Home
Videos
Steve McCurry – Profile
Resource Center: Non-Photographic Diversions
Outreach Program
Natalie Fobes – Profile
Nacho Corbella Video Page
Media Archive
Foundry 2011 – Buenos Aires
LEARN
SEE
NETWORK
REFERENCE
NAV MENU
Organization
Legacy
FOUNDRY
PWAU
Outreach
Interviews
Ideas around images
HOME
About Us
Outreach Program
Videos
Resource Center
Search for:
Search Button
Home
»
»
Ed Kashi
Ed Kashi
←
Return to People Index
PhotoWings Media Archive
Share
Featured
1:00:57
A Presentation of Ed Kashi & Julie Winokur’s film, Sheila and Joe
Ed Kashi
Photojournalist
Projects · appears in 3
The VII Foundation
Collection
Photoville
Collection
Eddie Adams Workshop
Collection
Tags
Concepts
Legacy
13
Resilience
13
Storytelling
13
Inspiration
9
Trust
8
Context
7
Perspective
7
Collaboration
6
Reflection
6
Self-Discovery
5
Topics
Archiving & Preservation
6
Documentary Photography
6
Social Media & Photography
6
Photojournalism
5
War Photography
5
Education & Youth
4
Family Albums & Vernacular Photography
4
Human Rights
4
Caption Writing
3
Content Authenticity & Verification
3
Democracy & Politics
3
Health & Medicine
3
Human Rights Photography
3
Mentorship & Education
3
New York
3
North America
3
Photo Research & Access
3
Photographer Safety & Security
3
Photography Book
3
Photography Grant
3
Representation & Diversity
3
South Asia
3
Visual Heritage & Memory
3
Visual Storytelling
3
Africa
2
Book Club
2
Career Development
2
Collaborative & Community Photography
2
Community Photography
2
Consent & Access
2
Grant Writing & Funding
2
Iraq
2
Latin America
2
Migration & Refugees
2
Myanmar & Southeast Asia
2
Nature Photography
2
Portrait Photography
2
Sub-Saharan Africa
2
Syria
2
Trauma-Informed Practice
2
Ukraine
2
Visual Narrative
2
Afghanistan
1
Bosnia & Balkans
1
Climate Crisis & Environment
1
Collaboration & Partnership
1
Conflict Photography
1
Digital Revolution
1
Family Albums
1
Fine Art Photography
1
Gaza & Palestine
1
Guatemala
1
India
1
Iraq & Middle East
1
John White
1
Mexico
1
Oceania & Pacific
1
Photo Archive
1
Photo Business & Licensing
1
Photographer Interview
1
Photography Awards
1
Photography Workshop
1
Picture Editing
1
Post-Processing
1
PTSD & Mental Health
1
Racial Justice & Anti-Racism
1
Street Photography
1
+57 more
Portfolio
13 videos · every appearance
1:00:57
A Presentation of Ed Kashi & Julie Winokur’s film, Sheila and Joe
In this special presentation, Ed Kashi and Julie Winokur introduce their short film “Sheila and Joe,” followed by a question and answer. with the filmmakers and subjects. “Sheila and Joe” is a love story that unfolds behind bars. This story is told through hundreds of letters shared by Sheila Rule, a former New York Timescorrespondent, and Joe Robinson, a man serving a prison sentence of 25 years to life. Despite a 20 year age difference, and undeterred by the physical barriers of prison, their love has unstoppable momentum. Intimate and nuanced, this short film visits the space between compassion and passion, revealing a man who transcends his crime and a woman who dares to break the rules. In the process, they shine a light on the practice of mass incarceration in the US. “Sheila & Joe” premiered at the Woodstock Film Festival in 2021 and received Second Place for Documentary Daily Life from Pictures of the Year International 2020. The film was published on NPR’s The Picture Show in 2021.
PhotoWings
54:26
Book Club – Ed Kashi, The Cali Years
The Cali Years is a 25-year collection of Ed Kashi’s archive from 1979-2004, from his time spent living in California. This significant period marked the development of a college graduate into a renowned visual storyteller. This motley collection of images contains everything from family life to celebrities, from magazine assignments to in-depth personal projects. What was originally intended to be a small zine became a fold-out hand-bound collectible book. This collaborative project made in Ed’s studio with Brenda Bingham and Michael Curry will be produced in a limited edition of 100. In this event – hosted by Ziyah Gafic – Ed, Brenda, and Michael discuss the purpose and production of this book.
PhotoWings
1:21:35
Ed Kashi, Julie Winokur, and Tim Raphael Present Newest Americans
In 2014, at a moment when immigration was cresting a wave in the public consciousness in America, Newest Americans was launched. Cities and counties across the country were beginning to shift to minority majority status, DACA was altering the lives of hundreds of thousands of young people, and a backlash against immigrants would help fuel a presidential campaign. In this climate, project partners Talking Eyes Media, VII Photo, and the Center for Migration and the Global City at Rutgers-Newark birthed a project that honors the past, present and future of our migrating identities. Newest Americans is a multimedia collaboratory of journalists, media-makers, artists, faculty and students telling the stories that radiate from the most diverse university in the nation and the global city of Newark, New Jersey. This project’s stories have been published in National Geographic, The New York Times, The Nation, The Atlantic, and Mother Jones, and have garnered support from National Geographic, the Dodge Foundation and the National Endowment for the Humanities. Most recently Newest Americans was named the 2021 Online Storytelling Project of the Year by Pictures of the Year International. In this presentation, Ed Kashi, Julie Winokur, and Tim Raphael share a sample reel and a selection of work from Newest Americans, discuss their most recent developments in curriculum and teacher training, and the process of creating the Newark Story Bus, which is a mobile media lab scheduled to launch this spring. The goal of this multi-year project is to shift the narrative on immigration and support the next generation of diverse storytellers.
PhotoWings
1:04:30
Hyperlocal Storytelling in the Time of Pandemic with Ed Kashi
Telling the stories around you has always been a powerful and intimate aspect of documentary and journalistic work, but during the time of pandemic, when we are more likely locked down and even quarantined, where travel is either impossible or quite difficult, to hone your skills and awareness of the stories in your home, neighborhood, city, community or state, is not only valuable but imperative. This lecture will reflect upon the stories Ed Kashi has told in the course of his career and how he’s managed to continue to work during the pandemic by focusing on hyper-local stories of national and global significance.
PhotoWings
1:03:59
Triumph & Defeat in Washington D.C - Capturing the Inauguration & People’s March
As part of the growing relationship between The VII Foundation and Apple Inc., contributing photographer to the foundation Ed Kashi was commissioned to use Apple’s Vision Pro goggles to capture ‘spatial’ stills and videos of President Trump’s inauguration and the lead-up to a counterprotest, the People’s March, the following day. Alongside his wife and collaborator, Julie Winokur, the couple captured these two polarized events in the cold, snowy days of late January 2025 in Washington, DC. Having covered Trump’s first inauguration in 2016 and the ‘Women’s March’ that took place the following day, the contrast between the two presidential eras was great. In 2016, the crowd was much smaller, and the weather was less foreboding, while the Women’s March was vast. This time, the Trump crowd was triumphant, even in terrible weather conditions, appearing to reflect the cult-like following he had developed. The People’s March was anemic by comparison and evoked a sense of defeat and exhaustion in those who oppose Trump. Join us for this live discussion as we examine the coverage of these significant events and the technologies employed.
PhotoWings
1:17:24
1 in 6 by 2030: How to Visualize a Demographic Transition
People worldwide are living longer. As the World Health Organization reports, today, most people can expect to live into their sixties and beyond. Indeed, by 2030, 1 in 6 people in the world will be aged 60 years or over. Every country in the world is experiencing growth in both the size and the proportion of older persons in the population, and all countries face significant challenges to ensure that their health and social systems can cope with and benefit from this demographic shift. This shift and the challenges it brings stem from dramatically improved life expectancy. According to Our World in Data, “Since 1900 the global average life expectancy has more than doubled and is now above 70 years [72 years, to be exact]. The inequality of life expectancy is still very large across and within countries. in 2019 the country with the lowest life expectancy is the Central African Republic with 53 years, in Japan life expectancy is 30 years longer.” In this event, we will discuss a major new documentary project–1 in 6 by 2030–led by Sara Terry, Ed Kashi, and Ilvy Njiokiktjien. This global, collaborative project will bring together photographers worldwide to produce compelling ways of humanizing what is, despite its social significance, a dry statistic on aging and demography.
PhotoWings
56:11
Four Questions on Photography - Ilvy Njiokiktjien in Conversation With…Ed Kashi
“Four Questions on Photography: Ilvy Njiokiktjien in Conversation With…” is a series of events where well-known photographers discuss with Ilvy their responses to the four questions below. – What is your most important photograph, how did you make it, and what impact do you think it had? – What is your biggest photo failure; an image you wanted or needed but you messed up somehow? – What is your dream image or story? – What advice would you give to your younger self? In this episode, Ilvy is in conversation with Ed Kashi.
PhotoWings
1:23:40
Advocacy Work Telling Important Stories For Impact with Ed Kashi
In this talk, Ed Kashi shares ideas about the creative opportunities that exist on multiple different media platforms. Throughout Ed’s career, he’s constantly sought ways to tell stories of social and geopolitical significance, and in this lecture, he shares some of the partnerships and approaches that have helped his reporting have an impact on the world.
PhotoWings
1:04:19
"Aging in America: The Years Ahead" with Ed Kashi
In “Aging in America: The Years Ahead” Ed Kashi takes a topographical look at how a society grows old.
PhotoWings
58:09
Book Club – Ed Kashi, Abandoned Moments
In this Book Club event, Ziyah Gafic speaks with Ed Kashi about his new book Abandoned Moments – A Love Letter to Photography. According to the publisher’s blurb: “If the decisive moment reflects reality in tune with the photographer’s intuition, flawlessly combining composition and timing, then the abandoned moment is the consequence of a fractional instant of surrender. This collection, made over a 40-year period by renowned photographer Ed Kashi, reveals imprecise glimpses of transitory events filled with frenetic energy – the chaos of everyday life. Embodying photography’s intrinsic power, they preserve moments that can never occur again in exactly the same time and space.”
PhotoWings
3:11
Archiving Images: History's Primary Sources
From websites like Photobucket to apps like Instagram, the digital age has seen an extraordinary explosion in everyday photography, but are we archiving these images appropriately for posterity? In this video, award-winning photographers Victor Blue, Mary Calvert, Ed Kashi, Laura Roumanos, Camille Seamen, and Adriana Zehbrauskas help us understand the importance of taking care with our photographic history, so that the images can continue to inform and inspire for years to come. Victor J. Blue is a New York based photojournalist whose work is most often concerned with the legacy of armed conflict, human rights and the protection of civilian populations, and unequal outcomes resulting from policy and politics. He has worked in Central America since 2002, concentrating on social conflict in Guatemala, and since 2009 has photographed the Counterinsurgency war in Afghanistan. He has completed assignments in Syria, Mexico, El Salvador, Honduras, Iraq, and India, and has documented news stories and social issues across the United States. He worked as a staff photographer at The Record in Stockton CA, and holds a Masters Degree in Visual Communication from Ohio University. In 2010, 2011, and 2015 his work in Afghanistan was honored in Pictures of the Year International. In 2017 he garnered three awards in the Pictures of the Year International. Mary Calvert is committed to using photography to affect meaningful social change and is known for producing work on gender-based human rights issues. Calvert has been focusing her journalistic attention on the continually under-reported relegation and abuse of women in the US Armed Forces. Her work “Sexual Assault in America’s Military” was awarded 1st Prize, Long Term Projects in the 2016 World Press Photo Contest. Calvert has won the Robert F. Kennedy Journalism Award twice and is a two-time Pulitzer Prize finalist in Feature Photography. Recently, Calvert was awarded the 2015 W. Eugene Smith Memorial Fund Fellowship. Ed Kashi is an acclaimed photojournalist who uses photography, filmmaking and social media to explore geopolitical and social issues that define our times. He is also a dedicated educator and mentor to photographers around the world and lectures frequently on visual storytelling, human rights and the world of media. A leading voice in the photojournalism world, Kashi frequently lectures on a wide range of topics for arts institutions, universities, schools and professional organizations. His work has been published and exhibited worldwide, receiving numerous awards and honors. Laura Roumanos is the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 400 photo exhibitions and public projects worldwide. Originally from Sydney, Roumanos worked as a Producer and Arts Administrator before making the big move to NYC where she joined the Manhattan Theatre Club. She then headed to St. Ann’s Warehouse as the General Manager for several years where she worked to help present and produce large-scale international theatre, music, and art events. Camille Seaman was born to a Native American (Shinnecock tribe) father and African American mother. She graduated from the State University of New York at Purchase, where she studied photography with Jan Groover and has since taken master workshops with Steve McCurry, Sebastiao Salgado, and Paul Fusco. Her photographs have been published in National Geographic Magazine, Italian Geo, The New York Times Sunday magazine, Newsweek, Outside, Zeit Wissen, Men’s Journal, Camera Arts, Issues, PDN, and American Photo among many others. Her photographs have received many awards including: a National Geographic Award, 2006; and the Critical Mass Top Monograph Award, 2007. Adriana Zehbrauskas is a Brazilian documentary photographer based in Mexico City, Mexico. Her work covers mostly issues related to migration, religion and the aftermath of the violence related to the drug wars in Mexico as well as the daily life of sub and misrepresented communities. She contributes regularly to The New York Times, BuzzFeed News, The Washington Post and others. She’s one of the recipients of the first Getty Images Instagram Grant and was awarded Best Female Photojournalist -Troféu Mulher Imprensa (Brazil). Her mobile photography work was selected by Time Magazine for the “29 Instagrams That Defined the World in 2014″ and her project on Faith in Brazil and Mexico was awarded a Art & Worship World Prize by the Niavaran Artistic Creation Foundation.
Compilation
3:46
Family Albums: Why Preserving Photographs Matters Pt. II
In this video, photography industry professionals Nancy Borowick, Ed Kashi, Erika Larsen, Olivier Laurent, John White, Michael Williamson, and Chuck Zoeller provide insight into the important ways that family photographs and family albums enrich our lives and contribute to the important work of documenting history. Nancy Borowick is an internationally renowned photographer, author, teacher and speaker, delivering over 50 speaking engagements each year around the world, bringing her personal story to universities, hospitals, oncology units and community groups globally. Nancy is a graduate of the International Center of Photography and has exhibited her work in over 100 cities. Working regularly with the New York Times since 2013, Nancy has told the intimate stories of people and places from every corner of the globe winning her major accolades and awards, such as World Press Photo, Pictures of the Year International and most recently the 2018 Humanitarian Award from the organization Women That Soar for her photography and recent monograph, The Family Imprint. Ed Kashi is an acclaimed photojournalist who uses photography, filmmaking and social media to explore geopolitical and social issues that define our times. He is also a dedicated educator and mentor to photographers around the world and lectures frequently on visual storytelling, human rights and the world of media. A leading voice in the photojournalism world, Kashi frequently lectures on a wide range of topics for arts institutions, universities, schools and professional organizations. His work has been published and exhibited worldwide, receiving numerous awards and honors. Through his editorial assignments and personal projects Kashi has published nine books, including Curse of the Black Gold: 50 Years of Oil in the Niger Delta, THREE, and Photojournalisms. Erika Larsen is a photographer and multidisciplinary storyteller known for her essays, which document cultures that maintain close ties with nature. Her work has been included in the Smithsonian National Portrait Gallery, National Geographic Society, Fotografiska Museum and Ajtte Sámi Museum. Larsen is a recipient of several grants and fellowships including a Fulbright Fellowship, New Jersey State Arts Council Fellowship, Women in Photography Individual Project Grant, Lois Roth Endowment and a World Press Award. Her first monograph, Sami-Walking With Reindeer, was released in 2013. Larsen is currently a Fellow and Explorer with National Geographic Society. Olivier C. Laurent is an expert in social media, he partners with the Washington Post social team on photo-driven initiatives and contributes to the InSight blog. Before the Washington Post, Olivier was most recently at TIME, where he was editor of LightBox, the magazine’s former photography website, which provided a window into how great photographs are made and drew attention to groundbreaking work by photography masters and new pioneers. Before TIME, he was the associate editor of the British Journal of Photography starting in 2008, the world’s longest running photography magazine and the editor of FLTR, the first weekly magazine on smartphone photography. John H. White is a renowned American photojournalist. His photography documents everyday lives and political events in American cities, particularly Chicago. He was a staff photographer on the Chicago Sun-Times for 35 years, and won a Pulitzer prize in 1982. Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. Chuck Zoeller is director of creative services for The Associated Press. A former photographer, he joined the AP as a photo editor at the news cooperative’s New York headquarters, and later served 14 years as director of the AP Images photo library — one of the world’s largest collections of news photos. He has curated several books and exhibitions of AP photography. A graduate of the University of Rochester, he has served as chair of the Pulitzer Prize jury in photography.
Compilation
1:49
Ed Kashi: Making Change Through Photography
In this video, award-winning photojournalist Ed Kashi tell us about some of his recent work and what motivates him in his career. Ed Kashi is an acclaimed photojournalist who uses photography, filmmaking and social media to explore geopolitical and social issues that define our times. He is also a dedicated educator and mentor to photographers around the world and lectures frequently on visual storytelling, human rights and the world of media. He has covered topics as diverse as the impact of oil in Nigeria, the protestant community in Northern Ireland, the lives of Jewish settlers in the West Bank, the impact of an aging society through his groundbreaking project, Aging in America, climate change, the plight of Syrian refugees, and the global epidemic of Chronic Kidney Disease among agricultural workers. A sensitive eye and an intimate relationship to his subjects are signatures of his work. A member of VII Photo Agency since 2010, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition. His early adoption of hybrid visual storytelling has produced a number of influential short films and in 2015 he was named Multimedia Photographer of the Year. Kashi’s embrace of new approaches to visual storytelling has led to creative social media and printed projects for a range of clients including National Geographic, Open Society Foundations, The New Yorker, MSNBC, GEO Germany, Fortune, Human Rights Watch, International Medical Corps, MediaStorm, NBC.com, New York Times Magazine, Oxfam, Robert Wood Johnson Foundation and TIME magazine. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to real-time Instagram coverage of Hurricane Sandy for TIME Magazine in 2012, Kashi continues to create powerful imagery and engage with the world in new ways. A leading voice in the photojournalism world, Kashi frequently lectures on a wide range of topics for arts institutions, universities, schools and professional organizations. His work has been published and exhibited worldwide, receiving numerous awards and honors. Through his editorial assignments and personal projects Kashi has published nine books, including Curse of the Black Gold: 50 Years of Oil in the Niger Delta, THREE, and Photojournalisms. In 2002, Kashi in partnership with his wife, writer + filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues. They are currently engaged in a 5-year storytelling project called Newest Americans with Rutgers University in Newark focused on immigration for which they recently received a two year grant from the National Endowment for the Humanities. Kashi is also on the Board of Directors of the Catchlight Foundation.
PhotoWings
No videos match your search.
The VII Foundation
Collection · Related
1:26:12
The Camera at War: 170 Years of Weaponizing Photography, with Hilary Roberts
All forms of visual media are vulnerable to being manipulated or ‘weaponized’ in the context of modern conflict. However, the consequences of manipulating photographs are potentially far-reaching and long-term. In recent years, advances in digital technology have led many to question whether photographs of war and conflict can ever be trusted. The conflicts in Ukraine and the Middle East, as well as other world events, have lent urgency to this debate. Drawing on an incredible range of imagery from the Imperial War Museum’s vast collection and other major archives around the globe, expert curator Hilary Roberts presents a new perspective on the role of image manipulation in this field over the past 170 years, exploring the consequences for our understanding of historic and contemporary conflicts. Join Ron Haviv in conversation with Hilary Roberts as they discuss the complicated relationship between conflict photography and the ‘truth’. The discussion will explore the application and legacy of photomanipulation techniques in conflict photography and the myriad ways in which layers of meaning can be added, erased, or changed completely.
The VII Foundation
1:14:10
Photo Editors Series - Josh Lustig
The Photo Editors Series is a series of conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. The series combines an overview of the contemporary media landscape with practical tips. The editors speak as individuals rather than representatives of their organizations, and the event is interactive and offers good opportunities for audience questions. In this seventeenth episode, Ilvy Njiokiktjien and Fiona Stephen speak with Josh Lustig, deputy photo editor of the Financial Times Weekend Magazine. Josh writes regularly on photography for the magazine, is a frequent participant at festivals and workshops, and has been a visiting lecturer at several universities including, London College of Communication, University of Syracuse, NY, USA and the School of Media and Journalism, Aarhus, Denmark.
The VII Foundation
2:22:03
Open-Source Intelligence - An Investigative Journalism Workshop
Open-source intelligence (OSINT), publicly available data sources used in the verification of information and events, is integral to the work of many investigative journalists. Increasingly hostile or inaccessible reporting environments, and the weaponisation of disinformation, have intensified the need for verifiable source information to ensure the authenticity and integrity of independent reporting. In this special extended online event, we examine the application of open-source intelligence strategies within media and justice contexts. This two-hour workshop will introduce a range of practical OSINT tools, consider accessibility and online safety, and examine case studies, including long-term operations within closed states and recent high-profile events across the U.S. and Europe, where OSINT tools have enabled critical forensic analysis and reporting. Join David Campbell in discussion with a panel of expert guests; Documentary filmmaker and investigative journalist, Sara Creta, whose research focuses on the intersection of emerging technology and human rights; Davide Piscitelli, Advanced Researcher at Forensic Architecture, a research agency based at Goldsmiths, University of London; and Francesco Sebregondi, architect and researcher specialising in digital investigation, particularly the use of visual and spatial analysis to document violence and human rights violations.
The VII Foundation
1:12:20
Photo Editors Series – Gabriel Eisenmeier
The Photo Editors Series are conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. Hosted by David Campbell and Ilvy Njiokiktjien, the series combines an overview of the contemporary media landscape with practical tips. The editors in the series speak as individuals rather than representatives of their organizations. In this tenth episode, we are speaking with Gabriel Eisenmeier of de Volkskrant, a daily newspaper in The Netherlands.
The VII Foundation
54:20
Arturo Soto – The Psycho-Geography of a British City
How can photography challenge stereotypes of a well-known city? Is it possible to picture the politics of a place? What are the costs and benefits of asking these questions from the position of the outsider? In this event, Mexican-born photographer Arturo Soto discusses these themes in his work about the British university city of Oxford following the controversial “Brexit” referendum that led to the UK leaving the European Union. Soto’s work has been published in his book “A Certain Logic of Expectations”, which is described as proposing a counter-narrative of Oxford. Drawing on psycho-geography, and using an interplay of words and text, the work reflects on the contested relationship between visual representation and the history and myths of a particular location.
The VII Foundation
45:35
Kris Graves – 1492/1619 American Aftermaths
This event is a conversation between 2021 Aftermath Project grant winner Kris Graves and Aftermath Project founder, and VII photographer, Sara Terry. Their talk focuses on Kris’ grant-winning project, Privileged Mediocrity and the Deceived Within. Kris shows images he made during his grant year, as he explores systematic unfairness in America – and talks with Sara about his critique of the ways racism, capitalism and power have shaped the U.S. They both share ideas about what goes into writing an American Aftermath grant proposal, and the kinds of projects that might be a good fit for the grant. Sara talks about the judging process and what judges look for.
The VII Foundation
1:03:13
Hyperlocal Journalism with Andrea Bruce
After spending much of her adult life covering war zones around the world, photographer Andrea Bruce recently returned to her home in Pamlico County, in eastern North Carolina. Andrea established Down in the County, a regular newsletter with stories and event listings, described as a celebration of the people of Pamlico County and their way of life. Down in the County is an example of hyperlocal journalism, which focuses on local stories on a small scale that are often not covered by regional or national outlets. In this event, we will talk with Andrea about her experience running Down in the County and how she translates her worldwide experience to this local venture.
The VII Foundation
8:24
Michael Robinson Chavez | Foundry23
The VII Foundation
See more ▾
Photoville
Collection · Related
1:10:10
EDU Lab Workshop DISABILITY / VISIBILITY (part 2)
Photoville
59:17
EDU Lab Workshop DISABILITY / VISIBILITY (part 3) +
Photography Workshop
Photoville
50:03
PhotoWings Reel for Photoville 2026
Photoville
5:10
Laura Roumanos on Education Through Photography
At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
Photoville
55:35
“Teaching Creativity: A Case for Art Education” presented with Seven New York City Public Schools
TEACHING CREATIVITY: A CASE FOR ART EDUCATION presented by Photoville with Seven New York City Public Schools Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. This panel will celebrate New York City students and their arts educators. We will also present a call to action: Ensure that arts education remains a leading factor in the curriculum of every child. photoville.nyc/teaching-creativity-case-art-education-day/
Photoville
56:14
“Connection and Reflection during COVID-19” presented with Bronx Junior Photo League
CONNECTION AND REFLECTION DURING COVID-19 presented by Photoville with the Bronx Junior Photo League and Bronx Documentary Center Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. Students in the Bronx Junior Photo League (BJPL), the Bronx Documentary Center’s (BDC) free documentary storytelling and college success program for 6th through 12th grade students, have been documenting social justice issues and community-based stories since 2013. The BJPL–and the work the students make–is the heart of the BDC’s mission: to use community-based documentary practice and education to explore vital issues, stimulate critical thought, and drive social change. In March 2020, in response to the coronavirus pandemic, the BDC made the decision to suspend all programs and move to remote learning. Our students, who are used to working in a program based on the ability to go outside and photograph in the community, quickly learned to turn their lens to the vulnerable space of their private lives. They created visual and written explorations of their experiences during this time, using photography as a tool of reflection and connection with themselves, their families, and their communities. photoville.nyc/connection-and-reflection-during-covid-19/
Photoville
1:00:03
“The Power of Photographic Storytelling” presented with NYU Tisch Department of Photography and Imaging
THE POWER OF PHOTOGRAPHIC STORYTELLING presented by Photoville with NYU Tisch Department of Photography and Imaging Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWings with additional support by the Philip and Edith Leonian Foundation. Storytelling, identity, prejudice, family, friends, community, intersectionality, activism, and finding freedom through creativity are some of the topics addressed in the photographic projects of the 2020 NYU Tisch Future Imagemakers. They will discuss their work, and how photo-based image-making has empowered them to speak up for social justice. photoville.nyc/the-power-of-photographic-storytelling/
Photoville
58:33
“We Built This City: Destiny Mata and Gogy Esparza in Conversation” presented with Abrons Art Center
WE BUILT THIS CITY: DESTINY MATA AND GOGY ESPARZA IN CONVERSATION presented with Abrons Art Center Featuring Destiny Mata, Gogy Esparza, and moderated by Ali Rosa-Salas Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWIngs with additional support by the Philip and Edith Leonian Foundation Photographers Destiny Mata and Gogy Esparza discuss their artistic practices and the role New York City plays in shaping their aesthetic perspectives. Moderated by Abrons Arts Center’s Director of Programming, Ali Rosa-Salas. photoville.nyc/online/we-built-this-city-destiny-mata-and-gogy-esparza-in-conversation/
Photoville
See more ▾
Eddie Adams Workshop
Collection · Related
3:32
MaryAnne Golon: Early Influences, Career Evolution and Mentorship
MaryAnne Golon has spent her career at esteemed organizations like Time Magazine and the Washington Post. She tells us about her beginnings in the photojournalism industry and how it felt to go back to photojournalism after leaving Time. MaryAnne Golon is the Director of Photography at The Washington Post. Before joining The Post in 2012, MaryAnne was the director of photography at Time Magazine and a senior photography editor there for more than 20 years. She graduated with honors from The University of Florida with a B.S. in Journalism. Before joining The Post in 2012, MaryAnne curated Look 3: The Festival of the Photograph and help guide the 2-year product build of a digital asset management system for a major non-profit organization. Golon was also director of photography at Time magazine where she co-managed the international newsweekly’s photography department for more than 15 years. She graduated with honors from the University of Florida with a B.S. in Journalism. Golon has received many individual and team picture-editing awards from the POYi (Pictures of the Year International) and NPPA's (National Press Photographer’s Association) Best of Photojournalism competitions. Communication Arts, Society of Publication Designers, and American Photography have all recognized her work. She was awarded Picture of the Editor of the Year from the IFA Lucie Awards in 2013. She was twice selected for American Photo magazine’s list of the 100 most important people in photography. MaryAnne received a Bachelor of Science degree in Journalism and Communications from the University of Florida and is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University.
Eddie Adams Workshop
5:10
Laura Roumanos on Education Through Photography
At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
Eddie Adams Workshop
35:00
Marco Grob - EAW Archives
Eddie Adams Workshop
39:13
Al Bello - EAW Archives
Eddie Adams Workshop
2:37
John White - Gaining Access / Storytelling / Legacy
Eddie Adams Workshop
6:23
Santiago Lyon | The Content Authenticity Initiative
Eddie Adams Workshop
4:20
Santiago Lyon | Working in Afghanistan
Eddie Adams Workshop
39:35
Daniel Berehulak Presentation - Eddie Adams Workshop 2020
In this virtual presentation, conducted during the 2020 Eddie Adams Workshop, photojournalist Daniel Berhulak gives a deep dive into his life and career as a professional photographer, from his childhood as a Ukrainian refugee growing up in Australia, to photographing sports for Getty, to creating award-winning photojournalism stories of all varieties in countries around the world. Daniel Berehulak is an independent photojournalist based in Mexico City. Born to immigrant parents, Daniel grew up on a farm outside of Sydney, Australia. His work has been recognized with two Pulitzer Prizes. In 2015, for his coverage of the Ebola epidemic in West Africa and in 2017 for his coverage of the so-called “war on drugs” in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of floods in Pakistan. Daniel has received several other honors, including six World Press Photo awards, two Photographer of the Year awards from POYi, and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually.
Eddie Adams Workshop
See more ▾
Legal
Privacy Policy
/
Terms of Use
Home
✕
✕
All
Resource Center
✕
✕
✕