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2:05:09
John Stanmeyer’s Kit: On Assignment with National Geographic
John Stanmeyer
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9 videos · every appearance
2:05:09
John Stanmeyer’s Kit: On Assignment with National Geographic
There is no one photography kit. Some can be large, and some can be small—it all depends on need and style. From times when an extensive collection of items is necessary, to more insignificant day-to-day kits, and creating endlessly with the camera phone that is always in his pocket, John Stanmeyer has done it all over the years. In this VII Insider session, John shares his experiences preparing for assignments and how he thinks about what gear is necessary. John shares his philosophy of minimalism and simplicity, and gives insight into what feels just right for him, to help guide others to committing not to more and more gear, but to less—and the limitless possibilities he finds in bringing a simple collection of tools into the field on an assignment. In a wide-ranging Q+A, John also discusses long-form and short-form storytelling with a small kit, sharing examples not so much of the gear, but what one can do with their gear. John Stanmeyer is an award-winning photojournalist, Emmy nominated filmmaker and educator, dedicated to social, humanitarian and political issues that define our times. For more than 15 years, John has worked nearly exclusively with National Geographic magazine, producing over 19 stories, resulting in more than 14 covers. Between 1998 and 2008, John was a contract photographer for Time magazine. His years with Time resulted in 18 covers. In 2001, Stanmeyer co-founded with six of the world’s leading photojournalists, the prestigious VII Photo agency. Today VII represents more than 30 photographers from around the globe. Stanmeyer is an Emeritus member of VII and also is represented by Nat Geo Image Collection agency and is a member of Ripple Effects Images, a collective of artists and storytellers working on issues related to women, empowerment and equality. He is the recipient of numerous honors, including the prestigious Robert Capa award, POYi Magazine Photographer of the Year and the World Press Photo of the Year in 2014. John lives with his dog, Elfriede the Great Dane, in the southern Berkshires of western Massachusetts.
PhotoWings
1:19:43
The Spirituality of Seeing with John Stanmeyer
Join VII photographer and founding member John Stanmeyer for a thought-provoking discussion as he takes you through his often deep meditative approach to telling visual, audio, and lyrical stories for magazines such as National Geographic. John will share the mysteries of letting go of the obvious to feel and see beyond the expected, past simplicity into unexpected ways of telling long and short-form narratives. He’ll take you to visit his archive and illustrate the therapy of editing through one of his stories. Place your pragmatic self aside while John takes you on a spiritual journey in creating photographic possibilities during this VII Insider gathering, the Spirituality of Seeing.
PhotoWings
1:42:50
Continuing Education Series: Preparing for Grants & Contests with Anush Babajanyan & John Stanmeyer
PhotoWings
1:14:33
Telling the story of refugees in Ukraine – John Stanmeyer
John Stanmeyer has been in Ukraine covering the war, focusing on the civilians displaced by Russia’s invasion. In this event, John will discuss his experience working in Ukraine, present a selection of the photographs he has made, and show his film “War, Through Train Windows” — a story about loss, displacement, being a refugee, from the perspective of portraits through train windows.
PhotoWings
2:26
John Stanmeyer on Cross-Cultural Learning
Award-winning photojournalist John Stanmeyer has traveled the world, connecting with a vast array of peoples and cultures. These experiences have led John to see “importance of sitting down and speaking with somebody that’s from a different space and time than you are,” and how photography and photojournalism have important roles in this crucial work. John Stanmeyer is a photojournalist dedicated to social and political issues that define our times. Over the last decade, John has worked nearly exclusively with National Geographic magazine, producing over 12 stories for the magazine and resulting in 10 covers. Between 1998 and 2008, John was a contract photographer for Time magazine, during which time he photographed the war in Afghanistan, the fight for independence in East Timor, the fall of Suharto in Indonesia, and other significant world news events. His years with Time resulted in 18 covers of the magazine. In 2001, he cofound the VII Photo agency with six of the world’s leading photojournalists. By 2005, VII was listed in third position in American Photo’s “100 Most Important People in Photography.” VII now represents 20 of the world’s preeminent photojournalists whose careers span 35 years of world history. January 2015, Stanmeyer became a VII Distinguished Member. The same month, John brought his ten years of stories with National Geographic to Nat Geo Creative while his historic archive of 20+ years of visual history remains at VII. He is the recipient of numerous honors, including the prestigious Robert Capa award (Overseas Press Club), Magazine Photographer of the Year (POYi), and numerous World Press, Picture of the Year and NPPA awards. In 2008, his National Geographic cover story on global malaria received the National Magazine Award. In 2012 was nominated for an Emmy with the VII documentary film series, Starved for Attention and in 2014 was the recipient of the World Press Photo award for his photograph from Djibouti titled, Signal. John has published a number of books including Island of the Spirits, a journalistic/anthropologic look at Balinese culture documented during the five years he lived on the island. His latest book, a VII Photo Agency collaboration titled Questions Without Answers (Phaidon), was released in 2012, chronically the last 30 years of social conflict and change around the world. In 2013, John opened Stanmeyer Gallery & Shaker Dam Coffeehouse in West Stockbridge, Mass, combining photography and education around his passion for brilliant coffee, wrapping the two around ethically procured, human rights-based direct trade coffee with the socials issues represented in his photographs. Stanmeyer lives on a farm with two dogs and many fireflies over summer in the Berkshires of Western Massachusetts.
PhotoWings
2:21
Getting Lost with John Stanmeyer
Award-winning photojournalist John Stanmeyer has traveled the globe creating photographs for organizations like National Geographic and Time. In this video, John advises us on the importance of “getting lost” when doing photographic work, as a way to help shed our preconceived notions of what is possible. John Stanmeyer is a photojournalist dedicated to social and political issues that define our times. Over the last decade, John has worked nearly exclusively with National Geographic magazine, producing over 12 stories for the magazine and resulting in 10 covers. Between 1998 and 2008, John was a contract photographer for Time magazine, during which time he photographed the war in Afghanistan, the fight for independence in East Timor, the fall of Suharto in Indonesia, and other significant world news events. His years with Time resulted in 18 covers of the magazine. In 2001, he cofound the VII Photo agency with six of the world’s leading photojournalists. By 2005, VII was listed in third position in American Photo’s “100 Most Important People in Photography.” VII now represents 20 of the world’s preeminent photojournalists whose careers span 35 years of world history. January 2015, Stanmeyer became a VII Distinguished Member. The same month, John brought his ten years of stories with National Geographic to Nat Geo Creative while his historic archive of 20+ years of visual history remains at VII. He is the recipient of numerous honors, including the prestigious Robert Capa award (Overseas Press Club), Magazine Photographer of the Year (POYi), and numerous World Press, Picture of the Year and NPPA awards. In 2008, his National Geographic cover story on global malaria received the National Magazine Award. In 2012 was nominated for an Emmy with the VII documentary film series, Starved for Attention and in 2014 was the recipient of the World Press Photo award for his photograph from Djibouti titled, Signal. John has published a number of books including Island of the Spirits, a journalistic/anthropologic look at Balinese culture documented during the five years he lived on the island. His latest book, a VII Photo Agency collaboration titled Questions Without Answers (Phaidon), was released in 2012, chronically the last 30 years of social conflict and change around the world. In 2013, John opened Stanmeyer Gallery & Shaker Dam Coffeehouse in West Stockbridge, Mass, combining photography and education around his passion for brilliant coffee, wrapping the two around ethically procured, human rights-based direct trade coffee with the socials issues represented in his photographs. Stanmeyer lives on a farm with two dogs and many fireflies over summer in the Berkshires of Western Massachusetts.
PhotoWings
2:16
John Stanmeyer on Research
Award-winning photojournalist John Stanmeyer has produced many award-winning visual stories, featured in prominent publications like National Geographic and Time. In this video, John shares how his passion for research and omnivorous interest in all subjects is integral to his success as a photographer. John Stanmeyer is a photojournalist dedicated to social and political issues that define our times. Over the last decade, John has worked nearly exclusively with National Geographic magazine, producing over 12 stories for the magazine and resulting in 10 covers. Between 1998 and 2008, John was a contract photographer for Time magazine, during which time he photographed the war in Afghanistan, the fight for independence in East Timor, the fall of Suharto in Indonesia, and other significant world news events. His years with Time resulted in 18 covers of the magazine. In 2001, he cofound the VII Photo agency with six of the world’s leading photojournalists. By 2005, VII was listed in third position in American Photo’s “100 Most Important People in Photography.” VII now represents 20 of the world’s preeminent photojournalists whose careers span 35 years of world history. January 2015, Stanmeyer became a VII Distinguished Member. The same month, John brought his ten years of stories with National Geographic to Nat Geo Creative while his historic archive of 20+ years of visual history remains at VII. He is the recipient of numerous honors, including the prestigious Robert Capa award (Overseas Press Club), Magazine Photographer of the Year (POYi), and numerous World Press, Picture of the Year and NPPA awards. In 2008, his National Geographic cover story on global malaria received the National Magazine Award. In 2012 was nominated for an Emmy with the VII documentary film series, Starved for Attention and in 2014 was the recipient of the World Press Photo award for his photograph from Djibouti titled, Signal. John has published a number of books including Island of the Spirits, a journalistic/anthropologic look at Balinese culture documented during the five years he lived on the island. His latest book, a VII Photo Agency collaboration titled Questions Without Answers (Phaidon), was released in 2012, chronically the last 30 years of social conflict and change around the world. In 2013, John opened Stanmeyer Gallery & Shaker Dam Coffeehouse in West Stockbridge, Mass, combining photography and education around his passion for brilliant coffee, wrapping the two around ethically procured, human rights-based direct trade coffee with the socials issues represented in his photographs. Stanmeyer lives on a farm with two dogs and many fireflies over summer in the Berkshires of Western Massachusetts.
PhotoWings
2:58
John Stanmeyer - Story Behind the Photograph
Longtime National Geographic photojournalist John Stanmeyer shares the poignant story behind his World Press Photo of the Year winning image, "Signal." John touches on the value of "getting lost" as a part of his process, the importance of communication, and the distances people will travel in pursuit of hope and opportunity.
PhotoWings
5:24
Visual Storytelling – Foundry Photojournalism Workshop
At the 2015 Foundry Photojournalism Workshop, eight renowned instructors spoke with PhotoWings about the art and importance of visual storytelling. With a wealth of experience between them, they discuss what it means to them, how they do it, and what they are able to accomplish with it. As we feature a small sliver of this work throughout the video, we encourage you to explore the accompanying image gallery to learn more about these journalists, their images and the stories they represent. Featuring: Kael Alford, Thorne Anderson, Andrea Bruce, James Whitlow Delano, Edward Echwalu, Tewfic El-Sawy, Ron Haviv, Henrik Kastenskov, and John Stanmeyer
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The VII Foundation
Collection · Related
1:31:39
VII Engage - A City Ruptured” with Ashley Gilbertson and Renee Melides
Over the course of the last year and a half, the Covid-19 pandemic depleted our economy, affecting people’s homes, livelihoods and wallets. To document the hardships, as both a lament and a tribute, Ashley Gilbertson spent 8 months photographing how the pandemic economy ruptured New York, witnessing stark examples of widening inequality, the changing ways of work and commerce, and ultimately tears in the fabric of the place—even amid growing signs of hope for immunity and recovery. In this discussion, Ashley discusses the project with the editor of the project with whom he worked, Renee Melides. The duo discusses their year of COVID-19 coverage in New York City, the genesis of the project, the complex production of a months-long story from initial pitch to publication, and the importance of collaboration. Ashley and Renee also look at many images from the series, and give insight to the stories behind the pictures. Renee Melides is a Photo Editor at The New York Times and is currently based in New York. Renee also worked for The Times in both their London and Hong Kong bureaus. Prior to this, she was the Deputy Photo Editor at Monocle Magazine in London. Before venturing into the realm of photo editing, Renee spent her years as a photojournalist. Working for clients such as The Financial Times of London, Reuters, Monocle Magazine, The Age, Australian Financial Review and the Sydney Morning Herald, to name a few. Renee has interned at both the VII and Magnum photo agencies and CNN International. In her spare time she also works on her own personal documentary projects and visual stories. Ashley Gilbertson is an Australian photographer and writer living in New York City recognized for his critical eye and unique approach to social issues. Gilbertson is a member of VII Photo, a frequent contributor to major media outlets and a collaborator with the United Nations. For over twenty years, Gilbertson’s work focused on refugees and conflict, an interest that in 2002, led him to Iraq. His work from that country was awarded the Robert Capa Gold Medal, and in 2007, Gilbertson’s first book, Whiskey Tango Foxtrot, was released, going on to become a bestseller. Post Iraq, Gilbertson shifted his focus to veterans, drawing public attention to post traumatic stress disorder and suicide. Gilbertson’s second book, Bedrooms Of The Fallen, a collection of photographs depicting the intact bedrooms of service members killed in Iraq and Afghanistan, was released in 2014. That work received a prestigious Ellie award. Today, Gilbertson documents global migration in Africa and Europe, and works on climate, social and health issues in the United States and Asia. He writes regular opinion and news stories for outlets including The New York Times, The Washington Post, ProPublica, and UNICEF. In 2014, a multimedia story on the militarization of the South China Sea earned him an Emmy nomination. He has worked on commercial assignments for Apple Computer, Axa Insurance, and the Ad Council. Gilbertson’s prints and books are included in permanent collections of numerous museums and art galleries around the world, and has been exhibited widely at institutions including The Smithsonian (Washington), Centre Georges Pompidou (Paris), National Gallery of Victoria (Melbourne), Nelson-Atkins Museum of Art (Kansas), The Museum of The City of New York, and The National September 11 Memorial Museum (New York).
The VII Foundation
1:18:45
VII Insider: Sebastião Salgado (Portuguese)
Internationally-renowned photographer Sebastião Salgado has spent years documenting the vast lungs of the Earth that stretch through his native country of Brazil and neighboring nations. “Amazônia” is his ongoing comprehensive survey of isolated indigenous communities, wildlife, and the aerial landscapes of the untouched regions of the Amazon. In conversation with VII Photo Agency Mentor Program photographer Leonardo Carrato, Salgado talks about the challenges involved in multi-national and global long-term projects, and the importance of photography as a powerful tool for change, citing real-world examples where it has made a difference. Sebastião Salgado was born in Aimorés, Minas Gerais, Brazil and now lives in Paris. A trained economist, he began his career as a photographer in Paris in 1973. He worked successively with the agencies Sygma, Gamma and Magnum Photos until 1994 when, together with Lélia Wanick Salgado, they founded the photographic press agency, Amazonas images, exclusively devoted to their work. Salgado has travelled to more than 100 countries for photographic projects that, in addition to countless publications in the press, were published as books, with conception and design by Lélia Wanick Salgado. These titles include Other Americas (1986), Sahel, l’Homme en détresse (1986), Workers (1993), Earth (1997), Exodus and Portraits of Children of the Exodus (2000), Africa (2007), and Genesis (2013). In 2015, he published the book Perfume de Sonho, a trip to the world of coffee. The book Da minha terra à Terra (2014) tells the origins of his work. His most recent books include Kuwait, A Desert on Fire (2016), in 2019, Gold, Serra Pelada Gold Mine. Traveling exhibitions of these works have been and continue to be presented internationally. The vast majority of these exhibitions were curated by Lélia Wanick Salgado. Sebastião Salgado has also received numerous awards for his photography. He is a UNICEF Goodwill Ambassador and an honorary member of the United States Academy of Arts and Science. He received the commendation of the “Order of the Rio Branco in Brazil” and is “Commandeur de l’Ordre des Arts et des Lettres” by the French Ministry of Culture and Communication. On April 13, 2016, he was elected a member of the Académie des Beaux-Arts de l’Institut de France, assuming the chair previously occupied by photographer Lucien Clergue. In that same year also in France, he was appointed Knight of the Legion of Honor. He received the Itamaraty Cultural Diplomacy Award from the Ministry of Foreign Affairs, at the Brazilian Embassy in Paris. In 2016, in Brazil, he was appointed Doctor Honoris Causa, Federal University of Espirito Santo. He was also recently elected an honorary member of the American Academy of Arts and Letters in the USA, and was honored with the German Free Trade Peace Prize.
The VII Foundation
1:11:45
Reporting the Siege of Sarajevo
The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist Paul Lowe. In this VII Insider talk, Lowe and co-author Kenneth Morrison discuss the book in conversation with VII photographers and co-founders who covered the siege — Ron Haviv and Christopher Morris. They overview the scope and structure of the book, the process of putting it together, their experiences covering the historic event, and the siege’s importance to the history of the journalism profession. Dr. Paul Lowe is a Reader in Documentary Photography and the Course Leader of the Masters program in Photojournalism and Documentary Photography at the London College of Communication, University of the Arts, London, UK. Paul is an award-winning photographer who has been published in TIME, Newsweek, Life, The Sunday Times Magazine, The Observer, and The Independent, amongst others. He has covered breaking news the world over, including the fall of the Berlin Wall, Nelson Mandela’s release, famine in Africa, the conflict in the former Yugoslavia, and the destruction of Grozny. Kenneth Morrison is Professor of Modern Southeast European History at De Montfort University, UK. He has written extensively on the modern history of the Western Balkans and is the author of Nationalism, Statehood and Identity in Post-Yugoslav Montenegro (2018), Sarajevo’s Holiday Inn: On the Frontline of Politics and War (2016), Montenegro: A Modern History (2009), and the co-author of Reporting the Siege of Sarajevo (2021) and The Sandžak: A History (2013). Kenneth was a Visiting Professor at the London School of Economics and Political Science in 2018 and has previously acted as Specialist Adviser on Western Balkan politics for the UK House of Lords International Relations Select Committee. He is currently writing a book focusing on the utility of hotels in urban conflicts. Ron Haviv is an Emmy nominated and award-winning photojournalist and co-founder of the VII Agency, dedicated to documenting conflict and raising awareness about human rights issues around the globe. His first photography book, Blood and Honey: A Balkan War Journal, was called “One of the best non-fiction books of the year,” by The Los Angeles Times and “A chilling but vastly important record of a people’s suffering,” by Newsweek. His other monographs are Afghanistan: The Road to Kabul, Haiti: 12 January 2010, and The Lost Rolls. Haviv has produced an unflinching record of the injustices of war. His work in the Balkans, which spanned over a decade of conflict, was used as evidence to indict and convict war criminals at the International Criminal Tribunal for the former Yugoslavia in The Hague. President George H.W. Bush cited Haviv’s chilling photographs documenting paramilitary violence in Panama as one of the reasons for the 1989 American intervention. Haviv is the central character in six documentary films, including National Geographic Explorer’s Freelance in a World of Risk and River of Gold. He has provided expert analysis and commentary on ABC News, BBC, CNN, NPR, MSNBC, NBC Nightly News, Good Morning America, and The Charlie Rose Show. Haviv is a founding member of VII Agency based in New York. Christopher Morris was born in California in 1958 and began his career as a documentary conflict photographer working almost exclusively for TIME Magazine, where he has been on contract since 1990. He has been credited with redefining political coverage in America during his years working at the White House for TIME Magazine from 2000 till 2009. Simultaneously to his career as a photojournalist, Morris has expanded his work into the fashion world. He has received various awards, including the Robert Capa Gold Medal, the Olivier Rebbot Award, the Journalism Award from the Overseas Press Club, two Infinity Awards for photojournalism from the International Center of Photography in New York, the PDN Look Fashion Editorial Award and numerous World Press Photo awards. Morris is a founding member of VII Agency based in New York.
The VII Foundation
47:56
“Congo in Conversation” with Finbarr O’Reilly
As the COVID-19 pandemic spread across the world in 2020, swiftly closing down borders, Finbarr O’Reilly and 11 Congolese photographers—who were collaborating on a vast project addressing the human, social and ecological challenges that the DRC faces today—quickly adapted themselves to the new reality and created a unique collaborative online chronicle, an uninterrupted and unprecedented stream of articles, photo essays, and videos housed on a dedicated website called “Congo in Conversation” that has also resulted in a bilingual monograph of the same name. The 11th Carmignac Photojournalism Award funded the project. In this VII Insider talk, VII agency photographer Ziyah Gafic and Finbarr discuss the project’s evolution and execution, the history and politics of photojournalism in the Congo, the importance of diversity and representation in photojournalistic narratives, and using institutional power and privilege to lift up underrepresented voices and develop the next generation of storytellers. Finbarr O’Reilly is an independent photographer and multimedia journalist, and the author of the nonfiction memoir, Shooting Ghosts, A U.S. Marine, a Combat Photographer, and Their Journey Back from War (Penguin Random House 2017). Finbarr lived for 12 years in West and Central Africa and has spent two decades covering conflicts in Congo, Chad, Sudan, Afghanistan, Libya, and Gaza. He is the 2019 Nobel Peace Prize exhibition photographer and a frequent contributor to The New York Times. His photography and multimedia work has earned numerous industry honors, including First Place in the Portraits category at the 2019 World Press Photo Awards. He was also winner of the World Press Photo of the Year in 2006 and earned a 2020 Emmy for the PBS Frontline documentary, Ebola in Congo. Finbarr is a Canon Ambassador. Ziyah Gafic is an award-winning photojournalist and videographer based in Sarajevo focusing on societies locked in a perpetual cycle of violence and Muslim communities around the world. He covered major stories in over 50 countries. Ziyah’s work received many prestigious awards such as multiple awards at World Press Photo, Grand Prix Discovery of the Year at Les Rencontres d’Arles, Hasselblad Masters Award, City of Perpignan Award for Young Reporters at Visa pour l’Image, Photo District News, Getty Images grant for editorial photography, TED fellowship, Prince Claus grant, and Magnum Emergency fund grant. His work is regularly published in leading international publications. Ziyah authored several monographs including “Troubled Islam – short stories from troubled societies”, “Quest for Identity,” and the most recent, “Heartland.”
The VII Foundation
1:06:09
Creating Impact New Visual Perspectives on the Climate Crisis
This symposium explores three urgent questions about creating impactful communications on the climate crisis, in advance of the UN Climate Change Conference 2021 (COP26) to be held in Glasgow, Scotland starting 1 November 2021: How can visual images and stories impact the climate crisis agenda? Are there new global voices and perspectives emerging? How can images improve public engagement ahead of COP26? Hosted by VII Insider, the symposium is a collaboration between Climate Visuals, University of the Arts London’s Photography and Arts Research Centre, Slideluck Editorial and The VII Foundation. VII Insider events are made possible by the generous support of PhotoWings. This hour-long event, held on 30 June 2021, also introduced the Climate Visuals programme, its evidence base and previewed submissions to ‘Visualizing Climate Change: An Open Call for Photography’, which is a partnership with TED Countdown. Moderator: Paul Lowe Participants and Agenda: Toby Smith, Climate Visuals Introduction to Climate Visuals, its evidence base on impact, and the concept behind the ‘Visualizing Climate Change’ initiative Maria Teresa Salvati, Slideluck Editorial A personal selection from the Open Call highlighting new voices and perspectives on climate change Nichole Sobecki, VII Recent photographic work on the climate crisis Moderated Q&A
The VII Foundation
1:22:04
Digital Silver Imaging Technical Webinar Series B&W Workflow
How you execute your black & white conversion can make-or-break your image and your print. Simply selecting “grey scale’ results in soulless black & white conversions. Photoshop® and Lightroom® expert Joe Brady shares how he converts his images from color to black & white. Joe steps you through the process in clear easy to follow steps. Also included is a how-to on the Nik Silver Efex Pro plug-in. Instructor – Joe Brady Topics include: Creating a dynamic black & white conversion Demonstrate best practices using Lightroom® and Adobe Photoshop® Review of Nik Software Silver Efex Pro plugin Black & white printing options Question and answer
The VII Foundation
1:17:11
Digital Silver Imaging Technical Webinar Series Capture One Workflow
Capture One is a powerful and fast image editing tool that can be used for RAW file processing, cataloging, tethering, print file preparation and much more. This software is quickly becoming the preferred RAW processing tools of high-resolution digital cameras. Capture One expert, Scott Nidermaier will give an overview of the software’s many capabilities. Scott’s clear and understandable instruction will get you rolling with Capture One. Instructor – Scott Nidermaier Topics include: Capture One as part of your post-production workflow Basics and best practices for Capture One Cultural Heritage software integration with Capture One Question and answer
The VII Foundation
1:16:20
Digital Silver Imaging Technical Webinar Series Finishing Options – Best Practices for Display
A matted and framed print isn’t always the best option. In this show-and-tell presentation, Eric Luden discusses the finer points of finishing a print for exhibition and display. Questions pertaining to archival stability, durability, and cost will be addressed along with aesthetic consideration. Finishing is often the most expensive part of making a print, this webinar will help you make the right finishing decision. Instructor – Eric Luden Topics include: Mounting substrates – Gator, Dibond, Aluminum Protective coatings Face mounting Types of frames Window mat versus flush mount Glazing options Question and answer
The VII Foundation
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Foundry Photojournalism Workshop
Collection · Related
1:57
Photographer James Whitlow Delano: Impact of Family Photographs, Foundry Photojournalism Workshop 2012
With a father who was an avid hobbyist photographer, James Whitlow Delano discusses how looking at his family's photo albums have given him food for thought when considering the value and function of photography. James Whitlow Delano has lived in Asia for 18 years. His work has been awarded internationally: the Alfred Eisenstadt Award (from Columbia University and Life Magazine), Leica’s Oskar Barnack, Picture of the Year International, PDN and others. Delano’s series on Kabul’s drug detox and psychiatric hospital was awarded 1st place in the 2008 NPPA Best of Photojournalism competition for Best Picture Story. His first monograph book, “Empire: Impressions from China” and work from “Japan Mangaland” have shown at several Leica Galleries in Europe. “Empire” was the first ever one-person show of photography at La Triennale di Milano Museum of Art. “The Mercy Project / Inochi” his charity photo book for hospice received the PX3 Gold Award and the Award of Excellence from Communication Arts. His work has appeared in magazines and photo festivals on five continents from Visa Pour L’Image, Rencontres D’Arles; to Noorderlicht. His new iPad book, Black Tsunami (FotoEvidence), documents the Japanese tsunami and nuclear crisis. http://www.jameswhitlowdelano.com PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved.
Foundry Photojournalism Workshop
9:35
Photographer Paula Bronstein: Resilience, Foundry Photojournalism Workshop
Paula Bronstein opens up about the traumatic experiences that many photographers encounter. Speaking only for herself, Paula discusses how she deals with those troubling moments. Paula Bronstein has been working as a photojournalist for close to 30 years and as a senior staff photographer with Getty Images for 10 years. In the Asian region and beyond, she has covered an enormous variety of natural disasters, war – conflict zones, news and features. After September 11, 2001 she was assigned to cover Pakistan and Afghanistan, focusing a lot of attention on Afghanistan over the past decade of war there. Among the many coveted awards, Pulitzer finalist in the “Breaking News” category in 2011 for her work covering the “Pakistan Floods”. Photographer of the year by the Foreign Correspondents Club (FCC) of Thailand. 2010, runner-up “Photographer Of The Year” for her portfolio, in both Pictures of the Year-International ( POY ), and National Press Photographer’s Association (NPPA) . Other awards include Days Japan contest, finalist in the Leica Oskar Barnack Award. In 2008, the John Faber award from the Overseas Press Club of America. Other prizes include China’s International Press Photo contest. http://www.reportagebygettyimages.com/paula-bronstein/ PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved.
Foundry Photojournalism Workshop
17:17
Andrea Bruce - Evening Presentation, Foundry Photojournalism Workshop 2014
Foundry Photojournalism Workshop
8:31
Kirsten Luce - Evening Presentation, Foundry Photojournalism Workshop 2014
Foundry Photojournalism Workshop
24:03
Maggie Steber - Evening Presentation, Foundry Photojournalism Workshop 2014
Foundry Photojournalism Workshop
34:28
Andrea Bruce - Practical Advice for Assignments
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Foundry Photojournalism Workshop
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Foundry Photojournalism Workshop 2015 Bali, Indonedia
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Adriana Zehbrauskas - a•ban•don•ment + #mexico
Foundry Photojournalism Workshop 2015 Bali, Indonesia
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Visual Storytelling
Compilation · Related
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2026 CatchLight Visual Storytelling Summit: Adam Perez
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2026 CatchLight Visual Storytelling Summit: Demetri Broxton
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2026 CatchLight Visual Storytelling Summit: Michael Indriolo
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Pablo Circa: Legacy Archive - Night of Photojournalism 2025 - San Francisco
Photographer Pablo Circa shared reflections on his "Legacy Archive" project, a visual storytelling initiative dedicated to preserving Black cultural memory. Rooted in Oakland and guided by emotion and connection, Circa’s work invites viewers to not just see, but feel the lived experiences of his community.
Visual Storytelling
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