Danielle Villasana

47:18 “Then & Now: Photographers Repicturing Their Archive in 2020” presented with Everyday Projects, HuffPost, and RYOT THEN & NOW: PHOTOGRAPHERS REPICTURING THEIR ARCHIVE IN 2020 presented with Everyday Projects, HuffPost, and RYOT Featuring Sheila Pree Bright, Yolanda Escobar Jiménez, Brian Otieno, Xiaojie Ouyang, and moderated by Christy Havranek and Elie Gardner Photoville 2020 Talks On-demand recordings are made possible in partnership with PhotoWIngs with additional support by the Philip and Edith Leonian Foundation This year–amidst the compounded pandemics of COVID-19 and systemic racism, amidst global social upheaval–thirteen photographers returned to places and moments they have photographed before, to make new images and record the visual impact of 2020. Their photographs reveal evolutions in our interactions and traditions, how we use (or have stopped using) public spaces, inequality and unrest, economic strain, and demands for justice. Photographers Sheila Pree Bright (Atlanta, U.S.A.), Yolanda Escobar Jiménez (Quito, Ecuador), Brian Otieno (Nairobi, Kenya), and Xiaojie Ouyang (Wuhan, China), discuss what it was like to return to places they had photographed before and make new photographs. Moderated by Christy Havranek of HuffPost, and Elie Gardner of The Everyday Projects, they will discuss their findings, their photographs, why they chose those specific places, and what their photographs may tell us as we collectively look for a roadmap to our futures. photoville.nyc/online/then-now-photographers-repicturing-their-archive-2020/ The Everyday Projects 1:13:45 The Essentials: Building a Narrative with Kiana Hayeri Kiana Hayeri is known for her visual storytelling that is intimate, personal, and lyrical. In this class, she will discuss how to build a narrative from start to finish, including how to pitch a story to an editor and how to break down a story while photographing on assignment. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Everyday Projects 1:23:58 The Essentials: Honing Your Skills with Nicky Woo Nicky Quamina-Woo has a career as both a commercial and documentary photographer. In this class, she will touch on the basics of portraiture lighting, marketing your work, and tailoring your portfolio to fit the client. She reviews the portfolio of three students for the class to learn from, and shows examples of successful images, investigating why each works (or doesn’t) from a lighting perspective. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Everyday Projects 1:14:52 The Essentials Season 3: “Supporting your Long-term Vision” with James Rodríguez Accomplished photographer James Rodríguez will unpack the difficulties around sustaining long-term projects by illustrating how to create a unified vision, how to build and maintain relationships with communities, and how to seek various avenues of funding and support for the same project over time—whether through assignments, grants, or outside sources such as NGOs, commercial work, fixing, and video assignments. In this session, James will divulge his tips and tricks for achieving success with ongoing projects and how to create continuity and avoid burn-out. James Rodríguez is a Guatemala-based documentary photographer and filmmaker focusing on post-war processes, human rights abuses, migration, land tenure, and social conflicts in Mexico and Central America, but particularly in Guatemala, where his long-term project stems back to 2004. James, who holds a B.A. in Cultural Geography from UCLA, is represented by Panos Pictures and is a proud community member of The Everyday Projects, Diversify Photo, and Frontline Freelance Mexico. Currently working on a separate long-term project in the Yucatan peninsula funded by the Mexican National Fund for Culture and Arts (FONCA), James has worked for publications such as National Geographic, Le Monde, The LA Times, The New York Times, NPR, Vogue, and The Guardian, among others. James also collaborates regularly with NGOs, including Amnesty International, Oxfam, Human Rights Watch, UNDP, CARE, Justice in Motion, Rotary International. Follow James, also a member of @EverydayLatinAmerica, on Instagram at @mimundo_org. The Everyday Projects 1:19:26 The Essentials: The Anatomy of a Story by Andrea Wise In this session, Andrea Wise deconstructs two published stories she commissioned to demystify how stories come to be from the editor’s perspective. Wise talks about story origination, including assignment work and stories pitched by photographers, getting ideas and budgets approved, creative planning/art direction, working visually in harmony with text, selecting and sequencing images, and laying out stories for publication. You will learn more about what visual editors do, how to get on their radar, how best to work with them on assignment, and how to maximize the chances of getting your pitches picked up. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Everyday Projects 11:57 Nichole Sobecki - Foundry Presentation Nichole Sobecki gives a presentation at the 2019 Foundry Photojournalism about the complexities around photojournalism created by community "insiders" and "outsiders" and talks about her work with Everyday Africa, a photoblog and book of collective of photographers capturing daily life in Africa. The Foundry Photojournalism Workshop offers majority world students who could not otherwise afford it a chance to learn from some of the world's most well respected photojournalists and photography professionals. Nichole Sobecki is a photographer and filmmaker based in Nairobi, Kenya. She is represented internationally by the photo agency VII. Nichole graduated from Tufts University before beginning her career in Turkey, Lebanon, and Syria, focusing on regional issues related to identity, conflict, and human rights. From 2012-2015 Nichole led Agence France-Presse’s East Africa video bureau, and was a Rory Peck Awards News Finalist for her coverage of the Westgate mall attacks in Kenya. In 2018 she was awarded by Robert F. Kennedy Human Rights prize in new media for her images documenting Europe's response to the the African migration crisis. Nichole's work has been recognized by Pictures of the Year, the One World Media Awards, the Alexandra Boulat Award for Photojournalism, The Magenta Foundation, and The Jacob Burns Film Center, among others. She is also a contributor to Everyday Africa, a collection of images shot on mobile phones across the continent, and an attempt to showcase the moments missing from dramatic news images — everyday life that is neither idealized nor debased. Nichole aims to create photographs and films that demand consideration for the lives of those represented – their joys, challenges, and ultimately their humanity. She has completed assignments throughout Africa, the Middle East and Asia for National Geographic, The Washington Post, The Wall Street Journal, The New York Times, Newsweek, Time, Foreign Policy, The Financial Times Magazine, The Guardian, and Le Monde, and her work has been exhibited internationally. The Everyday Projects 12:33 Part 2: Everyday Africa – Photography as Storytelling Part 2 of The Everyday Projects educational videos. Students are introduced to the Everyday Africa project and are tasked with considering their own perceptions of Africa and media-driven stereotypes. The Everyday Projects 4:15 Defining Moments: Everyday Bay Area Everyday Bay Area, a project of CatchLight, focuses on the power of visual storytelling to help SF Bay Area residents see and understand each other across identities, ages, demographics and geography. PhotoWings partnered with CatchLight to interview some of their fascinating participants - to learn about them and their thinking. In this compilation video we explore their early influences and what sparked their interests in photography. The EDBA project curator, Pei Ketron, has brought together a group of local professionals and amateurs to make “photography that matters”, primarily an Instagram feed. It highlights stories that connect people to ignite curiosity and promote inclusion, tolerance and respect. EDBA explores issues that are unique to life in the Bay Area with the theme, Picturing the New California Dream. The California Dream has always meant seeking fame and fortune, from the Gold Rush to Hollywood to Silicon Valley. But now, California faces vast economic disparity among its residents. What is the California Dream today? The public can participate by using the hashtag #everydaybayarea on Instagram to be considered for inclusion in their Instagram feed and exposure at live events and exhibitions. There is also a page on Facebook. Everyday Bay Area is a project of CatchLight, The Everyday Projects and KQED and has partnered with PhotoWings The Everyday Projects

58:15 Community Heroes Toolkit Launch and Info Session COMMUNITY HEROES TOOLKIT LAUNCH AND INFO SESSION Featuring Jasmin Chang and Zac Martin Photoville Festival 2022 online talks are made possible in partnership with PhotoWings If you are an artist who cares about your neighborhood; a person or group dedicated to local stories and history; a public space that wants to build community…then the Community Heroes toolkit is for you! This new and free resource helps you to organize a public art project in your community. It is an opportunity to work with your neighbors to recognize and celebrate incredible people who have strengthened and supported your community. Come learn about it from the project co-founders and writers of the toolkit! This Community Heroes project began as a collaboration in Fort Greene, Brooklyn in 2016. Since then, it has become an annual neighborhood staple in Fort Greene Park and Commodore Barry Park. The project has also been done in Bed Stuy, Crown Heights, Red Hook and University Heights in the Bronx. In response to many others asking to bring Community Heroes to their neighborhoods, we created a free project toolkit, so more people can create this project themselves! communityheroes.nyc/toolkit photoville.nyc/event/community-heroes-toolkit-launch/ Photoville 41:25 Photoville 2024 Big Screen V2 Photoville 6:08 James Estrin INTV Photoville24 Photoville 1:00 Photoville 2024 Day 1 Recap Photoville 8:23 Photoville Education Field Trip: High School of Art and Design's "The Real and Surreal" Photoville 4:16 Photoville Education Field Trip: Syed Yaqueen "American Muslim Experience" Photoville 12:51 Photoville Education Field Trip: Rosem Morton's "Guardians of Thitu" Photoville 36:16 PhotoWings Portfolio - Photoville 2025 Big Screen Photoville

1:13:45 The Essentials: Building a Narrative with Kiana Hayeri Kiana Hayeri is known for her visual storytelling that is intimate, personal, and lyrical. In this class, she will discuss how to build a narrative from start to finish, including how to pitch a story to an editor and how to break down a story while photographing on assignment. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Essentials 1:23:58 The Essentials: Honing Your Skills with Nicky Woo Nicky Quamina-Woo has a career as both a commercial and documentary photographer. In this class, she will touch on the basics of portraiture lighting, marketing your work, and tailoring your portfolio to fit the client. She reviews the portfolio of three students for the class to learn from, and shows examples of successful images, investigating why each works (or doesn’t) from a lighting perspective. This video is part of The Essentials, a series of online classes presented by The Everyday Projects and Black Women Photographers. You can find the whole series here: everydayprojects.org/webinars The Essentials 1:23:23 The Essentials: Be Your Own Manager with Yagazie Emezi Yagazie Emezi will draw from her personal experiences of utilizing social media for self-promotion, managing finances as a freelancer, understanding contracts, and finding opportunities. She will speak to the challenges photographers regularly face, including setting a day rate and understanding usage and copyrights. Her session will be rooted in practical tools and strategies, and in understanding the overall value of one’s work. Yagazie Emezi is a Nigerian artist and self-taught photojournalist focused on stories surrounding African women and their health, sexuality, education and human rights. Having worked extensively across Africa, Yagazie also covers stories on identity and culture, social justice, climate change and migration. Her art practice uses photography and sculpture to construct visual critiques of Nigeria's socio-political state and the roles media play in it, pulling from history and current events. You can follow her @yagazieemezi. The Essentials 1:24:07 “Building Your Career” with Sarahbeth Maney and Sarah Waiswa Careers in photography have no roadmap, and a common question is, how do I get started? How do I make my first contacts in the industry, get my first assignment, work on my first projects? Photographers Sarahbeth Maney and Sarah Waiswa will use their own passion projects and reporting projects to walk you through the start of their careers and highlight some of their most important learnings along the way. Coming from different points of their career and different backgrounds, Sarabeth and Sarah will showcase what they were able to do with limited support and discuss what it was truly like to get their careers off the ground. Sarahbeth Maney is a 2021-22 photography fellow at The New York Times' Washington bureau. Her personal work focuses on topics related to housing insecurity, disability, and inequalities that disproportionately impact Black and brown communities. Most recently, she has documented immigration along the U.S.-Mexico border, the Black Lives Matter movement, and the California wildfire season. In addition, she filmed a short documentary following Ahmet Ustunel, the first blind person to kayak independently from Asia to Europe using navigational prototype technology. Maney graduated from San Francisco State University in 2019 with a degree in photojournalism and has interned at the San Francisco Chronicle and The Flint Journal in Michigan. She is a recipient of the inaugural Pulitzer Center and Diversify Photo Eyewitness Photojournalism Grant in 2020. Her photography has been published by TIME, Vanity Fair, Apple, The Washington Post, and the San Francisco Chronicle, among others. Maney is a member of Diversify Photo, the National Association of Black Journalists, Authority Collective, and Black Women Photographers. You can follow her @sbmaneyphoto. Sarah Waiswa is Ugandan-born, Kenya-based documentary and portrait photographer with an interest in exploring the New African Identity on the continent. With degrees in sociology and psychology, Sarah’s work explores social issues in Africa in a contemporary and non-traditional way. In 2015, she was awarded first place in the story and creative categories in the Uganda Press Photo Awards and second place in the Daily Life and portrait categories. In 2016 she was awarded the Discovery Award in Arles, France and in 2017 she was awarded the Gerald Kraak Award in Johannesburg, South Africa. In 2018, she was named a Canon Brand Ambassador and was selected for the World Press Photo 6x6 Africa Program. She is a Pulitzer Center Rainforest Journalism Fund grantee. Her work has been exhibited around the world, most recently at the National Gallery of Victoria in Australia. Her work is currently on display at the Bristol Photo Festival 2021 in collaboration with the Bristol Archives. Her photographs have been published in the Washington Post, Bloomberg, the New York Times, among other publications, and she has worked with brands such as Christian Dior and Chloe. Earlier this year, she founded African Women in Photography, a non profit organization dedicated to elevating and celebrating the work of women and non binary photographers from Africa. She is a contributing photographer to Everyday Africa. You can follow her @lafrohemien. The Essentials 1:22:50 The Essentials: Expanding Your Vision with Yagazie Emezi In this class, Yagazie Emezi will guide us through her personal projects and finding her own creative voice in photography. As she guides us through this aspect of her career, she will talk about the process of learning to trust her own vision, what others can learn from her journey, and how she then applies her personal style to assignment work. This class builds on Yagazie’s previous class in The Essentials, “Be Your Own Manager". Yagazie Emezi is a Nigerian artist and self-taught photojournalist focused on stories surrounding African women and their health, sexuality, education and human rights. Having worked extensively across Africa, Yagazie also covers stories on identity and culture, social justice, climate change and migration. Her art practice uses photography and sculpture to construct visual critiques of Nigeria's socio-political state and the roles media play in it, pulling from history and current events. You can follow her @yagazieemezi. The Essentials 1:21:57 The Essentials Season 3: “SO YOU GOT AN ASSIGNMENT, NOW WHAT: THE PHOTOGRAPHER’S PERSPECTIVE” WITH ANNIE FLANAGAN You’ve put in all the work to pitch, make connections with editors, and you’ve landed a commission. Now what? A prolific photographer with ample assignment experience, Annie Flanagan will share their know-how on what to do in preparation for the assignment (both logistically and photographically), how to communicate with editors, and stay safe in the field. They’ll also talk about the crucial side of assignment work that’s not brought to light enough: rates, budgeting, expenses, and contracts. And, Annie will give tips on how to maintain relationships with editors even after the assignment is over. Annie Flanagan is a photographer based in New Orleans, Louisiana. Their photographs are rooted in the documentary tradition, frequently exploring themes of gender, memory, and people’s relationship to place. Their select clients include The New York Times, National Geographic, The Guardian, ESPN, and The Players’ Tribune. Annie holds a Master of Science from Syracuse University S.I. Newhouse School of Public Communications. Follow Annie on Instagram at @annieflanagan. The Essentials 1:31:31 The Essentials Season 3: “DO NO HARM: ETHICS” WITH CHERISS MAY In this session, prominent photographer and adjunct professor at Howard University Cheriss May explores one of the most—if not the most—important aspects of making honest and compelling work: ethics. She’ll teach about the many layers of consent, avoiding stereotypical or sensationalistic approaches, establishing trust with people you photograph, and how to control the use of your images and how to have those conversations with editors. Cheriss will also showcase examples of social impact through photography and walking the line between activism and photojournalism. Cheriss May is a lauded portrait photographer and adjunct professor at her alma mater, Howard University. Her passion radiates through her aptitude to connect to the soul of those she photographs. Cheriss’s work centers on the intersectionality of race, culture, and politics—from the White House to Capitol Hill, and everyday life in communities across the country. She is a frequent contributor to The New York Times and has been published in O Magazine, The White House website, People, ABC News, The Today Show, among other publications. Her work is featured in the permanent collection of the African American Museum in Philadelphia, PA, and the Schomburg Center for Research in Black Culture in Harlem, NY. Originally from Kansas City, MO, Cheriss is based in Washington, D.C., and is a member of Black Women Photographers. Follow Cheriss on Instagram at @cherissmay. The Essentials 1:12:39 The Essentials Season 3: “FROM PITCHING TO PUBLICATION” WITH HANNAH REYES MORALES In this kickoff class, National Geographic Explorer Hannah Reyes Morales will discuss how she ideates for visual stories, and the key elements for pitching those ideas for publication. With extensive experience publishing long-term projects and stories, Hannah will also address the reality that not all pitches are successful and how to learn from each attempt so your spirit remains lifted and determined. And, she’ll walk through best practices after publication, such as promoting, sharing, and archiving your work. Hannah Reyes Morales is a Filipina photographer who focuses on bringing historical memory and current events home by looking at how they shape daily life. Her long term project “Living Lullabies” explores the role of lullabies in creating safer spaces for children and caregivers in challenging environments globally. Blending photography, audio, animation, and performance from collaborators, the project illuminates critical issues facing women and children through the storytelling of families’ nighttime rituals. As a working photojournalist, she has been published in The New York Times, National Geographic Magazine, and the Washington Post, among others. She is the recipient of the Tim Hetherington Visionary Award and the ICP Infinity Award for Documentary Practice and Visual Journalism. She was commissioned for the Nobel Peace Prize exhibition in 2021. Hannah is currently focusing on longer term projects. She is a co-founder of Emerging Islands, an artist-run residency in the Philippines. She is a National Geographic Explorer and currently a fellow at Columbia University’s Institute for Ideas and Imagination in Paris. Follow her at @hannahreyesmorales. The Essentials

0:29 VII Insider Splash The VII Foundation 1:31:39 VII Engage - A City Ruptured” with Ashley Gilbertson and Renee Melides Over the course of the last year and a half, the Covid-19 pandemic depleted our economy, affecting people’s homes, livelihoods and wallets. To document the hardships, as both a lament and a tribute, Ashley Gilbertson spent 8 months photographing how the pandemic economy ruptured New York, witnessing stark examples of widening inequality, the changing ways of work and commerce, and ultimately tears in the fabric of the place—even amid growing signs of hope for immunity and recovery. In this discussion, Ashley discusses the project with the editor of the project with whom he worked, Renee Melides. The duo discusses their year of COVID-19 coverage in New York City, the genesis of the project, the complex production of a months-long story from initial pitch to publication, and the importance of collaboration. Ashley and Renee also look at many images from the series, and give insight to the stories behind the pictures. Renee Melides is a Photo Editor at The New York Times and is currently based in New York. Renee also worked for The Times in both their London and Hong Kong bureaus. Prior to this, she was the Deputy Photo Editor at Monocle Magazine in London. Before venturing into the realm of photo editing, Renee spent her years as a photojournalist. Working for clients such as The Financial Times of London, Reuters, Monocle Magazine, The Age, Australian Financial Review and the Sydney Morning Herald, to name a few. Renee has interned at both the VII and Magnum photo agencies and CNN International. In her spare time she also works on her own personal documentary projects and visual stories. Ashley Gilbertson is an Australian photographer and writer living in New York City recognized for his critical eye and unique approach to social issues. Gilbertson is a member of VII Photo, a frequent contributor to major media outlets and a collaborator with the United Nations. For over twenty years, Gilbertson’s work focused on refugees and conflict, an interest that in 2002, led him to Iraq. His work from that country was awarded the Robert Capa Gold Medal, and in 2007, Gilbertson’s first book, Whiskey Tango Foxtrot, was released, going on to become a bestseller. Post Iraq, Gilbertson shifted his focus to veterans, drawing public attention to post traumatic stress disorder and suicide. Gilbertson’s second book, Bedrooms Of The Fallen, a collection of photographs depicting the intact bedrooms of service members killed in Iraq and Afghanistan, was released in 2014. That work received a prestigious Ellie award. Today, Gilbertson documents global migration in Africa and Europe, and works on climate, social and health issues in the United States and Asia. He writes regular opinion and news stories for outlets including The New York Times, The Washington Post, ProPublica, and UNICEF. In 2014, a multimedia story on the militarization of the South China Sea earned him an Emmy nomination. He has worked on commercial assignments for Apple Computer, Axa Insurance, and the Ad Council. Gilbertson’s prints and books are included in permanent collections of numerous museums and art galleries around the world, and has been exhibited widely at institutions including The Smithsonian (Washington), Centre Georges Pompidou (Paris), National Gallery of Victoria (Melbourne), Nelson-Atkins Museum of Art (Kansas), The Museum of The City of New York, and The National September 11 Memorial Museum (New York). The VII Foundation 2:05:09 John Stanmeyer’s Kit: On Assignment with National Geographic There is no one photography kit. Some can be large, and some can be small—it all depends on need and style. From times when an extensive collection of items is necessary, to more insignificant day-to-day kits, and creating endlessly with the camera phone that is always in his pocket, John Stanmeyer has done it all over the years. In this VII Insider session, John shares his experiences preparing for assignments and how he thinks about what gear is necessary. John shares his philosophy of minimalism and simplicity, and gives insight into what feels just right for him, to help guide others to committing not to more and more gear, but to less—and the limitless possibilities he finds in bringing a simple collection of tools into the field on an assignment. In a wide-ranging Q+A, John also discusses long-form and short-form storytelling with a small kit, sharing examples not so much of the gear, but what one can do with their gear. John Stanmeyer is an award-winning photojournalist, Emmy nominated filmmaker and educator, dedicated to social, humanitarian and political issues that define our times. For more than 15 years, John has worked nearly exclusively with National Geographic magazine, producing over 19 stories, resulting in more than 14 covers. Between 1998 and 2008, John was a contract photographer for Time magazine. His years with Time resulted in 18 covers. In 2001, Stanmeyer co-founded with six of the world’s leading photojournalists, the prestigious VII Photo agency. Today VII represents more than 30 photographers from around the globe. Stanmeyer is an Emeritus member of VII and also is represented by Nat Geo Image Collection agency and is a member of Ripple Effects Images, a collective of artists and storytellers working on issues related to women, empowerment and equality. He is the recipient of numerous honors, including the prestigious Robert Capa award, POYi Magazine Photographer of the Year and the World Press Photo of the Year in 2014. John lives with his dog, Elfriede the Great Dane, in the southern Berkshires of western Massachusetts. The VII Foundation 1:18:45 VII Insider: Sebastião Salgado (Portuguese) Internationally-renowned photographer Sebastião Salgado has spent years documenting the vast lungs of the Earth that stretch through his native country of Brazil and neighboring nations. “Amazônia” is his ongoing comprehensive survey of isolated indigenous communities, wildlife, and the aerial landscapes of the untouched regions of the Amazon. In conversation with VII Photo Agency Mentor Program photographer Leonardo Carrato, Salgado talks about the challenges involved in multi-national and global long-term projects, and the importance of photography as a powerful tool for change, citing real-world examples where it has made a difference. Sebastião Salgado was born in Aimorés, Minas Gerais, Brazil and now lives in Paris. A trained economist, he began his career as a photographer in Paris in 1973. He worked successively with the agencies Sygma, Gamma and Magnum Photos until 1994 when, together with Lélia Wanick Salgado, they founded the photographic press agency, Amazonas images, exclusively devoted to their work. Salgado has travelled to more than 100 countries for photographic projects that, in addition to countless publications in the press, were published as books, with conception and design by Lélia Wanick Salgado. These titles include Other Americas (1986), Sahel, l’Homme en détresse (1986), Workers (1993), Earth (1997), Exodus and Portraits of Children of the Exodus (2000), Africa (2007), and Genesis (2013). In 2015, he published the book Perfume de Sonho, a trip to the world of coffee. The book Da minha terra à Terra (2014) tells the origins of his work. His most recent books include Kuwait, A Desert on Fire (2016), in 2019, Gold, Serra Pelada Gold Mine. Traveling exhibitions of these works have been and continue to be presented internationally. The vast majority of these exhibitions were curated by Lélia Wanick Salgado. Sebastião Salgado has also received numerous awards for his photography. He is a UNICEF Goodwill Ambassador and an honorary member of the United States Academy of Arts and Science. He received the commendation of the “Order of the Rio Branco in Brazil” and is “Commandeur de l’Ordre des Arts et des Lettres” by the French Ministry of Culture and Communication. On April 13, 2016, he was elected a member of the Académie des Beaux-Arts de l’Institut de France, assuming the chair previously occupied by photographer Lucien Clergue. In that same year also in France, he was appointed Knight of the Legion of Honor. He received the Itamaraty Cultural Diplomacy Award from the Ministry of Foreign Affairs, at the Brazilian Embassy in Paris. In 2016, in Brazil, he was appointed Doctor Honoris Causa, Federal University of Espirito Santo. He was also recently elected an honorary member of the American Academy of Arts and Letters in the USA, and was honored with the German Free Trade Peace Prize. The VII Foundation 1:11:45 Reporting the Siege of Sarajevo The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist Paul Lowe. In this VII Insider talk, Lowe and co-author Kenneth Morrison discuss the book in conversation with VII photographers and co-founders who covered the siege — Ron Haviv and Christopher Morris. They overview the scope and structure of the book, the process of putting it together, their experiences covering the historic event, and the siege’s importance to the history of the journalism profession. Dr. Paul Lowe is a Reader in Documentary Photography and the Course Leader of the Masters program in Photojournalism and Documentary Photography at the London College of Communication, University of the Arts, London, UK. Paul is an award-winning photographer who has been published in TIME, Newsweek, Life, The Sunday Times Magazine, The Observer, and The Independent, amongst others. He has covered breaking news the world over, including the fall of the Berlin Wall, Nelson Mandela’s release, famine in Africa, the conflict in the former Yugoslavia, and the destruction of Grozny. Kenneth Morrison is Professor of Modern Southeast European History at De Montfort University, UK. He has written extensively on the modern history of the Western Balkans and is the author of Nationalism, Statehood and Identity in Post-Yugoslav Montenegro (2018), Sarajevo’s Holiday Inn: On the Frontline of Politics and War (2016), Montenegro: A Modern History (2009), and the co-author of Reporting the Siege of Sarajevo (2021) and The Sandžak: A History (2013). Kenneth was a Visiting Professor at the London School of Economics and Political Science in 2018 and has previously acted as Specialist Adviser on Western Balkan politics for the UK House of Lords International Relations Select Committee. He is currently writing a book focusing on the utility of hotels in urban conflicts. Ron Haviv is an Emmy nominated and award-winning photojournalist and co-founder of the VII Agency, dedicated to documenting conflict and raising awareness about human rights issues around the globe. His first photography book, Blood and Honey: A Balkan War Journal, was called “One of the best non-fiction books of the year,” by The Los Angeles Times and “A chilling but vastly important record of a people’s suffering,” by Newsweek. His other monographs are Afghanistan: The Road to Kabul, Haiti: 12 January 2010, and The Lost Rolls. Haviv has produced an unflinching record of the injustices of war. His work in the Balkans, which spanned over a decade of conflict, was used as evidence to indict and convict war criminals at the International Criminal Tribunal for the former Yugoslavia in The Hague. President George H.W. Bush cited Haviv’s chilling photographs documenting paramilitary violence in Panama as one of the reasons for the 1989 American intervention. Haviv is the central character in six documentary films, including National Geographic Explorer’s Freelance in a World of Risk and River of Gold. He has provided expert analysis and commentary on ABC News, BBC, CNN, NPR, MSNBC, NBC Nightly News, Good Morning America, and The Charlie Rose Show. Haviv is a founding member of VII Agency based in New York. Christopher Morris was born in California in 1958 and began his career as a documentary conflict photographer working almost exclusively for TIME Magazine, where he has been on contract since 1990. He has been credited with redefining political coverage in America during his years working at the White House for TIME Magazine from 2000 till 2009. Simultaneously to his career as a photojournalist, Morris has expanded his work into the fashion world. He has received various awards, including the Robert Capa Gold Medal, the Olivier Rebbot Award, the Journalism Award from the Overseas Press Club, two Infinity Awards for photojournalism from the International Center of Photography in New York, the PDN Look Fashion Editorial Award and numerous World Press Photo awards. Morris is a founding member of VII Agency based in New York. The VII Foundation 47:56 “Congo in Conversation” with Finbarr O’Reilly As the COVID-19 pandemic spread across the world in 2020, swiftly closing down borders, Finbarr O’Reilly and 11 Congolese photographers—who were collaborating on a vast project addressing the human, social and ecological challenges that the DRC faces today—quickly adapted themselves to the new reality and created a unique collaborative online chronicle, an uninterrupted and unprecedented stream of articles, photo essays, and videos housed on a dedicated website called “Congo in Conversation” that has also resulted in a bilingual monograph of the same name. The 11th Carmignac Photojournalism Award funded the project. In this VII Insider talk, VII agency photographer Ziyah Gafic and Finbarr discuss the project’s evolution and execution, the history and politics of photojournalism in the Congo, the importance of diversity and representation in photojournalistic narratives, and using institutional power and privilege to lift up underrepresented voices and develop the next generation of storytellers. Finbarr O’Reilly is an independent photographer and multimedia journalist, and the author of the nonfiction memoir, Shooting Ghosts, A U.S. Marine, a Combat Photographer, and Their Journey Back from War (Penguin Random House 2017). Finbarr lived for 12 years in West and Central Africa and has spent two decades covering conflicts in Congo, Chad, Sudan, Afghanistan, Libya, and Gaza. He is the 2019 Nobel Peace Prize exhibition photographer and a frequent contributor to The New York Times. His photography and multimedia work has earned numerous industry honors, including First Place in the Portraits category at the 2019 World Press Photo Awards. He was also winner of the World Press Photo of the Year in 2006 and earned a 2020 Emmy for the PBS Frontline documentary, Ebola in Congo. Finbarr is a Canon Ambassador. Ziyah Gafic is an award-winning photojournalist and videographer based in Sarajevo focusing on societies locked in a perpetual cycle of violence and Muslim communities around the world. He covered major stories in over 50 countries. Ziyah’s work received many prestigious awards such as multiple awards at World Press Photo, Grand Prix Discovery of the Year at Les Rencontres d’Arles, Hasselblad Masters Award, City of Perpignan Award for Young Reporters at Visa pour l’Image, Photo District News, Getty Images grant for editorial photography, TED fellowship, Prince Claus grant, and Magnum Emergency fund grant. His work is regularly published in leading international publications. Ziyah authored several monographs including “Troubled Islam – short stories from troubled societies”, “Quest for Identity,” and the most recent, “Heartland.” The VII Foundation 1:06:09 Creating Impact New Visual Perspectives on the Climate Crisis This symposium explores three urgent questions about creating impactful communications on the climate crisis, in advance of the UN Climate Change Conference 2021 (COP26) to be held in Glasgow, Scotland starting 1 November 2021: How can visual images and stories impact the climate crisis agenda? Are there new global voices and perspectives emerging? How can images improve public engagement ahead of COP26? Hosted by VII Insider, the symposium is a collaboration between Climate Visuals, University of the Arts London’s Photography and Arts Research Centre, Slideluck Editorial and The VII Foundation. VII Insider events are made possible by the generous support of PhotoWings. This hour-long event, held on 30 June 2021, also introduced the Climate Visuals programme, its evidence base and previewed submissions to ‘Visualizing Climate Change: An Open Call for Photography’, which is a partnership with TED Countdown. Moderator: Paul Lowe Participants and Agenda: Toby Smith, Climate Visuals Introduction to Climate Visuals, its evidence base on impact, and the concept behind the ‘Visualizing Climate Change’ initiative Maria Teresa Salvati, Slideluck Editorial A personal selection from the Open Call highlighting new voices and perspectives on climate change Nichole Sobecki, VII Recent photographic work on the climate crisis Moderated Q&A The VII Foundation 1:22:04 Digital Silver Imaging Technical Webinar Series B&W Workflow How you execute your black & white conversion can make-or-break your image and your print. Simply selecting “grey scale’ results in soulless black & white conversions. Photoshop® and Lightroom® expert Joe Brady shares how he converts his images from color to black & white. Joe steps you through the process in clear easy to follow steps. Also included is a how-to on the Nik Silver Efex Pro plug-in. Instructor – Joe Brady Topics include: Creating a dynamic black & white conversion Demonstrate best practices using Lightroom® and Adobe Photoshop® Review of Nik Software Silver Efex Pro plugin Black & white printing options Question and answer The VII Foundation