Annie Griffiths

3:41 Sara Terry on Collaboration In this video, award-winning photographer Sara Terry discusses how the seemingly solitary work of photography is actually very collaborative, from the connection between a photographer and their subject, to working with distribution partners, and how collaboration can be energizing and supportive. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis. Blue Earth Alliance 2:05 Sara Terry on Words, Photography & Motivation Award-winning photographer Sara Terry thought she might become a lawyer when she was a student, and only found photography later in life. Here, she tells us about the process of discovering the power of visual storytelling. Sara Terry is a documentary photographer and filmmaker known for her work covering post-conflict stories, and a 2012 Guggenheim Fellow for her long-term project, “Forgiveness and Conflict: Lessons from Africa.” Her first long-term post-conflict work, “Aftermath: Bosnia’s Long Road to Peace,” led her to found The Aftermath Project in 2003 on the premise that “War is Only Half the Story.” An accomplished speaker on aftermath and visual literacy issues, her lectures include a TedX talk, “Storytelling in a Post-Journalism Word,” and several appearances at The Annenberg Space for Photography. She has directed and produced two feature-length documentaries, Fambul Tok (2011) and FOLK (2013). Fambul Tok, about a groundbreaking grass-roots forgiveness program in Sierra Leone, premiered at SXSW in 2011, and grew out of her photo project, “Forgiveness and Conflict: Lessons from Africa.” It was supported by the Sundance Documentary Institute and Chicken and Egg, and was hailed by Paste magazine as one of the best 100 documentaries of all time. Terry became a photographer and filmmaker after a long, award-winning career in print and public radio. She is working on her third documentary, “A Decent Home,” about mobile home parks and the affordable housing crisis. Blue Earth Alliance 32:46 Amy Gulick - Salmon in the Trees WildSpeak Presentation 2016 Home to an abundance of bears, bald eagles and salmon, the Tongass National Forest in Alaska contains one-third of the worlds rare old-growth coastal temperate rain forest. Seeing the forest for the fish is key to understanding and conserving this magnificent ecosystem and the wild and human communities it supports. Amy Gulick has been working in the region for years and her book on this work, "Salmon in the Trees: Life in Alaska's Tongass Rain Forest," is the recipient of an Independent Publisher Book Award. Blue Earth Alliance 27:55 David Moskowitz – Fundraising and Public Engagement in Conservation Storytelling | Collaborations for Cause 2017 David Moskowitz is the author and photographer of two books, Wildlife of the Pacific Northwest and Wolves in the Land of Salmon. As a biologist, photographer and educator, David has worked on wildlife studies and conservation initiatives around the United Sates and internationally. The focus of much his work has been on using tracking and other non-invasive research methods to study wildlife and promote conservation. David is certified as a Track and Sign Specialist, Trailing Specialist, and Senior Tracker through Cybertracker Conservation and is an Evaluator for this rigorous international professional certification program. David holds a bachelor’s degree in Environmental Studies from Prescott College. David’s current project, the Mountain Caribou Initiative, is a multi-media exploration of the conservation challenges faced in the world’s largest remaining inland temperate rainforest, found in the interior mountains of western North America and home to one of the most unique and endangered populations of caribou found on the planet. Blue Earth Alliance 27:05 Thomas Patterson – What I Look For When I Hire A Photographer | Collaborations for Cause 2017 Thomas Patterson is a photo editor and content specialist for the international humanitarian organization Mercy Corps. After more than a decade on the photo staff of the Statesman Journal newspaper, Thomas earned a master's degree in Multimedia Journalism and undertook a Graduate Teaching Fellowship at the University of Oregon School of Journalism and Communication. Based in Portland, Oregon, Thomas is also a photojournalist and multimedia storyteller specializing in multimedia projects for editorial, corporate and non-profit clients around the world. Blue Earth Alliance 31:39 World Vision – Content Is Not King | Collaborations for Cause 2017 The role of content and image in fulfilling storytelling, marketing and editorial needs at World Vision US. Tom Costanza spent the sixteen years as television news photographer at stations from Scranton to Seattle covering everything from presidential inaugurations and shuttle launches to earthquakes, hurricanes, and house fires. TV news helped him develop resourcefulness, compassion, and solid storytelling skills. When the opportunity to work at World Vision presented itself, Tom was able to use storytelling for a cause. Since joining World Vision in July 2001, Tom has spent a good part of the last sixteen years on the road capturing stories, spending three weeks traveling around the world to cover the Asia tsunami and in 2010, the earthquake in Haiti. He’s reported on child soldiers in Uganda, street children in Mexico, AIDS in India, and hunger in the Horn of Africa. Fortunately, the many heart-rending moments have been balanced by witnessing the joy, faith, and resilience of the world’s extraordinary people, his camera reflecting their light in some of the world’s darkest places. Phil Manzano is the director of Content Development in the Brand & Campaigns division of World Vision US. Currently, he oversees a team of writers and photographers, publications and promotional content. Prior to World Vision, he worked at The Oregonian in Portland, Ore. for more than 25 years as a writer and editor. He lives in the Rainier Valley area of South Seattle, and, on sunny days, can be found biking along Lake Washington. For almost 30 years, Jon Warren has dedicated his life to helping the poor to be seen and heard. He has traveled to upward of 60 countries producing photographs for many global publications and organizations such as World Vision. As Photojournalism Manager for World Vision, Jon travels the globe to tell the story of the charity’s work to build a better world for children. He’s photographed everything from the Haiti earthquake to the famine in Somalia. He lived with a Kenyan family trying to survive on food rations and spent a month with children in Cambodia working in a garbage dump. Through it all, his goal is to go beyond the statistics of poverty to show his subjects as individual and worthwhile human beings, loved and treasured by God. Jon has won awards from the National Press Photographers Association Pictures of the Year, Communications Arts, Folio, Maggie Awards, the Society of Professional Journalists, and Magnum Opus. Blue Earth Alliance 30:18 Bryan Monroe – Why What We Do Still Matters? Hint: We're Not There Yet | Collaborations for Cause 2017 Bryan Monroe is the Verizon Chair and professor at Temple University’s School of Media and Communication (SMC). Before joining Temple, he was most recently the Washington editor, Opinion & Commentary at CNN and editor of CNNPolitics.com. His work at that network included editorial planning and content strategy across all online platforms for CNN in its Washington, D.C., bureau. He also served as the assistant vice president of news at Knight Ridder Newspapers, where he helped lead journalists at the Biloxi Sun Herald to the 2006 Pulitzer Prize Gold Medal for Public Service for their coverage of Hurricane Katrina. Monroe was also vice president and editorial director at EBONY and Jet magazines, where he led coverage of the 2008 presidential election, conducted the first post-election interview with President Barack Obama and did the last interview with pop legend Michael Jackson before his death. Monroe was a Nieman Fellow at Harvard University and served as a visiting professor at Northwestern University’s Medill School of Journalism. He was president of the National Association of Black Journalists from 2005 to 2007. Blue Earth Alliance 35:02 Collaborations for Cause 2017 Panel Blue Earth Alliance

34:46 Melissa Ryan & Mercy Mason – Engaging Communities In Conservation Through Photography | Collaborations for Cause 2017 Nature Conservancy magazine’s Director of Photography Melissa Ryan will discuss the participatory photography workshop that she and photographer Jason Houston created to use photography as an engagement experience for individuals & communities working to conserve their natural resources. Mercy Mason, one of the high school students who participated in the workshop, will present her personal experience and speak to the impacts the workshop had on her and her community. The participatory photo workshop was held in July 2016 in the remote village of Klemtu, deep in the heart of British Columbia’s Great Bear Rainforest. http://blog.nature.org/science/magazine/outtakes-class-in-session-in-the-great-bear-rainforest/ Mercy Mason is a high-school senior at Kitasoo Community School in Klemtu, British Columbia, Canada. Mercy has participated in several programs supported by the Spirit Bear Lodge and designed to help engage youth in the community with their cultural heritage and the environment including the Súa Youth Cultural Group and the Supporting Emerging Aboriginal Stewards (SEAS) Community Initiative Internship. In 2016, as part of a Nature Conservancy magazine assignment on the SEAS program, TNC Canada hosted Photography Director, Melissa Ryan, and photographer, Jason Houston, to run a participatory camera workshop with SEAS interns. Mercy is in the Blackfish clan of the Kitasoo Xai'Xais First Nations. Melissa Ryan is the director of photography for Nature Conservancy magazine, the flagship publication of the world’s leading environmental conservation organization, The Nature Conservancy. Melissa works in close partnership with photographers to create & publish dynamic environmental conservation stories that reveal the connections between global natural resource use, scientific research, and the beauty & wonder of the natural world. Melissa’s goal is to elevate the authentic, unique vision of the photographer so they can create compelling visual images that will inspire & inform viewers and help ensure lasting conservation solutions. Previously, Melissa was a photo editor at National Geographic Books where she edited 16 books on topics, such as: nature, space, travel, ancient civilizations, dolphins, and clean water. Melissa began her career more than twenty-five years ago at the University of Texas-Austin where she earned her photojournalism degree specializing in social documentary projects on youth, incarceration, and elder care. Collaborations for Cause 29:03 Helen Cherullo – We Are Not Alone | Collaborations for Cause 2017 Images have played a decisive role in preserving wild places in North America for well over 100 years, and they are essential in campaigns to protect the Arctic, which few people will ever see firsthand. But images alone are not enough. Helen Cherullo, executive director of Braided River, and a dedicated Arctic protection proponent, will present the critical role of photographers, incredible imagery, and genuine coalitions in the “We Are the Arctic” campaign to date, and marching forward. Helen Cherullo is the publisher of Mountaineers Books and founder of Braided River. She believes that wilderness is sacred, and appreciated through beauty: if we capture the heart, the mind (and responsible public policy) will follow. She has worked with many of the continent’s finest emerging and veteran nature photographers and writers on books, media, exhibits, and events. Braided River collaborates with grassroots organizations and committed philanthropists to preserve the last remaining wild places in western North America—including the topic of her presentation—the Arctic National Wildlife Refuge. In 2011 she received the “Voice of the Wild” award from the Alaska Wilderness League to recognize individuals whose actions, commitment, and contributions lead to greater awareness about protecting and preserving Alaska’s wilderness. She has a degree in Journalism, with a major in Fine Arts from the University of Montana. Previous professional experience includes graphic design and advertising production, and being sole proprietor of a graphic design and printing management company. Her passion is developing creative, professional visually-driven communication campaigns that support grassroots engagement. Collaborations for Cause 30:40 Roberto Hernandez – Documenting Injustice | Collaborations for Cause 2017 In 2009, a low-budget documentary film called Presumed Guilty was released in movie theaters across Mexico. The film tells the story of Toño Zúñiga, a man who was wrongfully convicted of murder in Mexico City. Through documenting his life in prison and his legal struggles to regain his freedom, the film made a compelling case for criminal justice reform in Mexico and challenged dominant policy narratives. The film’s impact was unexpectedly explosive. Its depiction of Mexico’s court system was so realistic and embarrassing that a federal judge issued a ban. In response to the censorship, the film was uploaded to YouTube and pirated DVD copies flooded the streets. Today, Presumed Guilty remains the most successful documentary in Mexican history. According to polls, one in every three Mexicans has seen the film. Layda Negrete and Roberto Hernández, the filmmakers, will discuss their experience making Presumed Guilty and explain how the film helped catalyze national judicial reforms in Mexico. Roberto Hernández (Director/Producer) was trained as a lawyer in Mexico and Canada and had no particular interest in cameras or film until he found himself collecting statistics in the basement of Mexico City's Superior Court, which houses the archived legal cases of one of the largest cities in the world. What he saw inspired him and his wife, Layda Negrete, to make "El Túnel," a short documentary that presented scandalous facts about Mexico's justice system and was broadcast on several television stations throughout Mexico. As a result of the support the film received, in 2008 Mexico's Congress passed the most significant amendment to its constitution's due process clause, requiring public trials and the presumption of innocence. But Hernández, currently a graduate student in public policy at the University of California, Berkeley, notes, "The implementation of this reform is hardly progressing at all, as the Mexican government today remains ostensibly focused on an offensive against drug cartels." Collaborations for Cause 30:09 Poulomi Basu Postmodernism in Photography and Transmedia Activism | Collaborations for Cause 2017 Poulomi Basu's body of work, A Ritual of Exile, investigates the causes and the consequences of normalized violence against women in Nepal. Perpetrated under the guise of Hindu tradition, the root cause of this violence is the belief in the impurity of a women’s menstrual blood. Hidden, under-reported and unresolved, these women are untouchable and, as a result, this violence takes the form of ‘exiles,” a way to keep menstruation shrouded in mystery and taboo, a weapon to shame women into subservience. In a world that is ravaged by war, the media is often full of images of those affected by conflict but, for many, the conflict begins at home. This multidisciplinary project, combining still photography and virtual reality films, is designed to reach multiple audiences across different platforms, including print, virtual and physical installations. "I want to turn my audience into activists and crack open the veil of silence and shame around women whose lives are shattered by such gender based violence," Basu says. A Ritual of Exile reveals how the chaupadi ritual disrupts the lives of girls, exposes them to recurring danger and imposes unjust restrictions on women throughout their lives. Poulomi Basu is a storyteller, artist and activist. Her name sounds like ‘follow me’ with a ‘P’. She was raised by her mother in Calcutta, India and found early inspiration in the city’s rich cinematic history. After her father’s sudden death when Poulomi was 17, her mother told her to leave home, to follow her dreams and live a life of breadth and choices that was denied to her. Since then, Poulomi prefers the path less trodden. She has slept in the wilderness under a cloudless sky staring at a million stars in search of a guerrilla army whose story strikes right at the very heart of modern India’s global ambitions, through to divided families eking out an Alaskan existence on the last rocky outpost of American soil. Time and again, she has found herself amongst ordinary people who quietly challenge the prevailing orthodoxies of the world in which they live: rural women in armed conflict, a mother's pain for a son lost to ISIS, to the wonder of a near blind child reaching for the light. Poulomi is forever in awe of the resilience shown by those in extraordinary circumstance, by those who are bent but not broken. Poulomi’s work has become known for documenting the role of women in isolated communities and conflict zones and more generally for advocating for the rights of women. In December 2015, she shared a platform with the parents of the Nirbhaya Delhi rape victim talking about her social activist initiative, The Rape in India Project. And, in January 2016 at the UN Young Changemakers Conclave, Poulomi spoke on the social impact of sustainable development with specific reference to her long-term project A Ritual of Exile and her collaboration with NGO Water Aid and their To Be A Girl campaign, which raised £2 million, using this material. Poulomi was featured alongside Hilary Clinton as one of the one of the 'Amazing women from around the world giving their best advice' by Refinery29. Poulomi was part of the VII Mentor Program. She is based between New Delhi and London. She has covered issues across Asia, Europe and America. She is co-founder and director of Just Another Photo Festival, a festival that democratizes photography by taking photography to the people and forging new audiences. Poulomi has also undertaken the 'Reporting in Crisis Zones' hostile management training at Columbia School of Journalism, kindly supported with a bursary from the Rory Peck Trust. Collaborations for Cause 35:02 Collaborations for Cause 2017 Panel Collaborations for Cause 30:18 Bryan Monroe – Why What We Do Still Matters? Hint: We're Not There Yet | Collaborations for Cause 2017 Bryan Monroe is the Verizon Chair and professor at Temple University’s School of Media and Communication (SMC). Before joining Temple, he was most recently the Washington editor, Opinion & Commentary at CNN and editor of CNNPolitics.com. His work at that network included editorial planning and content strategy across all online platforms for CNN in its Washington, D.C., bureau. He also served as the assistant vice president of news at Knight Ridder Newspapers, where he helped lead journalists at the Biloxi Sun Herald to the 2006 Pulitzer Prize Gold Medal for Public Service for their coverage of Hurricane Katrina. Monroe was also vice president and editorial director at EBONY and Jet magazines, where he led coverage of the 2008 presidential election, conducted the first post-election interview with President Barack Obama and did the last interview with pop legend Michael Jackson before his death. Monroe was a Nieman Fellow at Harvard University and served as a visiting professor at Northwestern University’s Medill School of Journalism. He was president of the National Association of Black Journalists from 2005 to 2007. Collaborations for Cause 31:39 World Vision – Content Is Not King | Collaborations for Cause 2017 The role of content and image in fulfilling storytelling, marketing and editorial needs at World Vision US. Tom Costanza spent the sixteen years as television news photographer at stations from Scranton to Seattle covering everything from presidential inaugurations and shuttle launches to earthquakes, hurricanes, and house fires. TV news helped him develop resourcefulness, compassion, and solid storytelling skills. When the opportunity to work at World Vision presented itself, Tom was able to use storytelling for a cause. Since joining World Vision in July 2001, Tom has spent a good part of the last sixteen years on the road capturing stories, spending three weeks traveling around the world to cover the Asia tsunami and in 2010, the earthquake in Haiti. He’s reported on child soldiers in Uganda, street children in Mexico, AIDS in India, and hunger in the Horn of Africa. Fortunately, the many heart-rending moments have been balanced by witnessing the joy, faith, and resilience of the world’s extraordinary people, his camera reflecting their light in some of the world’s darkest places. Phil Manzano is the director of Content Development in the Brand & Campaigns division of World Vision US. Currently, he oversees a team of writers and photographers, publications and promotional content. Prior to World Vision, he worked at The Oregonian in Portland, Ore. for more than 25 years as a writer and editor. He lives in the Rainier Valley area of South Seattle, and, on sunny days, can be found biking along Lake Washington. For almost 30 years, Jon Warren has dedicated his life to helping the poor to be seen and heard. He has traveled to upward of 60 countries producing photographs for many global publications and organizations such as World Vision. As Photojournalism Manager for World Vision, Jon travels the globe to tell the story of the charity’s work to build a better world for children. He’s photographed everything from the Haiti earthquake to the famine in Somalia. He lived with a Kenyan family trying to survive on food rations and spent a month with children in Cambodia working in a garbage dump. Through it all, his goal is to go beyond the statistics of poverty to show his subjects as individual and worthwhile human beings, loved and treasured by God. Jon has won awards from the National Press Photographers Association Pictures of the Year, Communications Arts, Folio, Maggie Awards, the Society of Professional Journalists, and Magnum Opus. Collaborations for Cause 27:55 David Moskowitz – Fundraising and Public Engagement in Conservation Storytelling | Collaborations for Cause 2017 David Moskowitz is the author and photographer of two books, Wildlife of the Pacific Northwest and Wolves in the Land of Salmon. As a biologist, photographer and educator, David has worked on wildlife studies and conservation initiatives around the United Sates and internationally. The focus of much his work has been on using tracking and other non-invasive research methods to study wildlife and promote conservation. David is certified as a Track and Sign Specialist, Trailing Specialist, and Senior Tracker through Cybertracker Conservation and is an Evaluator for this rigorous international professional certification program. David holds a bachelor’s degree in Environmental Studies from Prescott College. David’s current project, the Mountain Caribou Initiative, is a multi-media exploration of the conservation challenges faced in the world’s largest remaining inland temperate rainforest, found in the interior mountains of western North America and home to one of the most unique and endangered populations of caribou found on the planet. Collaborations for Cause

6:36 Jason Eskenazi - Storytelling and Visual Literacy Photographer Jason Eskenazi, a Fulbright Scholar and Guggenheim Fellow, discusses storytelling and visual literacy through the extraordinary photographs he took for his book, Wonderland (which won the prestigious Pictures of the Year International Book Award in 2008). Jason illustrates what he calls the visual grammar of photography, which includes composition, light, perspective, and context, and how he strives to work within that grammar to capture images with an emotional resonance. See more interviews with Foundry Workshop Instructors: https://photowings.org/foundry-photojournalism-workshop/ The fall of the Berlin Wall led Eskenazi out of Queens into the larger world. After trips to Germany and Romania for their first democratic elections he traveled to Russia in 1991, just before the August coup that marked the end of the USSR, and has returned many times since culminating in a photography book project called Wonderland: A Fairy Tale of the Soviet Monolith, winner of Best Photography Book 2008 by Pictures of the Year International. In 2004 he received a Fulbright Scholarship to return to Russia to make a series of large format color portraits called Title Nation with a Russian colleague which will be published Fall 2010. Jason Eskenazi has received numerous awards including a Guggenheim Fellowship, 1999; The Dorothea Lange/Paul Taylor Prize, 1999, for his work in a Jewish Village in Azerbaijan; and The Alicia Patterson Foundation Grant, 1996. His work has appeared in many magazines including Time, Newsweek and The New York Times and Soros Foundation publications. http://www.jasoneskenazi.com/ PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved. Foundry Photojournalism Workshop 22:11 Rodrigo Cruz: Mining in Peru - Foundry Photojournalism Workshop 2017 Foundry Photojournalism Workshop 17:49 Ron Haviv: My World of Motion - Foundry Photojournalism Workshop 2017 Foundry Photojournalism Workshop 54:17 Photo Stories from the Square Mile Initiative This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the Photoville Festival. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. We are delighted to be joined by Peruvian photographer Alejandra Orosco, who presents her project “ Only Memories Do Not Drown”, highlighting the 1978 story of El Peñol, a town whose residents were compelled to relocate because of a hydroelectric project that would eventually supply 30% of Colombia’s population with energy. Doug Barrett is an American photographer who will discuss his series “Riley’s Cancel Journey.” Seven-year-old Riley Simmons faced WilmsTumor, a rare form of kidney cancer. Doug documented the emotions that Riley and her family experienced as they began their courageous battle for survival. Nepalese photographer Uma Bista showcases “ Stay Home, Sisters,” a personal project that addresses taboos surrounding menstruation. During ‘Chhaupadi,’ each month, women in Western Nepal are subjected to a ritual of isolation. Deemed impure, they are forced to stay in cowsheds. The event will be moderated by VII contributing photographer Espen Rasmussen. Foundry Photojournalism Workshop 1:07:56 Photo Stories Documenting Abuse This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photography projects that documenting human rights violations. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. We are delighted to be joined by Ecuadorian photographer David Diaz Arcos, who presents his project “Bird’s Nest” telling the stories of young adolescent women who are survivors of sexual exploitation in Ecuador. Italian photographer Viviana Peretti, currently based in Colombia, discusses her series “Searching for Lost Lives” sharing a light on the people who forcibly disappeared in Colombia. Iranian photographer Shirin Abedi, who grew up and lives in Hanover, shows “Invisible Students” which investigates the long-term effects of school bullying in Germany. The event is moderated by The VII Foundation contributing photographer Anush Babajanyan. Foundry Photojournalism Workshop 49:22 Photo Stories from the Square Mile Initiative This series showcases recent work from members of VII Community. Every few months, we invite photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the PhotoVogue Festival. VII Community provides ongoing education and support to a network of The VII Foundation’s alumni and Foundry Photojournalism Workshop participants, numbering more than 1200 professionals. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. The upcoming edition of Square Mile, curated especially for the PhotoVogue festival, offers an insight into the work of twelve photographers. They show humanity’s multifaceted connection to the natural world, explore the resilience of communities deeply rooted in their land, and pay respect to ancestral traditions. They tell a story about nature’s guardians, who are protecting the environment and creatures that populate it, and examine the intricate relations between humans and all living. We are delighted to be joined by American photographer Jordan Gale, who presents “You Will Never Want for Anything.” His project explores the Klamath River, the site of the world’s largest dam removal project, and in doing so, examines the history of exploitation and resource extraction. Chinky Shukla is an Indian photographer who will discuss “When Buddha Stopped Smiling.”. Her project tells the stories of the desert communities of Pokhran. When India announced its nuclear capability in 1974, the explosions echoed across the world — but in that thunderous moment, local voices were silenced. Mexican photographer Sara Escobar showcases “Burrolandia: The Donkey Obsession,” a story about a donkey sanctuary led by German Flores. As mechanization has replaced working animals, Mexico’s donkey population has plummeted. At this shelter in Otumba, caregivers work to provide dignified lives for Mexican donkeys while preserving their legacy. The event will be moderated by VII contributing photographer Anush Babajanyan.  Foundry Photojournalism Workshop 1:20 Ron Haviv: The business of preserving a legacy, Foundry Photojournalism Workshop 2011 Foundry Photojournalism Workshop 10:03 Marko Drobnjakovic - Foundry 2023 Presentation Foundry Photojournalism Workshop