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2:28
PTSD: The Lasting Effects
Andrea Bruce
Documentary Photographer
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Portfolio
11 videos · every appearance
2:28
PTSD: The Lasting Effects
As with other professions that operate on the front lines of life, those who practice photojournalism are susceptible to PTSD. In this video, veteran photojournalists Andrea Bruce, Carol Guzy, and Adriana Zehbrauskas open up about the difficulties of photojournalism work, and give a few examples of how they cope with hardship. Carol Guzy is a staff photographer for The Washington Post. She graduated in 1978 with an associate's degree in registered nursing from Northhampton County Area Community College in Bethlehem, Pennsylvania, her hometown. A change of heart led her to study photography at the Art Institute of Fort Lauderdale, Florida, where she graduated in 1980 with an applied science associate's degree in photography. While at the Art Institute she interned at the Miami Herald which hired her as a staff photographer upon her graduation. After eight years there during which she won the 1986 Pulitzer Prize for Spot News Photography (as one of a two-member team covering the Armero, Columbia mudslide), she moved to Washington, D.C. to become a staff photographer for The Washington Post. Through documentary photography, Andrea Bruce brings attention to people living in the aftermath of war. She is a co-owner and member of the photo agency NOOR. For eight years she has chronicled the world's most troubled areas as a staff photographer for The Washington Post. She focused on Iraq from 2003 to the present, following the intricacies and obstacles of the conflict experienced by Iraqis and the US military. She also wrote a weekly column for The Post called "Unseen Iraq." Her awards include top honors from the White House News Photographers Association (where she has been named Photographer of the Year four times), several awards from the International Pictures of the Year contest, and the prestigious John Faber award from the Overseas Press Club in New York. She has also been a finalist for The Aftermath Project grant and a 2011 recipient of the Alicia Patterson Foundation Fellowship. In 2010 she received the WHNPA grant for her work in Ingushetia. In 2012, she was the recipient of the first Chris Hondros Fund Award for the “commitment, willingness and sacrifice shown in her work.” Adriana Zehbrauskas is a Brazilian documentary photographer based in Mexico City, Mexico. Her work covers mostly issues related to migration, religion and the aftermath of the violence related to the drug wars in Mexico as well as the daily life of sub and misrepresented communities. She contributes regularly to The New York Times, BuzzFeed News, The Washington Post and others. Adriana is one of the three photographers profiled in the documentary “Beyond Assignment” (USA, 2011, produced by The Knight Center for International Media and the University of Miami. She’s one of the recipients of the first Getty Images Instagram Grant and was awarded Best Female Photojournalist -Troféu Mulher Imprensa (Brazil). Her mobile photography work was selected by Time Magazine for the “29 Instagrams That Defined the World in 2014″ and her project on Faith in Brazil and Mexico was awarded a Art & Worship World Prize by the Niavaran Artistic Creation Foundation.
PhotoWings
1:03:13
Hyperlocal Journalism with Andrea Bruce
After spending much of her adult life covering war zones around the world, photographer Andrea Bruce recently returned to her home in Pamlico County, in eastern North Carolina. Andrea established Down in the County, a regular newsletter with stories and event listings, described as a celebration of the people of Pamlico County and their way of life. Down in the County is an example of hyperlocal journalism, which focuses on local stories on a small scale that are often not covered by regional or national outlets. In this event, we will talk with Andrea about her experience running Down in the County and how she translates her worldwide experience to this local venture.
PhotoWings
52:39
Investing in Trusted Messengers: An Antidote to News Deserts | Andrea Bruce & David Rodriguez
AN ANTIDOTE TO NEWS DESERTS In a conversation moderated by veteran journalist Jeremy Hay, CatchLight Global Fellow Andrea Bruce and CatchLight Local Fellow David Rodriguez Muñoz share their experiences working with overlooked communities.
PhotoWings
15:25
'Heart of the Storm' with photojournalist Andrea Bruce
Following a decade of reporting in Iraq and Afghanistan, Andrea Bruce has turned her lens to her home in Pamlico County, North Carolina, to reinvigorate local civic engagement and connection by launching a visual journalism publication that highlights the everyday experiences of rural communities. Hear insights from Bruce about the importance of community narratives in shaping democratic discourse in one of the US’s most embattled battleground states — three years after she launched her publication, a month after a devastating hurricane hit the state, and just days after a contentious presidential election.
PhotoWings
12:39
Andrea Bruce: Our Democracy
PhotoWings
17:19
Andrea Bruce: A Place to Go - Foundry Photojournalism Workshop 2017
PhotoWings
52:16
Panel: Ethics in Photojournalism - Foundry Photojournalism Workshop 2017
Adriana Zehbrauskas convenes a panel of Andrea Bruce, Guillermo Cervera, Ron Haviv, Enric Martí and Maggie Steber discussing ethical considerations in the line of photojournalism and documentary photography. Held at the 2017 Foundry Photojournalism Workshop in Mexico City.
PhotoWings
2:59
Andrea Bruce: Empowering Local Communities with "Our Democracy"
With the "Our Democracy" project Andrea Bruce brings news literacy, community engagement and visual exploration into communities around the United States. Crisscrossing the country, Andrea connects with members of the community and uses visual and audio storytelling to explore their experiences and thoughts on contemporary democracy. Through documentary photography, Andrea Bruce brings attention to people living in the aftermath of war. She is a co-owner and member of the photo agency NOOR. For eight years she has chronicled the world’s most troubled areas as a staff photographer for The Washington Post. She focused on Iraq from 2003 to the present, following the intricacies and obstacles of the conflict experienced by Iraqis and the US military. She also wrote a weekly column for The Post called “Unseen Iraq.” Her awards include top honors from the White House News Photographers Association (where she has been named Photographer of the Year four times), several awards from the International Pictures of the Year contest, and the prestigious John Faber award from the Overseas Press Club in New York. She has also been a finalist for The Aftermath Project grant and a 2011 recipient of the Alicia Patterson Foundation Fellowship. In 2010 she received the WHNPA grant for her work in Ingushetia. In 2012, she was the recipient of the first Chris Hondros Fund Award for the “commitment, willingness and sacrifice shown in her work.” Andrea currently splits her time between Afghanistan the United States and is available for photography and multimedia assignments. www.andreabruce.com
PhotoWings
6:27
Andrea Bruce - Lessons in the Field
PhotoWings spent the day with award-winning photojournalist and Harvard Nieman Fellow Andrea Bruce while in Bali for the 2015 Foundry Photojournalism Workshop. Andrea, an instructor at Foundry, has worked with many prestigious organizations, such as National Geographic and the Washington Post, and is a co-owner of the photo agency NOOR. Andrea shares valuable insights about creating compelling narratives, critical thinking, earning trust, perspective, and the importance of fixers to the work of photojournalists. We followed Andrea and her local fixer Wayan Tilik as she got acquainted with the island of Bali and researched potential stories for her students. Foundry Photojournalism Workshop was created to provide training, education and networking to emerging photographers and students who normally would not be able to afford workshops. FPW is a grassroots workshop series held in inspiring and photographically challenging global locations.
PhotoWings
5:24
Visual Storytelling – Foundry Photojournalism Workshop
At the 2015 Foundry Photojournalism Workshop, eight renowned instructors spoke with PhotoWings about the art and importance of visual storytelling. With a wealth of experience between them, they discuss what it means to them, how they do it, and what they are able to accomplish with it. As we feature a small sliver of this work throughout the video, we encourage you to explore the accompanying image gallery to learn more about these journalists, their images and the stories they represent. Featuring: Kael Alford, Thorne Anderson, Andrea Bruce, James Whitlow Delano, Edward Echwalu, Tewfic El-Sawy, Ron Haviv, Henrik Kastenskov, and John Stanmeyer
Compilation
5:09
The Power of Photography - Foundry Photojournalism Workshop: Guatemala
PhotoWings sat down with six of the esteemed instructors at the 2014 Foundry Photojournalism Workshop and asked them a simple question: What is it about photography that you find so powerful and important? They share heartfelt thoughts about their experiences and the work they have dedicated their lives to. Featuring: Ron Haviv, Photojournalist - www.ronhaviv.com Maggie Steber. Documentary Photographer - www.maggiesteber.com Andrea Bruce, Photojournalist - www.andreabruce.com Victor J. Blue, Photojournalist - www.victorblue.com Nacho Corbella, Visual Storyteller - www.nachocorbella.com Oscar Castillo, Photojournalist - www.eltestigo.net PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved.
Compilation
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Foundry Photojournalism Workshop
Collection · Related
6:36
Jason Eskenazi - Storytelling and Visual Literacy
Photographer Jason Eskenazi, a Fulbright Scholar and Guggenheim Fellow, discusses storytelling and visual literacy through the extraordinary photographs he took for his book, Wonderland (which won the prestigious Pictures of the Year International Book Award in 2008). Jason illustrates what he calls the visual grammar of photography, which includes composition, light, perspective, and context, and how he strives to work within that grammar to capture images with an emotional resonance. See more interviews with Foundry Workshop Instructors: https://photowings.org/foundry-photojournalism-workshop/ The fall of the Berlin Wall led Eskenazi out of Queens into the larger world. After trips to Germany and Romania for their first democratic elections he traveled to Russia in 1991, just before the August coup that marked the end of the USSR, and has returned many times since culminating in a photography book project called Wonderland: A Fairy Tale of the Soviet Monolith, winner of Best Photography Book 2008 by Pictures of the Year International. In 2004 he received a Fulbright Scholarship to return to Russia to make a series of large format color portraits called Title Nation with a Russian colleague which will be published Fall 2010. Jason Eskenazi has received numerous awards including a Guggenheim Fellowship, 1999; The Dorothea Lange/Paul Taylor Prize, 1999, for his work in a Jewish Village in Azerbaijan; and The Alicia Patterson Foundation Grant, 1996. His work has appeared in many magazines including Time, Newsweek and The New York Times and Soros Foundation publications. http://www.jasoneskenazi.com/ PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved.
Foundry Photojournalism Workshop
22:11
Rodrigo Cruz: Mining in Peru - Foundry Photojournalism Workshop 2017
Foundry Photojournalism Workshop
17:49
Ron Haviv: My World of Motion - Foundry Photojournalism Workshop 2017
Foundry Photojournalism Workshop
54:17
Photo Stories from the Square Mile Initiative
This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the Photoville Festival. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. We are delighted to be joined by Peruvian photographer Alejandra Orosco, who presents her project “ Only Memories Do Not Drown”, highlighting the 1978 story of El Peñol, a town whose residents were compelled to relocate because of a hydroelectric project that would eventually supply 30% of Colombia’s population with energy. Doug Barrett is an American photographer who will discuss his series “Riley’s Cancel Journey.” Seven-year-old Riley Simmons faced WilmsTumor, a rare form of kidney cancer. Doug documented the emotions that Riley and her family experienced as they began their courageous battle for survival. Nepalese photographer Uma Bista showcases “ Stay Home, Sisters,” a personal project that addresses taboos surrounding menstruation. During ‘Chhaupadi,’ each month, women in Western Nepal are subjected to a ritual of isolation. Deemed impure, they are forced to stay in cowsheds. The event will be moderated by VII contributing photographer Espen Rasmussen.
Foundry Photojournalism Workshop
1:07:56
Photo Stories Documenting Abuse
This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photography projects that documenting human rights violations. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. We are delighted to be joined by Ecuadorian photographer David Diaz Arcos, who presents his project “Bird’s Nest” telling the stories of young adolescent women who are survivors of sexual exploitation in Ecuador. Italian photographer Viviana Peretti, currently based in Colombia, discusses her series “Searching for Lost Lives” sharing a light on the people who forcibly disappeared in Colombia. Iranian photographer Shirin Abedi, who grew up and lives in Hanover, shows “Invisible Students” which investigates the long-term effects of school bullying in Germany. The event is moderated by The VII Foundation contributing photographer Anush Babajanyan.
Foundry Photojournalism Workshop
49:22
Photo Stories from the Square Mile Initiative
This series showcases recent work from members of VII Community. Every few months, we invite photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the PhotoVogue Festival. VII Community provides ongoing education and support to a network of The VII Foundation’s alumni and Foundry Photojournalism Workshop participants, numbering more than 1200 professionals. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. The upcoming edition of Square Mile, curated especially for the PhotoVogue festival, offers an insight into the work of twelve photographers. They show humanity’s multifaceted connection to the natural world, explore the resilience of communities deeply rooted in their land, and pay respect to ancestral traditions. They tell a story about nature’s guardians, who are protecting the environment and creatures that populate it, and examine the intricate relations between humans and all living. We are delighted to be joined by American photographer Jordan Gale, who presents “You Will Never Want for Anything.” His project explores the Klamath River, the site of the world’s largest dam removal project, and in doing so, examines the history of exploitation and resource extraction. Chinky Shukla is an Indian photographer who will discuss “When Buddha Stopped Smiling.”. Her project tells the stories of the desert communities of Pokhran. When India announced its nuclear capability in 1974, the explosions echoed across the world — but in that thunderous moment, local voices were silenced. Mexican photographer Sara Escobar showcases “Burrolandia: The Donkey Obsession,” a story about a donkey sanctuary led by German Flores. As mechanization has replaced working animals, Mexico’s donkey population has plummeted. At this shelter in Otumba, caregivers work to provide dignified lives for Mexican donkeys while preserving their legacy. The event will be moderated by VII contributing photographer Anush Babajanyan.
Foundry Photojournalism Workshop
1:20
Ron Haviv: The business of preserving a legacy, Foundry Photojournalism Workshop 2011
Foundry Photojournalism Workshop
10:03
Marko Drobnjakovic - Foundry 2023 Presentation
Foundry Photojournalism Workshop
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CatchLight
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PhotoWings CatchLight Partnership Reel
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2026 CatchLight Visual Storytelling Summit: Adam Perez
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2026 CatchLight Visual Storytelling Summit: Elodie Mailliet
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2026 CatchLight Visual Storytelling Summit: Ellen Schmidt
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2026 CatchLight Visual Storytelling Summit: Demetri Broxton
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2026 CatchLight Visual Storytelling Summit: Kevin Wurm
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2026 CatchLight Visual Storytelling Summit: Michael Indriolo
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The VII Foundation
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1:26:12
The Camera at War: 170 Years of Weaponizing Photography, with Hilary Roberts
All forms of visual media are vulnerable to being manipulated or ‘weaponized’ in the context of modern conflict. However, the consequences of manipulating photographs are potentially far-reaching and long-term. In recent years, advances in digital technology have led many to question whether photographs of war and conflict can ever be trusted. The conflicts in Ukraine and the Middle East, as well as other world events, have lent urgency to this debate. Drawing on an incredible range of imagery from the Imperial War Museum’s vast collection and other major archives around the globe, expert curator Hilary Roberts presents a new perspective on the role of image manipulation in this field over the past 170 years, exploring the consequences for our understanding of historic and contemporary conflicts. Join Ron Haviv in conversation with Hilary Roberts as they discuss the complicated relationship between conflict photography and the ‘truth’. The discussion will explore the application and legacy of photomanipulation techniques in conflict photography and the myriad ways in which layers of meaning can be added, erased, or changed completely.
The VII Foundation
1:14:10
Photo Editors Series - Josh Lustig
The Photo Editors Series is a series of conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. The series combines an overview of the contemporary media landscape with practical tips. The editors speak as individuals rather than representatives of their organizations, and the event is interactive and offers good opportunities for audience questions. In this seventeenth episode, Ilvy Njiokiktjien and Fiona Stephen speak with Josh Lustig, deputy photo editor of the Financial Times Weekend Magazine. Josh writes regularly on photography for the magazine, is a frequent participant at festivals and workshops, and has been a visiting lecturer at several universities including, London College of Communication, University of Syracuse, NY, USA and the School of Media and Journalism, Aarhus, Denmark.
The VII Foundation
2:22:03
Open-Source Intelligence - An Investigative Journalism Workshop
Open-source intelligence (OSINT), publicly available data sources used in the verification of information and events, is integral to the work of many investigative journalists. Increasingly hostile or inaccessible reporting environments, and the weaponisation of disinformation, have intensified the need for verifiable source information to ensure the authenticity and integrity of independent reporting. In this special extended online event, we examine the application of open-source intelligence strategies within media and justice contexts. This two-hour workshop will introduce a range of practical OSINT tools, consider accessibility and online safety, and examine case studies, including long-term operations within closed states and recent high-profile events across the U.S. and Europe, where OSINT tools have enabled critical forensic analysis and reporting. Join David Campbell in discussion with a panel of expert guests; Documentary filmmaker and investigative journalist, Sara Creta, whose research focuses on the intersection of emerging technology and human rights; Davide Piscitelli, Advanced Researcher at Forensic Architecture, a research agency based at Goldsmiths, University of London; and Francesco Sebregondi, architect and researcher specialising in digital investigation, particularly the use of visual and spatial analysis to document violence and human rights violations.
The VII Foundation
1:12:20
Photo Editors Series – Gabriel Eisenmeier
The Photo Editors Series are conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. Hosted by David Campbell and Ilvy Njiokiktjien, the series combines an overview of the contemporary media landscape with practical tips. The editors in the series speak as individuals rather than representatives of their organizations. In this tenth episode, we are speaking with Gabriel Eisenmeier of de Volkskrant, a daily newspaper in The Netherlands.
The VII Foundation
1:00:57
A Presentation of Ed Kashi & Julie Winokur’s film, Sheila and Joe
In this special presentation, Ed Kashi and Julie Winokur introduce their short film “Sheila and Joe,” followed by a question and answer. with the filmmakers and subjects. “Sheila and Joe” is a love story that unfolds behind bars. This story is told through hundreds of letters shared by Sheila Rule, a former New York Timescorrespondent, and Joe Robinson, a man serving a prison sentence of 25 years to life. Despite a 20 year age difference, and undeterred by the physical barriers of prison, their love has unstoppable momentum. Intimate and nuanced, this short film visits the space between compassion and passion, revealing a man who transcends his crime and a woman who dares to break the rules. In the process, they shine a light on the practice of mass incarceration in the US. “Sheila & Joe” premiered at the Woodstock Film Festival in 2021 and received Second Place for Documentary Daily Life from Pictures of the Year International 2020. The film was published on NPR’s The Picture Show in 2021.
The VII Foundation
54:20
Arturo Soto – The Psycho-Geography of a British City
How can photography challenge stereotypes of a well-known city? Is it possible to picture the politics of a place? What are the costs and benefits of asking these questions from the position of the outsider? In this event, Mexican-born photographer Arturo Soto discusses these themes in his work about the British university city of Oxford following the controversial “Brexit” referendum that led to the UK leaving the European Union. Soto’s work has been published in his book “A Certain Logic of Expectations”, which is described as proposing a counter-narrative of Oxford. Drawing on psycho-geography, and using an interplay of words and text, the work reflects on the contested relationship between visual representation and the history and myths of a particular location.
The VII Foundation
54:26
Book Club – Ed Kashi, The Cali Years
The Cali Years is a 25-year collection of Ed Kashi’s archive from 1979-2004, from his time spent living in California. This significant period marked the development of a college graduate into a renowned visual storyteller. This motley collection of images contains everything from family life to celebrities, from magazine assignments to in-depth personal projects. What was originally intended to be a small zine became a fold-out hand-bound collectible book. This collaborative project made in Ed’s studio with Brenda Bingham and Michael Curry will be produced in a limited edition of 100. In this event – hosted by Ziyah Gafic – Ed, Brenda, and Michael discuss the purpose and production of this book.
The VII Foundation
45:35
Kris Graves – 1492/1619 American Aftermaths
This event is a conversation between 2021 Aftermath Project grant winner Kris Graves and Aftermath Project founder, and VII photographer, Sara Terry. Their talk focuses on Kris’ grant-winning project, Privileged Mediocrity and the Deceived Within. Kris shows images he made during his grant year, as he explores systematic unfairness in America – and talks with Sara about his critique of the ways racism, capitalism and power have shaped the U.S. They both share ideas about what goes into writing an American Aftermath grant proposal, and the kinds of projects that might be a good fit for the grant. Sara talks about the judging process and what judges look for.
The VII Foundation
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Lessons in the Field
Collection · Related
2:49
Lessons In The Field: The Photojournalism Workshop
For over a decade, the Foundry Photojournalism Workshop has helped to teach a new generation of photojournalist around the world, from the Philippines to Rwanda. In this video, we hear from some of Foundry’s esteemed leaders discuss why they are passionate about the Workshop, and how the lessons learned there are widely applicable in a myriad of ways.
Lessons in the Field
7:32
Adriana Zehbrauskas - Lessons in the Field
We had the privilege of joining veteran photojournalist Adriana Zehbrauskas on a day trip through the streets of Mexico City, her longtime adopted home. Adriana took us with her on assignment to document baptismal ceremonies at the Basilica de Guadalupe, where we learned about the ways she creates a connection and builds trust with the people she photographs. Adriana makes a point to send pictures to those she photographs whenever possible; "It's giving a little thing back," she says, "who are we without our memories?" Adriana Zehbrauskas is a Brazilian documentary photographer based in Mexico City, Mexico.Her work covers mostly issues related to migration, religion and the aftermath of the violence related to the drug wars in Mexico as well as the daily life of sub and misrepresented communities. She contributes regularly to The New York Times, BuzzFeed News, The Washington Post and others.Adriana is one of the three photographers profiled in the documentary “Beyond Assignment” (USA, 2011, produced by The Knight Center for International Media and the University of Miami. She’s one of the recipients of the first Getty Images Instagram Grant and was awarded Best Female Photojournalist -Troféu Mulher Imprensa (Brazil). Her mobile photography work was selected by Time Magazine for the “29 Instagrams That Defined the World in 2014″ and her project on Faith in Brazil and Mexico was awarded a Art & Worship World Prize by the Niavaran Artistic Creation Foundation.
Lessons in the Field
4:39
Michael Robinson Chavez - Lessons in the Field
In this video, award-winning documentary photographer Michael Robinson Chavez shows us around the Centro Histórico of Mexico City and gives us an inside look on his photographic processes, both as a professional photojournalist and a street photographer. Chavez tells us the importance of being present in the moment, taking your time, and "using the camera to show us what your curious about." Michael Robinson Chávez, a Pulitzer Prize winning former staff photographer for The Washington Post, became seduced by photography after a friend gave him a camera before a three-month trip to Peru in 1988. A native Californian and half Peruvian, he currently works as a Staff Photographer with The Washington Post. He previously worked for The Los Angeles Times, The Boston Globe and the Associated Press. He has covered assignments in over 70 countries including the collapse of Venezuela, climate change in Siberia, violence in Mexico, the historic drought in California, tsunamis in Indonesia and Chile, the Egyptian revolution, life in Brazil’s favelas, gold mining in Peru, the 2006 Hezbollah/Israeli war and the US led invasion and occupation of Iraq. Robinson Chávez was awarded a Pulitzer Prize in 2020 as part of a staff entry from The Washington Post covering climate change. He is also a three-time winner of the Robert F. Kennedy Award for Photojournalism and was named Photographer of the Year by Pictures of the Year International in 2020. He has received awards from the Best of Photojournalism, PDN Photo Annual, Northern Short Course and the Scripps Howard Foundation. His work has been exhibited widely, including the Visa Pour l'image festival in France, the Head On Photo Festival in Sydney, the Corcoran Gallery in Washington DC, The Los Angeles County Museum of Art, Centro de Imagen in Peru, Imagenes Havana in Cuba and War Photo Limited in Dubrovnik among others. In addition, he teaches and lectures at workshops and photo festivals throughout the world. Honors and Awards: Pulitzer Prize for Explanatory Journalism, winner, 2020; Pulitzer Prize for Breaking News Reporting, finalist, 2020; Robert F. Kennedy Journalism Award International Photojournalism, 2018 and 2011; Robert F. Kennedy Journalism Award Domestic Photojournalism, 2014 ; Photographer of the Year, Pictures of the Year International, 2020; Photographer of the Year, Pictures of the Year International, 2nd Place, 2014 and 2010 ; Pictures of the Year International, Environmental Awareness Award, Special Recognition, 2014 ; Scripps Howard Award for Environmental Reporting, finalist, 2017; Scripps Howard Award for Photojournalism, winner, 2008; Photographer of the Year, Northern Short Course, 2020; WHNPA, Photographer of the Year, 2007, 2004 ; Visual Journalism Award, News Leaders Association, finalist, 2020; Gerald Loeb Award for Explanatory Journalism, finalist, 2017 Professional Affiliations: Society of Professional Journalists, National Press Photographers Association Education: San Francisco State University, BA in Journalism
Lessons in the Field
4:50
Maggie Steber - Lessons in the Field
Award-winning photographer and editor Maggie Steber is well-known for her passion for teaching, and so we were thrilled when she welcomed us into her classroom at the 2018 Foundry Photojournalism Workshop. Maggie provides insight into the art of teaching and how we can learn to find our own visual voice. "I really like to create an atmosphere where it's almost like a family," says Maggie, "I want us to be friends." Maggie Steber has worked in 64 countries focusing on humanitarian, cultural, and social stories. Her honors include the Leica Medal of Excellence, World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, the Medal of Honor for Distinguished Service to Journalism from the University of Missouri, the Alicia Patterson and Ernst Haas Grants, and a Knight Foundation grant for the New American Newspaper project.For over three decades, Steber has worked in Haiti. Aperture published her monograph, DANCING ON FIRE. In 2013 Steber was named as one of eleven Women of Vision by National Geographic Magazine, publishing a book and touring an exhibition in five American cities. Steber has served as a Newsweek Magazine contract photographer and as the Asst. Managing Editor of Photography and Features at The Miami Herald, overseeing staff projects that won the paper a Pulitzer and two finalist recognition. Her work is included in the Library of Congress, The Richter Library and in private collections. She has exhibited internationally. Clients include National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, and Geo Magazine among others. Steber teaches workshops internationally including at the World Press Joop Swart Master Classes, the International Center for Photography, Foundry Workshops and and the Obscura Photo Festival.
Lessons in the Field
6:29
James Whitlow Delano - Lessons in the Field
Prior to teaching at the 2014 Foundry Photojournalism Workshop in Antigua, Guatemala, award-winning reportage photographer James Whitlow Delano spent a day researching and documenting the lives and experiences of nearby village Santa Maria de Jesus. Specifically the complex issues of immigration, labor, and the lives of children. While on location, James shared some valuable insights: the philosophical and technical approaches he takes to photojournalism and bearing witness. Through high-contrast black and white film, Delano conjures a rich, silent beauty in his subjects. In 2012, he won the PX3 Award for his photo book, Black Tsunami. See more of James' photos at: www.jameswhitlowdelano.com James Whitlow Delano has lived in Asia for 20 years. His work has been awarded internationally: the Alfred Eisenstadt Award (from Columbia University and Life Magazine), Leica’s Oskar Barnack, Picture of the Year International, PDN and others. Delano’s series on Kabul’s drug detox and psychiatric hospital was awarded 1st place in the 2008 NPPA Best of Photojournalism competition for Best Picture Story. His first monograph book, “Empire: Impressions from China” and work from “Japan Mangaland” have shown at several Leica Galleries in Europe. “Empire” was the first ever one-person show of photography at La Triennale di Milano Museum of Art. “The Mercy Project / Inochi” his charity photo book for hospice received the PX3 Gold Award and the Award of Excellence from Communication Arts. His work has appeared in magazines and photo festivals on five continents from Visa Pour L’Image, Rencontres D’Arles; to Noorderlicht. PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved. www.photowings.org
Lessons in the Field
7:40
Matt Black - Lessons in the Field
PhotoWings spent the day with documentary photographer Matt Black in Firebaugh, California as he made images for his body of work in the Central Valley. While on location, he provided insights on his photographic philosophy and how he connects to the people, communities and landscapes that he encounters. He shared tips about critical thinking, resilience, and how to tell complex stories using photographs. Matt Black grew up in a small town in California's Central Valley, a rural agricultural area in the heart of the state. He graduated from San Francisco State University with a degree in Latin American and US Labor History. Matt's work has chronicled the decline of traditional farming life and the rise of its modern replacement in rural California and southern Mexico. Exploring the changing human relationship to land, food, farming, and community lies at the core of Matt's twin documentary projects The People of Clouds and The Kingdom of Dust. His work has been honored by the World Press Photo Foundation, the Alexia Foundation for World Peace, the Robert F. Kennedy Memorial Foundation, Pictures of the Year International, and others. www.mattblack.com
Lessons in the Field
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