quickly learned to turn their lens to the vulnerable space of their private lives. They created visual and written explorations of their experiences during this time, using photography as a tool of reflection and connection with themselves, their families, and their communities. photoville.nyc/connection-and-reflection-during-covid-19/
Photoville
1:00:03
“The Power of Photographic Storytelling” presented with NYU Tisch Department of Photography and Imaging
THE POWER OF PHOTOGRAPHIC STORYTELLING presented by Photoville with NYU Tisch Department of Photography and Imaging Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. Storytelling, identity, prejudice, family, friends, community, intersectionality, activism, and finding freedom through creativity are some of the topics addressed in the photographic projects of the 2020 NYU Tisch Future Imagemakers. They will discuss their work, and how photo-based image-making has empowered them to speak up for social justice. photoville.nyc/the-power-of-photographic-storytelling/
Photoville
58:33
“We Built This City: Destiny Mata and Gogy Esparza in Conversation” presented with Abrons Art Center
WE BUILT THIS CITY: DESTINY MATA AND GOGY ESPARZA IN CONVERSATION presented with Abrons Art Center Featuring Destiny Mata, Gogy Esparza, and moderated by Ali Rosa-Salas Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWIngs with additional support by the Philip and Edith Leonian Foundation Photographers Destiny Mata and Gogy Esparza discuss their artistic practices and the role New York City plays in shaping their aesthetic perspectives. Moderated by Abrons Arts Center’s Director of Programming, Ali Rosa-Salas. photoville.nyc/online/we-built-this-city-destiny-mata-and-gogy-esparza-in-conversation/
Photoville
1:01:34
“Creativity in Unprecedented Times” presented with Adobe
CREATIVITY IN UNPRECEDENTED TIMES presented with Adobe Featuring Alexis Hunley, Bri McDaniel, Elinor Carucci, and moderated by Katrin Eismann Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWIngs with additional support by the Philip and Edith Leonian Foundation In this year of COVID and calls for social justice, awareness, and responsibility, many have turned to photography to process and express what is taking place in their personal lives and communities. Join this panel of extraordinary photographers as they explore the topic of remaining creatively fresh and engaged while working within the limitations of social isolation, travel bans, and extremely divisive political discourse. This lively and inspiring discussion will include: — Photography work during COVID — The importance of personal projects — Thinking creatively within one’s environment — When the personal is political — Adapting to change photoville.nyc/online/creativity-in-unprecedented-times/
Photoville
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Eddie Adams Workshop
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3:32
MaryAnne Golon: Early Influences, Career Evolution and Mentorship
MaryAnne Golon has spent her career at esteemed organizations like Time Magazine and the Washington Post. She tells us about her beginnings in the photojournalism industry and how it felt to go back to photojournalism after leaving Time. MaryAnne Golon is the Director of Photography at The Washington Post. Before joining The Post in 2012, MaryAnne was the director of photography at Time Magazine and a senior photography editor there for more than 20 years. She graduated with honors from The University of Florida with a B.S. in Journalism. Before joining The Post in 2012, MaryAnne curated Look 3: The Festival of the Photograph and help guide the 2-year product build of a digital asset management system for a major non-profit organization. Golon was also director of photography at Time magazine where she co-managed the international newsweekly’s photography department for more than 15 years. She graduated with honors from the University of Florida with a B.S. in Journalism. Golon has received many individual and team picture-editing awards from the POYi (Pictures of the Year International) and NPPA's (National Press Photographer’s Association) Best of Photojournalism competitions. Communication Arts, Society of Publication Designers, and American Photography have all recognized her work. She was awarded Picture of the Editor of the Year from the IFA Lucie Awards in 2013. She was twice selected for American Photo magazine’s list of the 100 most important people in photography. MaryAnne received a Bachelor of Science degree in Journalism and Communications from the University of Florida and is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University.
Eddie Adams Workshop
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Al Bello - EAW Archives
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John White - Gaining Access / Storytelling / Legacy
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Santiago Lyon | The Content Authenticity Initiative
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Santiago Lyon | Working in Afghanistan
Eddie Adams Workshop
39:35
Daniel Berehulak Presentation - Eddie Adams Workshop 2020
In this virtual presentation, conducted during the 2020 Eddie Adams Workshop, photojournalist Daniel Berhulak gives a deep dive into his life and career as a professional photographer, from his childhood as a Ukrainian refugee growing up in Australia, to photographing sports for Getty, to creating award-winning photojournalism stories of all varieties in countries around the world. Daniel Berehulak is an independent photojournalist based in Mexico City. Born to immigrant parents, Daniel grew up on a farm outside of Sydney, Australia. His work has been recognized with two Pulitzer Prizes. In 2015, for his coverage of the Ebola epidemic in West Africa and in 2017 for his coverage of the so-called “war on drugs” in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of floods in Pakistan. Daniel has received several other honors, including six World Press Photo awards, two Photographer of the Year awards from POYi, and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually.
Eddie Adams Workshop
34:42
Mary Calvert Presentation - Eddie Adams Workshop 2020
During the virtual 2020 Eddie Adams Workshop, award-winning photojournalist Mary Calvert shared a presentation about her recent work covering issues of sexual abuse in the U.S. military and the lives of the veterans who have survived such abuse. Mary Calvert is committed to using photography to affect meaningful social change and is known for producing work on under-reported and neglected gender based, human rights issues. For the past several years, Mary has focused her journalistic attention on the relegation and abuse of women and men in the U.S. Armed Forces. This work was a finalist in Feature Photography in the 2020 Pulitzer Prizes and has won numerous awards including the World Press Photo Contest and the Cliff Edom New America Award. The work has been supported by grants from Getty Images, the Alexia Foundation, and Mary is a 2017-2018 John Simon Guggenheim Memorial Foundation Fellow in Photography. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually.
Eddie Adams Workshop
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