Eddie Adams

5:10 Laura Roumanos on Education Through Photography At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. PhotoWings 35:00 Marco Grob - EAW Archives PhotoWings 39:13 Al Bello - EAW Archives PhotoWings 1:15:53 Visualizing the Climate Crisis Representing Ocean Acidification In the visualization of the climate crisis, how can ocean acidification be represented? Ocean acidification is a change to the ocean’s chemistry produced by rising levels of carbon dioxide (CO2). The ocean absorbs about 30 percent of the CO2 that human activity releases into the atmosphere, and as levels of atmospheric CO2 increase, so do the levels in the ocean. When CO2 is absorbed by seawater, a series of chemical reactions occur that damage structures such as sea shells and coral skeletons. This harms calcifying organisms such as oysters, clams, sea urchins, shallow-water corals, deep-sea corals, and calcareous plankton. When these organisms are at risk, the entire food web may also be at risk. How can this phenomenon be visualized? How can visual storytellers work with scientists and develop a narrative that shows the problem and points the way toward solutions? What messages can have a tangible impact on a local and global level? How can we communicate the connection between issues in the Atlantic Ocean, the corals in the Philippines? and life and habits in Europe? To address these issues, Katherine Jack (photographer) and Octavio Aburto (research scientist) will be in conversation with Maria Teresa Salvati (founder and director of Everything is Connected). The talk will be moderated by Paul Lowe (Reader in Documentary Photography at UAL, London). This event is the first in a new series, Visualizing the Climate Crisis, which explores the potential and the role that contemporary photography, together with different disciplines, can have in addressing the multi-layered theme of climate change. The series will feature visual journalists doing evidence-based, research-informed, image-led reporting on climate issues. They will be in conversation with other professionals representing a diverse range of disciplines, such as science, policy-making, education, architecture, social innovation, media, and more. The starting point for each event is a specific topic for which two professionals will explore the possibility of thinking beyond photography in a genuinely trans-disciplinary approach to expand reach, involve the wider public, and move people from being inspired to taking action. This series is organized by Everything is Connected, UAL, University of the Arts London, and VII Insider. PhotoWings 20:06 THE NEW NEW YORKERS | Oscar Castillo | Photoville Education Field Trip Oscar B. Castillo is a Venezuelan documentary photographer and multimedia artist whose work focuses on social subjects that explore ideas of identity, the cycles of violence and political rupture and the initiatives for improvement generated by the affected communities, at the time that questions the structures of power and the photographic industry and the role we and our images can play in a deeper, more complex and more effective dialogue. He has followed and developed personal projects, fellowships and assignments in many different parts of the world and have been exhibited widely. His work has been published by Le Monde, The New York Times, Wall Street Journal, Days Japan, The New Yorker, Neue Zürcher Zeitung, and TIME Magazine. His work was recognized by Picture of the Year Latin America in 2015 and with an Eugene Smith Fellowship in 2016. He is the recipient of three Magnum Foundation grants and was awarded the Tim Hetherington Special Award at the Eddie Adams Workshop. His Photobook “Esos Que Saben” is a finalist for the Aperture / Paris Photo Book Award and was selected by TIME Magazine in the Top 20 Photobooks of 2022. Parallel to his photographic work he has developed a passion for teaching, being photography as well an important tool for education, inclusion and social improvement. As instructor and teacher he has taken part in participatory photographic workshops and formal educational programs in Colombia, Argentina, Guatemala, Mexico, Haiti, India and Venezuela amongst other places. "Yenis crossed jungles, deserts, chaotic cities and lonely towns. Slept on the open air among mud and the endless selvatic rains. Walked kilometers under a relentless sun while holding in arms her loved Diana, a little girl that was already the oldest of Yenis’ treasures, the other treasure was growing in her womb, getting bigger with each step towards the north Yenis Andrade and Alexis Matos, a couple from Maracaibo in Venezuela, together with their family, are part of the big wave of recent migration to the USA. A big wave of big numbers, headlines, and statistics but that is really made of human lives, persons with face, dreams, determination, and their own story. And with that same determination, but almost without knowing it, they arrived to New York. The little treasure was now a big belly that Yenis and Alexis pampered and cared for while running between shelters for migrants, cold, bureaucracy to regularize their situation, jobs and the attention to little Diana and her endless energy. All that while seeing that belly turning one day, by surprise, into another beautiful baby girl with roots in Maracaibo and the indigenous Wayúu community, this time a baby born in New York." PhotoWings 1:13:05 Through a Photo Editor’s Eyes with Danese Kenon With extensive experience as a photographer and photo editor, Danese goes through the ins and outs of pursuing a career in photo editing and best practices for editing, sequencing, and captioning, along with what she looks for in a photographer when assigning. Whether you’re curious about transitioning from photographer to editor or want to know more about how to put your best foot forward in the field, Danese answers all your questions!  Currently the Managing Editor of Visuals the Philadelphia Inquirer, Danese Kenon is a dynamic visual educator and coach with nearly two decades of photojournalism experience. She started her career as a photographer at The Democrat and Chronicle in Rochester, NY, then earned a master’s in photography from the SI Newhouse School of Communications at Syracuse University. A Pulliam Fellowship took Kenon to The Indianapolis Star, where she was a photographer, multimedia journalist, and editor. She moved into management as Assistant Managing Editor/Visuals at the Pittsburgh Post-Gazette and later as the Deputy Director of Video/Multimedia at the Tampa Bay Times. Danese also teaches multimedia journalism, Photojournalism, and leadership at The Kalish, the Eddie Adams Workshop, and to NABJ student journalists. Follow her on X @danesekenon PhotoWings 1:26:04 Working Together: Editor and Photographer Perspectives with Andrea Wise and Stacy Kranitz Highlighting a year-long ProPublica project on the harrowing story of a woman denied an abortion in Tennessee, Andrea and Stacy will reveal insights into the process of working together as a team to produce compelling, ethical, truthful, and powerful storytelling. With their extensive careers in editing and documentary photography respectively, they’ll share how to successfully navigate the relationship between editor and photographer and incorporate these takeaways into your own practice.  Stacy Kranitz was born in Kentucky and currently lives in the Appalachian Mountains of eastern Tennessee. She is a 2020 Guggenheim Fellow. Additional awards include the Michael P. Smith Fund for Documentary Photography (2017), a Southern Documentary Fund Research and Development grant (2020), and a Puffin Foundation grant (2022). She works as an assignment photographer for publications including TIME, ProPublica, The New York Times, Vanity Fair, The Atlantic and Mother Jones. Her first monograph, As it Was Give(n) to Me, was published by Twin Palms in 2022. It was shortlisted for a Paris Photo - Aperture First Photobook Award. Follow Stacy on Instagram at @stacykranitz Andrea Wise is an interdisciplinary visual editor and creative producer. She is the visual strategy editor at ProPublica where she visually edits investigations into abuses of power with an emphasis on documentary photography and editorial illustration. She is also the co-founder of Diversify Photo, a community-based organization committed to creating a more inclusive and equitable visual media industry. As a photo editor, she has also worked with National Geographic, Newsweek, BuzzFeed News, the Intercept, among others. She has juried competitions for the Overseas Press Club, Getty Images, American Photography, and the Society of Professional Journalists. She earned her M.S. in Photography from Syracuse University and her B.A. in Studio Arts from Trinity College. She’s also an alum of the Eddie Adams Workshop, the Kalish Visual Editing Workshop, and the Mountain Workshops. Follow Andrea on Instagram at @andreawise_ PhotoWings 4:01 PTSD: The Lasting Effects of Photojournalism The life of a photojournalist can be hard and dangerous, and none are immune from the detrimental effects of PTSD. In this video, award-winning photojournalists Mary Calvert, MaryAnne Golon, Ron Haviv, Lynn Johnson, John Moore, and Nichole Sobecki give expert advice about how they deal with low moments and cultivate resilience. Mary Calvert is committed to using photography to affect meaningful social change and is known for producing work on gender-based human rights issues. Calvert has been focusing her journalistic attention on the continually under-reported relegation and abuse of women in the US Armed Forces. Calvert has won the Robert F. Kennedy Journalism Award twice and is a two-time Pulitzer Prize finalist in Feature Photography. Recently, Calvert was awarded the 2015 W. Eugene Smith Memorial Fund Fellowship. MaryAnne Golon is director of photography at the Washington Post. As a member of the senior management team, she supervises all aspects of photography for the daily newspaper and its digital forms: on the web, mobile and tablet. MaryAnne received an IFA Lucie award as Picture Editor of the Year in 2013. She was previously Time magazine's director of photography and co-managed the international newsweekly’s photography department for more than 15 years, and was directly involved in the production of scores of award-winning Time covers and special editions, as well as coordinating Time's photographic coverage of the Olympic Games for sixteen years. She led the photo team that produced the Hurricane Katrina and the September 11, 2001 special Time editions that each won coveted ASME National Magazine Awards. She is on the Board of Directors of the Eddie Adams Workshop. Ron Haviv is an award-winning photojournalist and conflict photographer who as documented international and civilian conflicts around the world since the Cold War. His work on Latin America, Africa, the Middle East, Russia and the Balkan concentrates not only on the direct effects of conflict but also upon the humanitarian consequences which are longer term and continue long after the gunfire has ceased. His awards include World Press Photo, Picture of the Year, Overseas Press Club and the Leica Medal of Excellence. Appreciating the need for a different kind of photo-collective to support and market the images of photographers he co-founded VII in 2001. Lynn Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. John Moore is a senior staff photographer and special correspondent for Getty Images. He has photographed in 65 countries on six continents and was posted internationally for 17 years, first to Nicaragua, then India, South Africa, Mexico, Egypt and Pakistan. Since returning to the U.S. in 2008 he has since focused on immigration and border issues. Moore has won top awards throughout his career, including the 2005 Pulitzer Prize for Breaking News Photography, World Press Photo honors, the John Faber Award and the Robert Capa Gold Medal from the Overseas Press Club, Photographer of the Year from Pictures of the Year International, the NPPA and Sony World Photography Organization. Nichole Sobecki is a photographer and filmmaker based in Nairobi, Kenya. She is represented internationally by the photo agency VII. Sobecki graduated from Tufts University before beginning her career in Turkey, Lebanon, and Syria, focusing on regional issues related to identity, conflict, and human rights. From 2012-2015 Nichole led Agence France-Presse’s East Africa video bureau, and was a Rory Peck Awards News Finalist for her coverage of the Westgate mall attacks in Kenya. In 2018 she was awarded by Robert F. Kennedy Human Rights prize in new media for her images documenting Europe's response to the African migration crisis. Nichole's work has been recognized by Pictures of the Year, the One World Media Awards, the Alexandra Boulat Award for Photojournalism, The Magenta Foundation, and The Jacob Burns Film Center, among others. PhotoWings 39:35 Daniel Berehulak Presentation - Eddie Adams Workshop 2020 In this virtual presentation, conducted during the 2020 Eddie Adams Workshop, photojournalist Daniel Berhulak gives a deep dive into his life and career as a professional photographer, from his childhood as a Ukrainian refugee growing up in Australia, to photographing sports for Getty, to creating award-winning photojournalism stories of all varieties in countries around the world. Daniel Berehulak is an independent photojournalist based in Mexico City. Born to immigrant parents, Daniel grew up on a farm outside of Sydney, Australia. His work has been recognized with two Pulitzer Prizes. In 2015, for his coverage of the Ebola epidemic in West Africa and in 2017 for his coverage of the so-called “war on drugs” in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of floods in Pakistan. Daniel has received several other honors, including six World Press Photo awards, two Photographer of the Year awards from POYi, and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually. PhotoWings 34:42 Mary Calvert Presentation - Eddie Adams Workshop 2020 During the virtual 2020 Eddie Adams Workshop, award-winning photojournalist Mary Calvert shared a presentation about her recent work covering issues of sexual abuse in the U.S. military and the lives of the veterans who have survived such abuse. Mary Calvert is committed to using photography to affect meaningful social change and is known for producing work on under-reported and neglected gender based, human rights issues. For the past several years, Mary has focused her journalistic attention on the relegation and abuse of women and men in the U.S. Armed Forces. This work was a finalist in Feature Photography in the 2020 Pulitzer Prizes and has won numerous awards including the World Press Photo Contest and the Cliff Edom New America Award. The work has been supported by grants from Getty Images, the Alexia Foundation, and Mary is a 2017-2018 John Simon Guggenheim Memorial Foundation Fellow in Photography. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually. PhotoWings 34:41 David Guttenfelder Presentation - Eddie Adams Workshop 2020 In this talk, presented at the virtual 2020 Eddie Adams Workshop, award-winning photographer David Guttenfelder discusses his career as a photojournalist, beginning as a community journalist in Iowa, traveling the world to document stories for organizations like National Geographic, and establishing an Associated Press bureau in North Korea. David Guttenfelder is a documentary photographer and National Geographic Explorer focusing on geopolitical conflict, conservation, and culture. David has spent more than 25 years as a photojournalist based in Japan, India, Israel, Ivory Coast and Kenya covering world events in nearly 100 countries. In 2011, he helped to open a bureau in Pyongyang for the AP, the first western news agency to have an office in North Korea. David is an eight-time World Press Photo Award winner and a seven-time finalist for the Pulitzer Prize. He is the 2013 ICP Infinity Prize winner for photojournalism and a winner of the Overseas Press Club of America John Faber, Olivier Rebbot, & Feature Photography awards. POYi and NPPA have named him Photojournalist of the Year. He is based in Minneapolis, MN. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually. TAGS: David Guttenfelder; Presentation; Eddie Adams Workshop; Workshop; Photography; Photojournalism; Documentary Photography; Power of Photography; Visual Literacy; Tanzania; Rwanda; Iraq; Afghanistan; Associated Press; National Geographic; Human Rights; Climate Change; North Korea; Social Media; Archive; History; PhotoWings 1:47 Lynn Johnson on Early Career Photographers We sat down to talk with award-winning photojournalist Lynn Johnson at the Eddie Adams Workshop, and in this video, she gives advice for early career photographers about creating visual stories and finding the right subject to work on. Lynn Johnson was hired as the first woman staff photographer at the Pittsburgh Press. She stayed at the newspaper for seven years, and during that time she convinced the editors of the Sunday newspaper to let her do photo essays. Since then, she has climbed the radio antenna atop Chicago’s John Hancock Tower, clambered around scaffoldings with steelworkers, and lived among fishermen on Long Island and guerrillas in Vietnam. She has done in-depth portraits of celebrities including Stevie Wonder, Michael Douglas, Mr. Rogers, and the entire U.S. Supreme Court. Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. Among the pieces she has shot for National Geographic: the environmental issues surrounding cooking on open fires, our attitudes toward death, and the medical uses of marijuana. Johnson’s work has been exhibited at the Annenberg Space for Photography, the House of Memory in Milan, Italy, and Visa pour l’image (International Festival of Photojournalism) in Perpignan, France. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. She lives in Pittsburgh, Pennsylvania. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. PhotoWings 1:02 Lynn Johnson on Storytelling Award-winning photojournalist Lynn Johnson sat down with us at the Eddie Adams Workshop to talk about the critical importance of visual storytellers and their efforts to give a voice to the invisible and powerless. Lynn Johnson was hired as the first woman staff photographer at the Pittsburgh Press. She stayed at the newspaper for seven years, and during that time she convinced the editors of the Sunday newspaper to let her do photo essays. Since then, she has climbed the radio antenna atop Chicago’s John Hancock Tower, clambered around scaffoldings with steelworkers, and lived among fishermen on Long Island and guerrillas in Vietnam. She has done in-depth portraits of celebrities including Stevie Wonder, Michael Douglas, Mr. Rogers, and the entire U.S. Supreme Court. Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. Among the pieces she has shot for National Geographic: the environmental issues surrounding cooking on open fires, our attitudes toward death, and the medical uses of marijuana. Johnson’s work has been exhibited at the Annenberg Space for Photography, the House of Memory in Milan, Italy, and Visa pour l’image (International Festival of Photojournalism) in Perpignan, France. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. She lives in Pittsburgh, Pennsylvania. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. PhotoWings 2:38 Lynn Johnson on Self-Discovery Photojournalist Lynn Johnson has been on assignment around the world and won many awards for her work over her long career. We sat down to talk with Johnson at the Eddie Adams Workshop, and in this video, she recalls some early memories of discovering the power the photography, and learning from her mentor Yoichi Okamoto. Lynn Johnson was hired as the first woman staff photographer at the Pittsburgh Press. She stayed at the newspaper for seven years, and during that time she convinced the editors of the Sunday newspaper to let her do photo essays. Since then, she has climbed the radio antenna atop Chicago’s John Hancock Tower, clambered around scaffoldings with steelworkers, and lived among fishermen on Long Island and guerrillas in Vietnam. She has done in-depth portraits of celebrities including Stevie Wonder, Michael Douglas, Mr. Rogers, and the entire U.S. Supreme Court. Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. Among the pieces she has shot for National Geographic: the environmental issues surrounding cooking on open fires, our attitudes toward death, and the medical uses of marijuana. Johnson’s work has been exhibited at the Annenberg Space for Photography, the House of Memory in Milan, Italy, and Visa pour l’image (International Festival of Photojournalism) in Perpignan, France. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. She lives in Pittsburgh, Pennsylvania. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. PhotoWings 24:03 Smita Sharma Evening Presentation – Foundry Photojournalism Workshop 2018 Smita Sharma is an independent photojournalist based in Delhi and Kolkata. Her work primarily focusses on gender, health, social and human rights issues. Her work has been published in various international publications including The Washington Post, The New York Times, BBC World, TIME Lightbox, The Globe and Mail, Spiegel, Channel 4, Caravan Magazine, Newsweek, Human Rights Watch among others. Her work has been screened and exhibited in various countries including USA, India, Cambodia, Myanmar, South Korea, France, UK and Saudi Arabia. Her long term project Not My Shame on sexual violence and rape in India was shown during CSW-59 and CSW-61 (Commission on the Status of Women) at the UN Headquarters in New York. She is the recipient of The Washington Post Award at the Eddie Adams Workshop in 2013, National Silver and PVCHR Bronze medal for Protection of Human Rights at Rex Conclave, Delhi in 2015. She was given Indian Of The Year award in 2017, for her contribution in the field of journalism by Brands Academy, Delhi. In 2018, she was given Exceptional Women of Excellence award by Women Economic Forum, Delhi. In 2016, Smita organised a bicycle campaign along with non-profit PVCHR in Varanasi and donated bicycles to abuse survivors who were assaulted on their commute to school. The campaign was a way to de-stigmatise and reintegrate the girls in their communities and help them to continue their education. Since 2016, Smita has been working on a project on human trafficking in South Asia where she is documenting the flesh trade, domestic servitude, bride trafficking and how it operates in the region. Smita graduated in photojournalism and documentary photography from the International Center of Photography, New York in 2013 and has a post graduate diploma in Journalism from University of Pune. Born and raised in Shillong, India, she has lived and travelled for work in South Asia, Africa, Latin America and USA. PhotoWings 5:02 Alyssa Adams on The Eddie Adams Archive In this video, Alyssa Adams gives us a behind the scenes look into the painstaking, crucial work that goes into organizing the archive of her late husband, Pulitzer Prize winning photojournalist Eddie Adams. The care she is taking will ensure the ability of future generations to access the history and stories he documented. Alyssa Adams co-founded the now legendary Eddie Adams Workshop with Eddie Adams in 1988. The Workshop is a four-day-long, free event in Jeffersonville, New York for 100 photographers chosen after review of their previous work and portfolios. Since Eddie’s passing, Alyssa has cooperated with the University of Texas Dolph Briscoe Center for American History to archive Eddie’s body of work and related ephemera. Alyssa has also worked on and overseen a documentary film based on her husband’s career entitled "An Unlikely Weapon”, and books including the biography, Eddie Adams: Bigger than the Frame, and Eddie Adams: Vietnam. PhotoWings 1:44 Lynn Johnson on Breaking The Glass Ceiling Award-winning photojournalist Lynn Johnson is a pioneer in the industry who was the first woman photographer on staff at The Pittsburgh Press. We sat down to talk with Johnson at the Eddie Adams Workshop, and in this video, she tells us a bit about her early days in the journalism business, and the resourcefulness that was required to break through the barriers created by sexism. Lynn Johnson was hired as the first woman staff photographer at the Pittsburgh Press. She stayed at the newspaper for seven years, and during that time she convinced the editors of the Sunday newspaper to let her do photo essays. Since then, she has climbed the radio antenna atop Chicago’s John Hancock Tower, clambered around scaffoldings with steelworkers, and lived among fishermen on Long Island and guerrillas in Vietnam. She has done in-depth portraits of celebrities including Stevie Wonder, Michael Douglas, Mr. Rogers, and the entire U.S. Supreme Court. She has also documented the story of the youngest face transplant patient in the U.S. Johnson is a National Geographic Photography Fellow and a regular contributor to National Geographic magazine. She is known for shooting elusive subjects—language, disease, rape, water—and for asking tough questions. Her gripping photo essays of a family struggling with AIDS, of children coping with the brain death of their mother, and transgender teens are classics of the genre. Among the pieces she has shot for National Geographic: the environmental issues surrounding cooking on open fires, our attitudes toward death, and the medical uses of marijuana. Johnson’s work has been exhibited at the Annenberg Space for Photography, the House of Memory in Milan, Italy, and Visa pour l’image (International Festival of Photojournalism) in Perpignan, France. She has led workshops for refugees in Colombia and for young people at National Geographic Photo Camps. She lives in Pittsburgh, Pennsylvania. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. PhotoWings 3:09 Family Albums: Why Preserving Photographs Matters Photojournalists MaryAnne Golon, Annie Griffiths, and Maggie Steber are known for their award-winning work and illustrious careers—in this video, we get a small peak into their personal lives as they discuss how, even to veteran photographers, some of the most important photos they have are the ones in their family albums. MaryAnne Golon is director of photography at the Washington Post. As a member of the senior management team, she supervises all aspects of photography for the daily newspaper and its digital forms: on the web, mobile and tablet. MaryAnne received an IFA Lucie award as Picture Editor of the Year in 2013. She was previously Time magazine's director of photography and co-managed the international newsweekly’s photography department for more than 15 years, and was directly involved in the production of scores of award-winning Time covers and special editions, as well as coordinating Time's photographic coverage of the Olympic Games for sixteen years. She led the photo team that produced the Hurricane Katrina and the September 11, 2001 special Time editions that each won coveted ASME National Magazine Awards. MaryAnne received a B.S. in Journalism and Communications from the University of Floridaand is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University. She is on the Board of Directors of the Eddie Adams Workshop. One of the first women photographers to work for National Geographic, Annie Griffiths has photographed in nearly 150 countries during her illustrious career. She has worked on dozens of magazine and book projects for the Society, including stories on Lawrence of Arabia, Baja California, Galilee, Petra, Sydney, New Zealand, and Jerusalem. In addition to her magazine work, Annie is deeply committed to photographing for aid organizations around the world. She is the Executive Director of Ripple Effect Images, a collective of photographers who document the programs that are empowering women and girls throughout the developing world, especially as they deal with the devastating effects of climate change. Annie has received awards from the National Press Photographers Association, the Associated Press, the National Organization of Women, The University of Minnesota and the White House News Photographers Association. Photographer Maggie Steber has worked in 64 countries focusing on humanitarian, cultural, and social stories. Her honors include the Leica Medal of Excellence, World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, the Medal of Honor for Distinguished Service to Journalism from the University of Missouri, the Alicia Patterson and Ernst Haas Grants, and a Knight Foundation grant for the New American Newspaper project.For over three decades, Steber has worked in Haiti. Aperture published her monograph, DANCING ON FIRE. In 2013 Steber was named as one of eleven Women of Vision by National Geographic Magazine, publishing a book and touring an exhibition in five American cities. Steber has served as a Newsweek Magazine contract photographer and as the Asst. Managing Editor of Photography and Features at The Miami Herald, overseeing staff projects that won the paper a Pulitzer and two finalist recognition. Her work is included in the Library of Congress, The Richter Library and in private collections. She has exhibited internationally. Clients include National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, and Geo Magazine among others. Steber teaches workshops internationally including at the World Press Joop Swart Master Classes, the International Center for Photography, Foundry Workshops and and the Obscura Photo Festival. Compilation 4:32 Nancy Borowick The Family Imprint Photographer Nancy Borowick tells us the moving story of documenting her parents' struggle with cancer, and how the power of photography was able to help her be strong and resilient during their illnesses. Nancy Borowick is a humanitarian photographer currently based on the island of Guam. She is a graduate of the Documentary Photography and Photojournalism program at the International Center of Photography and holds a degree in Anthropology and Photography from Union College. Over the last 10 years Nancy narrowed the focus of her work, telling stories of illness and personal relationships, using compassion, humility, and trust as tools to connect with and explore the lives of her subjects. Nancy’s most recent focus has been her parents’ battles with cancer. In February of 2016 she was awarded 2nd prize in the Long Term Projects category in World Press Photo and was recently awarded the Arnold Newman Prize in New Directions in Photographic Portraiture, the Eddie Adams Workshop Award in Innovation in Visual Storytelling, and Honorable Mention in the NPPA Best of Photojournalism competition in the Contemporary Issues Story category. In 2014, Borowick was named one the Best of ASMP featured photographers as well as one of Lens Culture’s Top 50 Emerging Talents. PhotoWings 2:33 Tom Kennedy on National Geographic Photographers Award-winning photojournalist and editor Tom Kennedy gives us behind-the-scenes knowledge of what it is like to be a National Geographic photographer, and what skills a successful photographer needs. This interview was conducted by PhotoWings in partnership with Blue Earth Alliance. Tom Kennedy is an internationally-known visual journalist with extensive experience in print and online journalism, including positions as Managing Editor for Multimedia at The Washington Post and Director of Photography for the National Geographic Magazine. He has created, directed, and edited visual journalism projects that have earned Pulitzer Prizes, as well as EMMY, Peabody, and Edward R. Murrow awards. Currently, he is Executive Director for American Society of Media Photographers (ASMP). Kennedy has been a featured speaker at some of the most prestigious journalism conferences and media workshops around the world, while also consulting to various academic institutions and international media companies on topics ranging from media management to multimedia storytelling and innovating within a corporate environment. Prior to joining washingtonpost.com, Kennedy was the Director of Photography at the National Geographic Society for ten years. He directed the Photographic Division that produced all still photography for the Society, with the primary focus on National Geographic Magazine. While at the Philadelphia Inquirer as Deputy Graphics Director, Kennedy directed and edited two projects that earned Pulitzer Prizes for feature photography. Kennedy serves on the Board of Directors for the Eddie Adams Photo Workshop and has served previously on the Board of Advisors for The Knight Center for International Journalism within the School of Communication at the University of Miami, and the Board of Visitors for the School of Journalism and Mass Communication at the University of North Carolina-Chapel Hill. PhotoWings 1:21 Tom Kennedy: A Common Mistake Award-winning photojournalist and editor Tom Kennedy discusses the process of photographing a story and how to always keep in mind the end goal. This interview was conducted by PhotoWings in partnership with Blue Earth Alliance. Tom Kennedy is an internationally-known visual journalist with extensive experience in print and online journalism, including positions as Managing Editor for Multimedia at The Washington Post and Director of Photography for the National Geographic Magazine. He has created, directed, and edited visual journalism projects that have earned Pulitzer Prizes, as well as EMMY, Peabody, and Edward R. Murrow awards. Currently, he is Executive Director for American Society of Media Photographers (ASMP). Kennedy has been a featured speaker at some of the most prestigious journalism conferences and media workshops around the world, while also consulting to various academic institutions and international media companies on topics ranging from media management to multimedia storytelling and innovating within a corporate environment. Prior to joining washingtonpost.com, Kennedy was the Director of Photography at the National Geographic Society for ten years. He directed the Photographic Division that produced all still photography for the Society, with the primary focus on National Geographic Magazine. While at the Philadelphia Inquirer as Deputy Graphics Director, Kennedy directed and edited two projects that earned Pulitzer Prizes for feature photography. Kennedy serves on the Board of Directors for the Eddie Adams Photo Workshop and has served previously on the Board of Advisors for The Knight Center for International Journalism within the School of Communication at the University of Miami, and the Board of Visitors for the School of Journalism and Mass Communication at the University of North Carolina-Chapel Hill. PhotoWings 4:13 Michael Williamson on Becoming a Photojournalist Award-winning photographer Michael Williamson shares with us how his early life in foster homes and the "survival skills, or to use a cliche, people skills" he learned were essential to his success as a photojournalist. This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. PhotoWings 3:22 Michael Williamson on Earning Trust Award-winning photographer Michael Williamson gives us insight into his approach to earning the trust and building relationships with the people he documents as a photojournalist. This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. PhotoWings 2:07 Michael Williamson on the Culture of Photography Award-winning photographer Michael Williamson provides some perspective on the current culture of photography, and how he believes we need to "remind people there is a bigger world than just them and the party they went to last week." This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. PhotoWings 5:57 Michael Williamson on Storytelling Award-winning photographer Michael Williamson draws on his years of experience to give us insights into how he creates successful visual stories. This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop. Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. PhotoWings 3:07 Michael Williamson on Ethics Award-winning photographer Michael Williamson descirbes the importance of considering the ethics behind photography, and how having "love in our heart, an open mind, and curiosity" is essential to every good photographer. This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop. Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in over more than fifteen states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. PhotoWings 34:07 Michael Williamson – Photojournalist - Eddie Adams Workshop 2016 Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books. The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. PhotoWings 55:42 Carol Guzy – News Photographer - Eddie Adams Workshop 2016 PhotoWings 52:36 Lars Boering – Managing Director at World Press Photo - Eddie Adams Workshop 2016 PhotoWings 1:51 Tom Kennedy: Beginnings in Photography Award-winning photojournalist and editor Tom Kennedy gives us a window into his early life, and how he was influenced to begin a career in photography, and what it is like to be in a behind the scenes role. This interview was conducted by PhotoWings in partnership with Blue Earth Alliance. Tom Kennedy is an internationally-known visual journalist with extensive experience in print and online journalism, including positions as Managing Editor for Multimedia at The Washington Post and Director of Photography for the National Geographic Magazine. He has created, directed, and edited visual journalism projects that have earned Pulitzer Prizes, as well as EMMY, Peabody, and Edward R. Murrow awards. Currently, he is Executive Director for American Society of Media Photographers (ASMP). Kennedy has been a featured speaker at some of the most prestigious journalism conferences and media workshops around the world, while also consulting to various academic institutions and international media companies on topics ranging from media management to multimedia storytelling and innovating within a corporate environment. Prior to joining washingtonpost.com, Kennedy was the Director of Photography at the National Geographic Society for ten years. He directed the Photographic Division that produced all still photography for the Society, with the primary focus on National Geographic Magazine. While at the Philadelphia Inquirer as Deputy Graphics Director, Kennedy directed and edited two projects that earned Pulitzer Prizes for feature photography. Kennedy serves on the Board of Directors for the Eddie Adams Photo Workshop and has served previously on the Board of Advisors for The Knight Center for International Journalism within the School of Communication at the University of Miami, and the Board of Visitors for the School of Journalism and Mass Communication at the University of North Carolina-Chapel Hill. PhotoWings 3:59 Tom Kennedy on Storytelling Award-winning photojournalist and editor Tom Kennedy thinks critically about creating a powerful visual story, saying, "it's almost like putting pearls on a string." This interview was conducted by PhotoWings in partnership with Blue Earth Alliance. Tom Kennedy is an internationally-known visual journalist with extensive experience in print and online journalism, including positions as Managing Editor for Multimedia at The Washington Post and Director of Photography for the National Geographic Magazine. He has created, directed, and edited visual journalism projects that have earned Pulitzer Prizes, as well as EMMY, Peabody, and Edward R. Murrow awards. Currently, he is Executive Director for American Society of Media Photographers (ASMP). Kennedy has been a featured speaker at some of the most prestigious journalism conferences and media workshops around the world, while also consulting to various academic institutions and international media companies on topics ranging from media management to multimedia storytelling and innovating within a corporate environment. Prior to joining washingtonpost.com, Kennedy was the Director of Photography at the National Geographic Society for ten years. He directed the Photographic Division that produced all still photography for the Society, with the primary focus on National Geographic Magazine. While at the Philadelphia Inquirer as Deputy Graphics Director, Kennedy directed and edited two projects that earned Pulitzer Prizes for feature photography. Kennedy serves on the Board of Directors for the Eddie Adams Photo Workshop and has served previously on the Board of Advisors for The Knight Center for International Journalism within the School of Communication at the University of Miami, and the Board of Visitors for the School of Journalism and Mass Communication at the University of North Carolina-Chapel Hill. PhotoWings 23:58 Tom Kennedy: Using Collaboration to Make Impactful Change – Collaborations for Cause 2016 Visual communication is increasingly powerful in today's world as a language. Yet at the same time, it is too often under appreciated and underutilized by organizations as a tool for building bridges of connection within audiences to stories that resonate and incite positive change. Tom Kennedy discusses the elements needed in a collaboration process to use this language effectively and how organizations can ensure their teams create strong visual messaging. Tom Kennedy is an internationally-known visual journalist with extensive experience in print and online journalism, including positions as Managing Editor for Multimedia at The Washington Post and Director of Photography for the National Geographic Magazine. He has created, directed, and edited visual journalism projects that have earned Pulitzer Prizes, as well as EMMY, Peabody, and Edward R. Murrow awards. Currently, he is Executive Director for American Society of Media Photographers (ASMP). As the Managing Editor for Multimedia at washingtonpost.com, Kennedy conceptualized and developed its multimedia section, and created the first documentary video team to produce stories for a newspaper website. Prior to joining washingtonpost.com, Kennedy was the Director of Photography at the National Geographic Society for ten years. He directed the Photographic Division that produced all still photography for the Society, with the primary focus on National Geographic Magazine. While at the Philadelphia Inquirer as Deputy Graphics Director, Kennedy directed and edited two projects that earned Pulitzer Prizes for feature photography. Kennedy serves on the Board of Directors for the Eddie Adams Photo Workshop and has served previously on the Board of Advisors for The Knight Center for International Journalism within the School of Communication at the University of Miami, and the Board of Visitors for the School of Journalism and Mass Communication at the University of North Carolina-Chapel Hill. He has also been an advisor to visual journalism programs at the University of North Texas and University of Florida. Kennedy graduated cum laude with a degree in journalism from the University of Florida. Collaborations for Cause is a two-day event that brings together cutting-edge content creators and front-line organizations for an exploration of how to harness the power of the evolving media landscape. Presented by Blue Earth Alliance, the fourth annual conference builds upon the organization's 20-year history of facilitating issue-driven visual storytelling. With a mix of presentations by leading experts, in-depth case studies showcasing real projects, insightful arm-chair conversations, and break-out sessions, participants will leave inspired and armed with fresh approaches, an expanded network of contacts and new resolve to build lasting positive change. PhotoWings 1:39 Jabin Botsford – Washington Post Photographer – Eddie Adams Workshop 2015 Jabin Botsford is a staff photographer at The Washington Post. He studied photojournalism and sociology at Western Kentucky University in Bowling Green, Ky. Previously he was interning with The New York Times in the Washington DC bureau after completing a summer internship at The Los Angeles Times in Los Angeles California. He interned in the summer of 2012 at The Washington Post through a stipend from the Scripps Howard Foundation, and in the summer of 2013 he interned for The New York Times in New York City. He has been recognized by Pictures of the Year International, College Photographer of the Year, The William Randolph Hearst Photojournalism Award program, the Associated Collegiate Press, the National Press Photographers Association, the Kentucky News Photographers Association, The Atlanta Photojournalism Seminar, and many others. His images and multimedia have been published in The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, AARP, and numerous other publications throughout the country. Most recently Jabin placed first in the 2014 Hearst National Journalism Awards Championship photojournalism shootout as well as receiving award for best photo and best portfolio. He has been named Student Photographer of the year two years in a row by the Kentucky News Photographer’s Association, and has been named Sports Photographer of the Year two years in a row by College Photographer of the Year. Jabin has also been named Student Photographer of the year by the Ohio News Photographers Association, the White House News Photographers Association and The NPPA Southern Short Corse. Jabin is currently based in Washington, DC. In October of 2013 he was a student at The Eddie Adams Workshop XXVI, and currently is on the workshop Board of Directors. PhotoWings 3:27 Walter Anderson – Eddie Adams Workshop 2015 Walter Anderson is the President & Co-Founder of Novium Learning, Inc. Mr. Anderson is a seasoned publishing executive who spent 32 years at Parade Publications where he held the positions of Chairman & Chief Executive Officer, and Editor-in-Chief. Prior to joining PARADE in 1977, Mr. Anderson held newspaper management positions with Gannett Publications in Westchester, New York. Previously, he was an investigative reporter whose articles appeared in New York magazines and others. A recipient of the Horatio Alger Award, Mr. Anderson is a prolific author and playwright. A Vietnam veteran, Mr. Anderson served in the U.S. Marine Corps from 1961-1966 and rose to the rank of sergeant. Today, he is a member of the board of advisors of the U.S. Naval Postgraduate School. Mr. Anderson received an AA in Liberal Arts and Social Science from Westchester Community College and a BS in Psychology from Mercy College in Dobbs Ferry, New York. He served as Chairman of the Board of Trustees at Mercy College for eight years and is now Trustee Emeritus. PhotoWings 2:03 Tim Rasmussen - Director of Photography, Digital, at ESPN – Eddie Adams Workshop 2015 Tim Rasmussen is the digital photo editor for ESPN Online. Before joining ESPN, he managed photo departments across the country at a number of newspapers, most recently, The Denver Post. Under Tim’s leadership from 2006 – 2015, the photography staff was awarded three Pulitzers – two for Feature Photography and one for Breaking News Reporting. He established videojournalism at the Post where the staff was awarded 6 National Murrow Awards including Overall Excellence and nominated for a National Emmy in Current News Coverage. Pictures of the Year International awarded the staff with the McDougall Overall Excellence in Editing Award 2012, and Best Use of Photography from NPPA's Best of Photojournalism and 9 Regional Emmy's. Before joining The Post, Tim was the Director of Photography of the South Florida Sun-Sentinel in Fort Lauderdale. Tim started his photo editing career as Visuals Editor at the Free Lance-Star in Fredericksburg, Virginia, where the paper was awarded Best Use of Pictures from POYi in 2002. He worked his way through college at The Herald Journal in Logan, Utah and in 1988 he was accepted to the first Eddie Adams Workshop where he received one of ten awards given. His work has been published in American and international magazines and newspapers, including the cover of the New York Times Sunday Magazine. He has been a member of the Board of Directors for the Eddie Adams Workshop since 2004. PhotoWings 1:51 Alyssa Adams – Eddie Adams Workshop 2015 Alyssa Adams is the Deputy Editor of TV Guide Magazine and the director of operations at Bathouse Studios, as well as the Managing Director and a Board Member of the Eddie Adams Workshop, which she began with her husband, Eddie Adams, in 1987. Alyssa is an accomplished author and editor, and wrote the text for a book based on her husband's career, titled "Eddie Adams: Vietnam,” which was published in 2008. Before becoming a photographer, Alyssa worked as a graphic designer for ten years at Carbone Smolan Associates. PhotoWings 1:44 Brad Smith - Director of Photography, Time Inc. Sports Group - Eddie Adams Workshop 2015 Brad Smith is the Director of Photography at Sport Illustrated. Previously, he was a photo editor before becoming the Director of Photography at Sports Illustrated For Kids. He followed that with a move to the White House, serving as Assistant Director of Photography for President Bill Clinton. Then it was back to Sports Illustrated where he worked as DOP at Sports Illustrated Women. He left SI to become Photo Editor for Sports at The New York Times in 2000, where he worked for more than a decade. Brad has been back at Sports Illustrated as Director of Photography for its flagship since 2013. Brad has attended nine Olympics, 19 Super Bowls, and more World Series, NBA Finals, Stanley Cups and Final Fours than he can count. He is on the faculty of the Summit Workshops, FotoFusion and the Eddie Adams Workshop (where he also serves on its Board of Directors). He is a guest lecturer with the Master’s Program at the School of Visual Arts and is a proud Florida Gator. PhotoWings 2:04 David Griffin - Photo Designer – Eddie Adams Workshop 2015 David Griffin is a designer, photographer, and visual media consultant. He was Visuals Editor of the Washington Post from 2011 to 2014, and before that was Executive Editor for E-Publishing at National Geographic where he led the editorial efforts of extending NG’s print publications into mobile formats, specifically the launching of their flagship iPad app. Prior to this, he was Director of Photography of National Geographic magazine where he oversaw their renowned team of contributing photographers. David started as a photographer, moving to editing and design, eventually taking on greater directing and management responsibilities. David has photo edited and designed a number books: “Cuba” by David Alan Harvey, two career books with William Albert Allard, “Broken Empire” by Gerd Ludwig, “The Great Barrier Reef” by David Doubilet, “Ocean Soul” by Brian Skerry, “Orbit: Photographs of the Earth by Nasa Astronauts,” “National Geographic: The Photographs,” and a series of topics with photographer Peter Menzel. He also directed the iPad app: “50 Greatest Photographs of National Geographic.” While individual awards rarely reflect the cooperative nature of any journalistic endeavor, David has had the honor of being recognized by a cross section of news, photo and design organizations. He has a degree in journalism from Ohio University and is an alumni of the Stanford Professional Publishing program. David is active on the boards of the Eddie Adams Workshop, Look3: Festival of the Photograph (co-curated in 2012), the Virginia Quarterly Review, and is a nominator for the Prix Prictet. He is a member of the Eddie Adams Workshop Board of Directors. PhotoWings 1:37 Hal Buell - Former Associated Press Photography Director – Eddie Adams Workshop 2015 Hal Buell is a veteran photographer and photo editor who worked for the Associated Press for 41 years and on assignment in more than 35 countries. He was the head of the Associated Press Photo Service for 25 years, supervising an international staff of 300 photographers. He is the author of more than a dozen books on news photography, including “Uncommon Valor, Common Virtue, the story of Iwo Jima flag raising” and “Moments: The Pulitzer Prize Photographs.” He has been going to the Eddie Adams Workshop for 27 years and was a moderator for much of that time. He lives in Douglaston, New York. PhotoWings 3:55 Jim Colton - ZUMA Press Editor at Large – Eddie Adams Workshop 2015 Jim Colton is currently Editor at Large at ZUMA Press and Editor-in-Chief of zPhotoJournal.com. He recently left his position after 15 years as the photography editor for Sports Illustrated. He began his career in 1972 as the color picture editor for the Associated Press. Five years later he joined Newsweek and became the director of photography in 1992. He is on the Board of Directors of the Eddie Adams Workshop, and is a mentor for J Camp, sponsored by the Asian American Journalists Association. He received the “Golden Career Award” at FotoFusion 2004 by thePalm Beach Photographic Centre, was the Jury Chairman for the World Press Photo contest in 2005, received an International Photography Awards “Lucie” for Picture Editor of the Year in 2007, was named Magazine Picture Editor of the Year in 2008 by the National Press Photographers Association, was the recipient of the “Focus” award for Lifetime Achievement by the Griffin Museum in 2010, and has been acknowledged as one of the 100 most important people in photography by American Photo. PhotoWings 3:47 Howard Schatz - Photographer – Eddie Adams Workshop 2015 Howard Schatz is an award-winning photographer now living in New York City with his wife and business partner, Beverly Ornstein. An accomplished ophthalmologist, Schatz successfully switched gears from medicine to photography mid-way through his career. With over 20 books of photographs to his credit, Schatz's wide-ranging artistic oeuvre includes studies of dancers (in his book, Passion & Line), athletes (in Athlete, and his 2012 release of At The Fights), portraiture (in Gifted Woman, Homeless: Portraits of Americans in Hard Times, Rare Creatures: Portraits of Models, The Virtuoso and Seeing Red: The Rapture of Redheads), and a world of underwater imagery, different from anything ever seen (in Pool Light, WaterDance and his release of H20). Schatz is a consummate achiever - having won nearly every award possible in his field. Six photographs from Howard Schatz's Passion & Line series were included in the 41st Annual World Press Photo Foundation exhibition, Eyewitness 1998", an exhibition of the best 200 photographs of 1997, as selected by an independent jury from over 36,000 entries. Howard Schatz has exhibited extensively around the world. His photographs are included in the permanent collections of numerous museums including: International Center of Photography, New York; Oakland Museum, Oakland, CA; University Art Museum, California State University, Long Beach; Musee de L'Elysee, Lausanne, Switzerland. PhotoWings 4:07 Ruth Fremson - New York Times Staff Photographer - Eddie Adams Workshop 2015 Ruth Fremson is a photographer for The New York Times, where she is also a frequent contributor to LENS Blog. She studied graphic design at the Newhouse School until, in her senior year, she serendipitously took a photography course taught by Robert Gilka, legendary former director of photography for National Geographic, at Syracuse University’s London Center. Ruth began her career at The Washington Times in 1989 before moving to the Associated Press in 1994. For the AP, she covered seminal world events including the reinstatement of President Jean-Bertrand Aristide in Haiti, the end of the civil war in Bosnia and Pope John Paul II’s visit to Cuba. She also covered the Clinton White House, and was part of a team that won a Pulitzer Prize for coverage of the Clinton impeachment. She joined The New York Times in 2000, and covered 9/11 and its aftermath in Pakistan and Afghanistan, the Palestinian-Israeli conflict and the presidential campaigns of John McCain, Al Gore and Howard Dean. She worked on the groundbreaking Snow Fall project and spent a year documenting the life of a homeless child, which helped change New York City policies. She was part of teams that won both the spot news and feature photography Pulitzer Prizes in 2001, and has also earned awards from the White House News Photographers Association, the National Press Photographers Association and the New York Press Photographers Association. PhotoWings 3:13 Marco Grob - Photographer and Cinematographer - Eddie Adams Workshop 2015 Born in Olten, Switzerland, Marco Grob began his career as a photographer's assistant in Los Angeles. Upon his return to Switzerland, Marco opened his first studio and worked for twenty years as a still life photographer. In 2003, Marco decided to change his career path and focus on portrait and people photography. After his move to New York City, he worked with actors George Clooney, Julianne Moore, and Jeff Bridges - musicians such as Sir Elton John, Lady Gaga, Lionel Ritchie and numerous political figures including President Barack Obama, Bill Clinton, and George W. Bush, along with many other heads of state. His commercial clients in the film industry include Walt Disney, Warner Brothers, MARVEL, NBC Universal, HBO, and A&E. He was assigned to work on movie posters like the 2012 Marvel / Disney Production "The Avengers" and Disney's "TRON: Legacy." His work appears regularly in magazines like TIME, GQ, Vogue, Esquire, The New York Times Magazine, Wired and New York Magazine. In 2011, he was commissioned by TIME to create a series of portraits centered around the tragic events of September 11th, 2001. Titled, "BEYOND 9/11: Portraits of Resilience” this multiple award winning body of work is now part of both the Smithsonian Museum's and the National 9/11 Memorial's permanent collections. His work has won numerous awards over time including an EMMY AWARD for "BEYOND 9/11", an International ADC Gold, Swiss ADC , South African Loerie Awards, Cannes Awards, New York Festival Awards, POYi (Picture of the year), Kunstpreis des Kantons Solothurn 2011 and the prestigious Hasselblad Master 2007. Since 2010, Marco has been working passionately and with great dedication for United Nations Mine Action Service (UNMAS) in order to report and educate about the global tragedy caused by 100 million land mines which inflict terror and pain around the world. PhotoWings 1:55 Tom Kennedy – Eddie Adams Workshop 2015 Tom Kennedy is an internationally-known visual journalist with extensive experience in print and online journalism, including positions as Managing Editor for Multimedia at The Washington Post and Director of Photography for the National Geographic Magazine. He has created, directed, and edited visual journalism projects that have earned Pulitzer Prizes, as well as EMMY, Peabody, and Edward R. Murrow awards. Currently, he is Executive Director for American Society of Media Photographers (ASMP). Kennedy has been a featured speaker at some of the most prestigious journalism conferences and media workshops around the world, while also consulting to various academic institutions and international media companies on topics ranging from media management to multimedia storytelling and innovating within a corporate environment. Prior to joining washingtonpost.com, Kennedy was the Director of Photography at the National Geographic Society for ten years. He directed the Photographic Division that produced all still photography for the Society, with the primary focus on National Geographic Magazine. While at the Philadelphia Inquirer as Deputy Graphics Director, Kennedy directed and edited two projects that earned Pulitzer Prizes for feature photography. Kennedy serves on the Board of Directors for the Eddie Adams Photo Workshop and has served previously on the Board of Advisors for The Knight Center for International Journalism within the School of Communication at the University of Miami, and the Board of Visitors for the School of Journalism and Mass Communication at the University of North Carolina-Chapel Hill. PhotoWings 1:05 Sarah Leen - National Geographic Director of Photography – Eddie Adams Workshop 2015 Sarah Leen is a senior photo editor for National Geographic magazine. Sarah made the leap into photo editing in 2005 after a 27-year career as a freelance photographer, contributing regularly for the magazine. During her 1979 college internship at the magazine she produced her first published story, “Return to Uganda.” In 1979, as a student at the University of Missouri School of Journalism, Sarah received the College Photographer of the Year award. She went on to work as a staff photographer for the Topeka (Kansas) Capital-Journal and the Philadelphia Inquirer, where she received a Robert F. Kennedy Award honorable mention for a photo documentary on Alzheimer's disease. As a photographer for the National Geographic Society, Sarah’s published assignments have ranged from the U.S.-Canada border and the Kamchatka peninsula in Siberia to the Mexican volcano Popocatepetl and urban sprawl in the United States. A book of her work, American Back Roads, was published by National Geographic in 2000. Sarah’s photographs also have been included in the Day in the Life series of books, as well as Women of the Material World, The Power to Heal, A Passage to Vietnam, National Geographic: The Photographs, and Women Photographers at National Geographic. Sarah teaches photography at the Missouri Photo Workshop, the Maine Photographic Workshops, and the Palm Beach Photographic Centre. She and her husband, Bill Marr, live along the Chesapeake Bay with their cats and assorted koi. She is a member of the Eddie Adams Workshop Board of Directors. PhotoWings 2:10 MaryAnne Golon - Washington Post Photo Editor – Eddie Adams Workshop 2015 MaryAnne Golon is director of photography at the Washington Post. As a member of the senior management team, she supervises all aspects of photography for the daily newspaper and its digital forms: on the web, mobile and tablet. MaryAnne received an IFA Lucie award as Picture Editor of the Year in 2013. She was previously Time magazine's director of photography and co-managed the international newsweekly’s photography department for more than 15 years, and was directly involved in the production of scores of award-winning Time covers and special editions, as well as coordinating Time's photographic coverage of the Olympic Games for sixteen years. She led the photo team that produced the Hurricane Katrina and the September 11, 2001 special Time editions that each won coveted ASME National Magazine Awards. MaryAnne received a B.S. in Journalism and Communications from the University of Floridaand is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University. She is on the Board of Directors of the Eddie Adams Workshop. PhotoWings 2:25 John Moore - Getty Images Photographer – Eddie Adams Workshop 2015 John Moore is a senior staff photographer for Getty Images, currently based in New York City. Moore has won top photography awards throughout his career. He has been honored four times from World Press Photo for both domestic and international work. The Overseas Press Club awarded him the prestigious Robert Capa Gold Medal for his work in Pakistan and the John Faber Award for his work in the refugee camps in Zaire. Both Pictures of the Year International and the National Press Photographers Association have named him the photographer of the year. He was part of the Associated Press team that won the 2005 Pulitzer Prize for Breaking News Photography for coverage of the war in Iraq and, as a Getty staffer, was a finalist for the 2012 Pulitzer for Breaking News Photography for his coverage of the Arab Spring. Since 2010 he has also focused on immigration issues throughout the United States. For 2013, with immigration reform at the top of the national agenda, Moore has spent most of the year photographing border security and immigration issues in Arizona, Texas, Colorado and in New York. Moore joined Getty Images in 2005 based in Islamabad, Pakistan until July 2008. During that time he worked throughout South Asia, Africa and the Middle East, and particularly in Pakistan, where he courageously captured the assassination of Benazir Bhutto. For the past five years he has been based in the United States, first in Colorado, where he covered the worst effects of the recession on American families, bringing an exclusive and heartbreaking look at the nation's foreclosure crisis. After graduating from the University of Texas at Austin in 1990, Moore joined the Associated Press, first based in Nicaragua, then India, South Africa, Mexico and Egypt. He has photographed in more than 75 countries on five continents. PhotoWings 1:27 Elizabeth Krist - National Geographic Senior Photo Editor – Eddie Adams Workshop 2015 Elizabeth Krist is a senior photo editor for National Geographic. Before joining National Geographic, Elizabeth worked at Asia and then Fortune. She has judged competitions for Kodak, Nikon, NPPA, Critical Mass, Aftermath, FotoVisura,  PDN, and the RFK Journalism Awards. In addition, Elizabeth has curated exhibitions in Washington, D.C. and Athens, Greece, such as the Women of Vision exhibition and book, and has reviewed portfolios at the Palm Springs Photo Festival, Eddie Adams Workshop and Review Santa Fe. Elizabeth has won awards from Pictures of the Year, Overseas Press Club, and Communication Arts. A few years ago she received a fellowship from the International Reporting Project. Elizabeth is a graduate of Princeton University. She has served on the board of the Eddie Adams Workshop. PhotoWings 2:39 Chip Maury – Photographer - Eddie Adams Workshop 2015 Chip Maury began his career in the Navy as a diver and parachutist specializing in free-fall photography. After 20 years of service, including 3 tours of Vietnam, and twice winning National Press Photographer Association Military Photographer of the Year, he joined the Associated Press in Boston. In 1980 he became the Director of Photography for the Providence Journal-Bulletin and was there for 7 years, followed by 14 years as Director of Photography for the Indianapolis Star. In 2008 he was award the Joseph Costa Award by the NPPA for most outstanding initiative, leadership, and service. PhotoWings 4:34 Deanne Fitzmaurice - Documentary Photographer - Eddie Adams Workshop 2015 Deanne Fitzmaurice is a documentary photographer and multimedia storyteller based in San Francisco, California. In 2005, she received the Pulitzer Prize for Feature Photography for her series illustrating the story of "the near-death of a young Iraqi boy, who was horribly injured by an improvised explosive device, to his triumphal recovery in the United States." Known for her behind-the-scenes work, she is a regular contributor to Sports Illustrated and ESPN the Magazine, and is an assignment photographer for National Geographic as well as numerous other publications. She has been published in TIME, Newsweek, The Economist, Der Spiegel, Stern, GEO and Men's Journal. Deanne has also partnered with foundations and non-profits including NPR, UCSF, The Bill and Melinda Gates Foundation, and the James Irvine Foundation. Deanne has also created multimedia pieces for clients including MSNBC and the ACLU. Deanne’s commercial clients include Apple, Nike, Google, Facebook,Netflix, Mazda, Target, Avon, Microsoft, and Coca-Cola. In 2011, Deanne’s documentary work was a finalist for the Alexia Foundation Grant for World Peace. In 2012 she was presented with the Juror’s Selection for the American Photography Awards and in 2013 her work was selected for Communication Arts Photography Annual. Deanne’s work has also received awards from Pictures of the Year International, NPPA Best of Photojournalism, and the Casey Medal for Meritorious Journalism. Her work is part of the permanent collection at the Newseum, and is also part of their traveling exhibition of Pulitzer winning photographs. In 2010 Deanne partnered with writer Joan Ryan and published Freak Season, documenting Tim Lincecum's road to The World Series. She has also been a contract photographer for the best-selling Day in the Life books. After earning a Bachelor of Fine Arts from the Academy of Art University, she began her career as a staff photographer for the San Francisco Chronicle. When not on assignment, Deanne often lectures and teaches workshops. She is also a co-founder of Think Tank Photo, with her husband, photographer Kurt Rogers. PhotoWings