Home
Videos
Steve McCurry – Profile
Resource Center: Non-Photographic Diversions
Outreach Program
Natalie Fobes – Profile
Nacho Corbella Video Page
Media Archive
Foundry 2011 – Buenos Aires
LEARN
SEE
NETWORK
REFERENCE
NAV MENU
Organization
Legacy
FOUNDRY
PWAU
Outreach
Interviews
Ideas around images
HOME
About Us
Outreach Program
Videos
Resource Center
Search for:
Search Button
Home
»
»
Carol Guzy
Carol Guzy
←
Return to People Index
PhotoWings Media Archive
Share
Featured
2:28
PTSD: The Lasting Effects
Carol Guzy
Photographer, 4x Pulitzer Prize Winner
Projects · appears in 2
Eddie Adams Workshop
Collection
The VII Foundation
Collection
Tags
Concepts
Inspiration
10
Resilience
10
Trust
10
Storytelling
7
Collaboration
3
Perspective
3
Reflection
3
Context
2
Legacy
2
Self-Discovery
1
Topics
War Photography
8
Photography Book
7
Photography Workshop
7
Photojournalism
6
Photographer Interview
5
Photography Awards
5
Photo Education Programs
2
Archiving & Preservation
1
Career Development
1
Collaboration & Partnership
1
Community Photography
1
Conflict Photography
1
Consent & Access
1
Democracy & Politics
1
Documentary Photography
1
Family Albums
1
Family Albums & Vernacular Photography
1
Human Rights Photography
1
John White
1
Nature Photography
1
New York
1
Photo Research & Access
1
Photography Ethics
1
Photography Grant
1
Portrait Photography
1
Visual Storytelling
1
+16 more
Portfolio
10 videos · every appearance
2:28
PTSD: The Lasting Effects
As with other professions that operate on the front lines of life, those who practice photojournalism are susceptible to PTSD. In this video, veteran photojournalists Andrea Bruce, Carol Guzy, and Adriana Zehbrauskas open up about the difficulties of photojournalism work, and give a few examples of how they cope with hardship. Carol Guzy is a staff photographer for The Washington Post. She graduated in 1978 with an associate's degree in registered nursing from Northhampton County Area Community College in Bethlehem, Pennsylvania, her hometown. A change of heart led her to study photography at the Art Institute of Fort Lauderdale, Florida, where she graduated in 1980 with an applied science associate's degree in photography. While at the Art Institute she interned at the Miami Herald which hired her as a staff photographer upon her graduation. After eight years there during which she won the 1986 Pulitzer Prize for Spot News Photography (as one of a two-member team covering the Armero, Columbia mudslide), she moved to Washington, D.C. to become a staff photographer for The Washington Post. Through documentary photography, Andrea Bruce brings attention to people living in the aftermath of war. She is a co-owner and member of the photo agency NOOR. For eight years she has chronicled the world's most troubled areas as a staff photographer for The Washington Post. She focused on Iraq from 2003 to the present, following the intricacies and obstacles of the conflict experienced by Iraqis and the US military. She also wrote a weekly column for The Post called "Unseen Iraq." Her awards include top honors from the White House News Photographers Association (where she has been named Photographer of the Year four times), several awards from the International Pictures of the Year contest, and the prestigious John Faber award from the Overseas Press Club in New York. She has also been a finalist for The Aftermath Project grant and a 2011 recipient of the Alicia Patterson Foundation Fellowship. In 2010 she received the WHNPA grant for her work in Ingushetia. In 2012, she was the recipient of the first Chris Hondros Fund Award for the “commitment, willingness and sacrifice shown in her work.” Adriana Zehbrauskas is a Brazilian documentary photographer based in Mexico City, Mexico. Her work covers mostly issues related to migration, religion and the aftermath of the violence related to the drug wars in Mexico as well as the daily life of sub and misrepresented communities. She contributes regularly to The New York Times, BuzzFeed News, The Washington Post and others. Adriana is one of the three photographers profiled in the documentary “Beyond Assignment” (USA, 2011, produced by The Knight Center for International Media and the University of Miami. She’s one of the recipients of the first Getty Images Instagram Grant and was awarded Best Female Photojournalist -Troféu Mulher Imprensa (Brazil). Her mobile photography work was selected by Time Magazine for the “29 Instagrams That Defined the World in 2014″ and her project on Faith in Brazil and Mexico was awarded a Art & Worship World Prize by the Niavaran Artistic Creation Foundation.
PhotoWings
2:23
Concept Short: Awards (Storytelling & Legacy)
Carol Guzy is grateful to have received high honors for her photography, but considers the stories as the actual recipients of the awards. She sees being a photojournalist as being a “link” between a person’s story and the general public.
PhotoWings
3:46
Family Albums: Why Preserving Photographs Matters Pt. II
In this video, photography industry professionals Nancy Borowick, Ed Kashi, Erika Larsen, Olivier Laurent, John White, Michael Williamson, and Chuck Zoeller provide insight into the important ways that family photographs and family albums enrich our lives and contribute to the important work of documenting history. Nancy Borowick is an internationally renowned photographer, author, teacher and speaker, delivering over 50 speaking engagements each year around the world, bringing her personal story to universities, hospitals, oncology units and community groups globally. Nancy is a graduate of the International Center of Photography and has exhibited her work in over 100 cities. Working regularly with the New York Times since 2013, Nancy has told the intimate stories of people and places from every corner of the globe winning her major accolades and awards, such as World Press Photo, Pictures of the Year International and most recently the 2018 Humanitarian Award from the organization Women That Soar for her photography and recent monograph, The Family Imprint. Ed Kashi is an acclaimed photojournalist who uses photography, filmmaking and social media to explore geopolitical and social issues that define our times. He is also a dedicated educator and mentor to photographers around the world and lectures frequently on visual storytelling, human rights and the world of media. A leading voice in the photojournalism world, Kashi frequently lectures on a wide range of topics for arts institutions, universities, schools and professional organizations. His work has been published and exhibited worldwide, receiving numerous awards and honors. Through his editorial assignments and personal projects Kashi has published nine books, including Curse of the Black Gold: 50 Years of Oil in the Niger Delta, THREE, and Photojournalisms. Erika Larsen is a photographer and multidisciplinary storyteller known for her essays, which document cultures that maintain close ties with nature. Her work has been included in the Smithsonian National Portrait Gallery, National Geographic Society, Fotografiska Museum and Ajtte Sámi Museum. Larsen is a recipient of several grants and fellowships including a Fulbright Fellowship, New Jersey State Arts Council Fellowship, Women in Photography Individual Project Grant, Lois Roth Endowment and a World Press Award. Her first monograph, Sami-Walking With Reindeer, was released in 2013. Larsen is currently a Fellow and Explorer with National Geographic Society. Olivier C. Laurent is an expert in social media, he partners with the Washington Post social team on photo-driven initiatives and contributes to the InSight blog. Before the Washington Post, Olivier was most recently at TIME, where he was editor of LightBox, the magazine’s former photography website, which provided a window into how great photographs are made and drew attention to groundbreaking work by photography masters and new pioneers. Before TIME, he was the associate editor of the British Journal of Photography starting in 2008, the world’s longest running photography magazine and the editor of FLTR, the first weekly magazine on smartphone photography. John H. White is a renowned American photojournalist. His photography documents everyday lives and political events in American cities, particularly Chicago. He was a staff photographer on the Chicago Sun-Times for 35 years, and won a Pulitzer prize in 1982. Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. Chuck Zoeller is director of creative services for The Associated Press. A former photographer, he joined the AP as a photo editor at the news cooperative’s New York headquarters, and later served 14 years as director of the AP Images photo library — one of the world’s largest collections of news photos. He has curated several books and exhibitions of AP photography. A graduate of the University of Rochester, he has served as chair of the Pulitzer Prize jury in photography.
Compilation
4:13
Michael Williamson on Becoming a Photojournalist
Award-winning photographer Michael Williamson shares with us how his early life in foster homes and the "survival skills, or to use a cliche, people skills" he learned were essential to his success as a photojournalist. This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association.
PhotoWings
3:22
Michael Williamson on Earning Trust
Award-winning photographer Michael Williamson gives us insight into his approach to earning the trust and building relationships with the people he documents as a photojournalist. This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association.
PhotoWings
2:07
Michael Williamson on the Culture of Photography
Award-winning photographer Michael Williamson provides some perspective on the current culture of photography, and how he believes we need to "remind people there is a bigger world than just them and the party they went to last week." This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association.
PhotoWings
5:57
Michael Williamson on Storytelling
Award-winning photographer Michael Williamson draws on his years of experience to give us insights into how he creates successful visual stories. This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop. Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association.
PhotoWings
3:07
Michael Williamson on Ethics
Award-winning photographer Michael Williamson descirbes the importance of considering the ethics behind photography, and how having "love in our heart, an open mind, and curiosity" is essential to every good photographer. This interview was conducted by PhotoWings in partnership with The Eddie Adams Workshop. Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in over more than fifteen states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association.
PhotoWings
34:07
Michael Williamson – Photojournalist - Eddie Adams Workshop 2016
Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books. The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association.
PhotoWings
55:42
Carol Guzy – News Photographer - Eddie Adams Workshop 2016
PhotoWings
No videos match your search.
Eddie Adams Workshop
Collection · Related
3:32
MaryAnne Golon: Early Influences, Career Evolution and Mentorship
MaryAnne Golon has spent her career at esteemed organizations like Time Magazine and the Washington Post. She tells us about her beginnings in the photojournalism industry and how it felt to go back to photojournalism after leaving Time. MaryAnne Golon is the Director of Photography at The Washington Post. Before joining The Post in 2012, MaryAnne was the director of photography at Time Magazine and a senior photography editor there for more than 20 years. She graduated with honors from The University of Florida with a B.S. in Journalism. Before joining The Post in 2012, MaryAnne curated Look 3: The Festival of the Photograph and help guide the 2-year product build of a digital asset management system for a major non-profit organization. Golon was also director of photography at Time magazine where she co-managed the international newsweekly’s photography department for more than 15 years. She graduated with honors from the University of Florida with a B.S. in Journalism. Golon has received many individual and team picture-editing awards from the POYi (Pictures of the Year International) and NPPA's (National Press Photographer’s Association) Best of Photojournalism competitions. Communication Arts, Society of Publication Designers, and American Photography have all recognized her work. She was awarded Picture of the Editor of the Year from the IFA Lucie Awards in 2013. She was twice selected for American Photo magazine’s list of the 100 most important people in photography. MaryAnne received a Bachelor of Science degree in Journalism and Communications from the University of Florida and is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University.
Eddie Adams Workshop
5:10
Laura Roumanos on Education Through Photography
At the 2019 Eddie Adams Workshop, Photoville co-founder Laura Roumanos discusses the ways that photography can be an important component of curriculum, and how she has worked to incorporate photography based educational content into the programming of her organization. Originally hailing from Sydney, Australia — where she graduated from the prestigious National Institute of Dramatic Arts— Laura Roumanos worked as a Producer and Arts Administrator before making the big move to NYC, to join the Manhattan Theatre Club. She then headed over to St. Ann’s Warehouse where she was the General Manager for several years, producing and presenting large scale international theatre, music and art events. Laura is currently the executive producer and co-founder of United Photo Industries and Photoville where she has produced over 300 photo exhibitions and public projects throughout the world including Hamburg, Tokyo, Lodz, Sydney and Shanghai, and has brokered partnerships with over 100 entities including National Geographic, Instagram, TIME Magazine, The Pulitzer Center, NYC Parks and NYC Department of Transport to name a few. UPI recently has been working with the United Nations and produced and curated 17 large scale exhibitions at the World Humanitarian Summit in Istanbul and is working on a long-term global project on Migration to be completed in 2019.While spearheading UPI, Laura also recently served as the Senior Producer for the Future of Story Telling Festival in New York City and has in the last 6 years worked at various wonderful non-profit institutions such as Creative Time as their Senior Producer and has been Moonlighting as the Line Producer and Director of Operations for the World Science Festival on a freelance basis. Laura also continues to consult, manage, and produce numerous theatrical shows and events throughout New York City, including highlights such as producing Karen O’s new Psycho Opera for The Creators Project and VICE Media in 2011 at St. Ann’s Warehouse, and a subsequent tour to the Sydney Opera House. Laura also recently produced the Opening Ceremony Spring Fashion Show play written by Spike Jonze & Jonah Hill and Directed by Jonze at The Metropolitan Opera and Bryce Dessner’s & the Brooklyn Youth Chorus’ Black Mountain Songs at the Brooklyn Academy of Music (BAM) and toured internationally. Laura Roumanos has built a reputation in the New York Arts scene as someone to go to for consultation and advice regarding public art and multi-disciplinary projects across all mediums. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships.
Eddie Adams Workshop
35:00
Marco Grob - EAW Archives
Eddie Adams Workshop
39:13
Al Bello - EAW Archives
Eddie Adams Workshop
2:37
John White - Gaining Access / Storytelling / Legacy
Eddie Adams Workshop
6:23
Santiago Lyon | The Content Authenticity Initiative
Eddie Adams Workshop
4:20
Santiago Lyon | Working in Afghanistan
Eddie Adams Workshop
39:35
Daniel Berehulak Presentation - Eddie Adams Workshop 2020
In this virtual presentation, conducted during the 2020 Eddie Adams Workshop, photojournalist Daniel Berhulak gives a deep dive into his life and career as a professional photographer, from his childhood as a Ukrainian refugee growing up in Australia, to photographing sports for Getty, to creating award-winning photojournalism stories of all varieties in countries around the world. Daniel Berehulak is an independent photojournalist based in Mexico City. Born to immigrant parents, Daniel grew up on a farm outside of Sydney, Australia. His work has been recognized with two Pulitzer Prizes. In 2015, for his coverage of the Ebola epidemic in West Africa and in 2017 for his coverage of the so-called “war on drugs” in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of floods in Pakistan. Daniel has received several other honors, including six World Press Photo awards, two Photographer of the Year awards from POYi, and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club. The Eddie Adams Workshop is the only tuition-free photojournalism seminar of its kind. Applicants at the start of their career submit portfolios for consideration. One hundred participants selected solely on the merit of their pictures team up with top professional photographers and editors for a four-day gathering that includes assignments, portfolio reviews, panel discussions and presentations. The Workshop began in 1988 with the goal to redress the exclusivity of professional opportunities by accepting students based on their demonstrated skills, and not on their ability to pay tuition. The all-volunteer faculty and staff, many of whom are alumni, are passionate about the mission and donate their time and expertise. The Workshop has an unparalleled history of nurturing talent, exchanging ideas and building relationships. The workshop takes place annually over Columbus Day Weekend, normally in Jeffersonville, New York. During the pandemic, the workshop has been conducted virtually.
Eddie Adams Workshop
See more ▾
The VII Foundation
Collection · Related
1:26:12
The Camera at War: 170 Years of Weaponizing Photography, with Hilary Roberts
All forms of visual media are vulnerable to being manipulated or ‘weaponized’ in the context of modern conflict. However, the consequences of manipulating photographs are potentially far-reaching and long-term. In recent years, advances in digital technology have led many to question whether photographs of war and conflict can ever be trusted. The conflicts in Ukraine and the Middle East, as well as other world events, have lent urgency to this debate. Drawing on an incredible range of imagery from the Imperial War Museum’s vast collection and other major archives around the globe, expert curator Hilary Roberts presents a new perspective on the role of image manipulation in this field over the past 170 years, exploring the consequences for our understanding of historic and contemporary conflicts. Join Ron Haviv in conversation with Hilary Roberts as they discuss the complicated relationship between conflict photography and the ‘truth’. The discussion will explore the application and legacy of photomanipulation techniques in conflict photography and the myriad ways in which layers of meaning can be added, erased, or changed completely.
The VII Foundation
1:14:10
Photo Editors Series - Josh Lustig
The Photo Editors Series is a series of conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. The series combines an overview of the contemporary media landscape with practical tips. The editors speak as individuals rather than representatives of their organizations, and the event is interactive and offers good opportunities for audience questions. In this seventeenth episode, Ilvy Njiokiktjien and Fiona Stephen speak with Josh Lustig, deputy photo editor of the Financial Times Weekend Magazine. Josh writes regularly on photography for the magazine, is a frequent participant at festivals and workshops, and has been a visiting lecturer at several universities including, London College of Communication, University of Syracuse, NY, USA and the School of Media and Journalism, Aarhus, Denmark.
The VII Foundation
2:22:03
Open-Source Intelligence - An Investigative Journalism Workshop
Open-source intelligence (OSINT), publicly available data sources used in the verification of information and events, is integral to the work of many investigative journalists. Increasingly hostile or inaccessible reporting environments, and the weaponisation of disinformation, have intensified the need for verifiable source information to ensure the authenticity and integrity of independent reporting. In this special extended online event, we examine the application of open-source intelligence strategies within media and justice contexts. This two-hour workshop will introduce a range of practical OSINT tools, consider accessibility and online safety, and examine case studies, including long-term operations within closed states and recent high-profile events across the U.S. and Europe, where OSINT tools have enabled critical forensic analysis and reporting. Join David Campbell in discussion with a panel of expert guests; Documentary filmmaker and investigative journalist, Sara Creta, whose research focuses on the intersection of emerging technology and human rights; Davide Piscitelli, Advanced Researcher at Forensic Architecture, a research agency based at Goldsmiths, University of London; and Francesco Sebregondi, architect and researcher specialising in digital investigation, particularly the use of visual and spatial analysis to document violence and human rights violations.
The VII Foundation
1:12:20
Photo Editors Series – Gabriel Eisenmeier
The Photo Editors Series are conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. Hosted by David Campbell and Ilvy Njiokiktjien, the series combines an overview of the contemporary media landscape with practical tips. The editors in the series speak as individuals rather than representatives of their organizations. In this tenth episode, we are speaking with Gabriel Eisenmeier of de Volkskrant, a daily newspaper in The Netherlands.
The VII Foundation
1:00:57
A Presentation of Ed Kashi & Julie Winokur’s film, Sheila and Joe
In this special presentation, Ed Kashi and Julie Winokur introduce their short film “Sheila and Joe,” followed by a question and answer. with the filmmakers and subjects. “Sheila and Joe” is a love story that unfolds behind bars. This story is told through hundreds of letters shared by Sheila Rule, a former New York Timescorrespondent, and Joe Robinson, a man serving a prison sentence of 25 years to life. Despite a 20 year age difference, and undeterred by the physical barriers of prison, their love has unstoppable momentum. Intimate and nuanced, this short film visits the space between compassion and passion, revealing a man who transcends his crime and a woman who dares to break the rules. In the process, they shine a light on the practice of mass incarceration in the US. “Sheila & Joe” premiered at the Woodstock Film Festival in 2021 and received Second Place for Documentary Daily Life from Pictures of the Year International 2020. The film was published on NPR’s The Picture Show in 2021.
The VII Foundation
54:20
Arturo Soto – The Psycho-Geography of a British City
How can photography challenge stereotypes of a well-known city? Is it possible to picture the politics of a place? What are the costs and benefits of asking these questions from the position of the outsider? In this event, Mexican-born photographer Arturo Soto discusses these themes in his work about the British university city of Oxford following the controversial “Brexit” referendum that led to the UK leaving the European Union. Soto’s work has been published in his book “A Certain Logic of Expectations”, which is described as proposing a counter-narrative of Oxford. Drawing on psycho-geography, and using an interplay of words and text, the work reflects on the contested relationship between visual representation and the history and myths of a particular location.
The VII Foundation
54:26
Book Club – Ed Kashi, The Cali Years
The Cali Years is a 25-year collection of Ed Kashi’s archive from 1979-2004, from his time spent living in California. This significant period marked the development of a college graduate into a renowned visual storyteller. This motley collection of images contains everything from family life to celebrities, from magazine assignments to in-depth personal projects. What was originally intended to be a small zine became a fold-out hand-bound collectible book. This collaborative project made in Ed’s studio with Brenda Bingham and Michael Curry will be produced in a limited edition of 100. In this event – hosted by Ziyah Gafic – Ed, Brenda, and Michael discuss the purpose and production of this book.
The VII Foundation
45:35
Kris Graves – 1492/1619 American Aftermaths
This event is a conversation between 2021 Aftermath Project grant winner Kris Graves and Aftermath Project founder, and VII photographer, Sara Terry. Their talk focuses on Kris’ grant-winning project, Privileged Mediocrity and the Deceived Within. Kris shows images he made during his grant year, as he explores systematic unfairness in America – and talks with Sara about his critique of the ways racism, capitalism and power have shaped the U.S. They both share ideas about what goes into writing an American Aftermath grant proposal, and the kinds of projects that might be a good fit for the grant. Sara talks about the judging process and what judges look for.
The VII Foundation
See more ▾
Legal
Privacy Policy
/
Terms of Use
Home
✕
✕
All
Resource Center
✕
✕
✕