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1:02:56
Four Questions on Photography - Ilvy Njiokiktjien in Conversation With…Maggie Steber
Maggie Steber
Guggenheim Fellow, Documentary Photographer
Projects · appears in 6
Foundry Photojournalism Workshop
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The VII Foundation
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Lessons in the Field
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The Power of Photography
Compilation
Public History: Photojournalism As Historical Evidence
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Family Albums: Why Preserving Photographs Matters
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Portfolio
11 videos · every appearance
1:02:56
Four Questions on Photography - Ilvy Njiokiktjien in Conversation With…Maggie Steber
“Four Questions on Photography: Ilvy Njiokiktjien in Conversation With…” is a series of events where each month well-known photographers discuss with Ilvy their response to these questions: What is your most important photograph, how did you make it, and what impact do you think it had? What is your biggest photo failure; an image you wanted or needed but you messed up somehow? What is your dream image or story? What advice would you give to your younger self? In this episode of the series, Ilvy is in conversation with Maggie Steber.
PhotoWings
7:14
Maggie Steber - Foundry 2023 Presentation
PhotoWings
1:22:49
The Critical Role of a Photo Agency in the Professional Life of a Contemporary Photographer
How do agencies enhance your place in the market? Marcel Saba of Redux in conversation with Ron Haviv and Maggie Steber Long before co-founding the VII agency, Ron Haviv was a freelance photographer working for a small independent photo agency in New York called Saba. It was during this pre-digital age that Haviv did some of his best and most impactful work. Often the first person to see what was on that film was his agent Marcel Saba. Today Ron is still photographing, and Marcel Saba is still selling his images, this time through the agency Redux. With veteran photographer Maggie Steber, who has worked with some of the most legendary agents in the last 30 years, including Saba, Marcel and Ron discuss what makes for a great agent/photographer relationship and how the business functions
PhotoWings
2:29
Public History: Photojournalism As Historical Evidence
In this video, award-winning photojournalists Ben Bohane, John Moore, Daniel Schwartz and Maggie Steber speak to the idea that journalists and photojournalists create “the first draft of history” and the essential role photographers play in persevering the past. Ben Bohane is an Australian photojournalist, author and TV producer who has covered Asia and the Pacific islands for the past 30 years. He is the founder and present Director of www.wakaphotos.com, the only photo agency based in the Pacific islands. He has the largest personal photo archive of the South Pacific in the world. His photographs are collected by the New York Metropolitan Museum of Art, the British Museum and the Australian War Memorial, as well as being held in private collections. His work has appeared in Vanity Fair, The New York Times, TIME, Newsweek, National Geographic, The Wall St Journal, Stern (Germany), Monocle, The Guardian, French Geo, Asahi Shimbun and many publications in Australia. He has also done tv news stories and documentaries that have been shown on ABC & SBS TV Australia, BBC, F24 (France), ARD (Germany) and NHK (Japan). John Moore is a senior staff photographer and special correspondent for Getty Images. He has photographed in 65 countries on six continents and was posted internationally for 17 years, first to Nicaragua, then India, South Africa, Mexico, Egypt and Pakistan. Since returning to the U.S. in 2008 he has since focused on immigration and border issues. Moore has won top awards throughout his career, including the 2005 Pulitzer Prize for Breaking News Photography, World Press Photo honors, the John Faber Award and the Robert Capa Gold Medal from the Overseas Press Club, Photographer of the Year from Pictures of the Year International, the NPPA and Sony World Photography Organization. Daniel Schwartz graduated from Zurich School of Arts and Craft (now Zurich University of the Arts) in 1980. He concentrates on book projects, with exhibitions, based on extensive travels, photographic essays, and reportages covering the Eastern Hemisphere from Iran to East Timor, from Turkmenistan to Bangladesh. Schwartz's art is documentary; it is in the history of places. His journalism is not a reaction to events; it builds on memory. His method is best expressed in "Travelling through the Eye of History" (published, in 2009, like all his books by Thames & Hudson), a pre- and post-9/11 observation covering Central Asia including Afghanistan, Pakistan, and Kashmir. Photographer Maggie Steber has worked in 64 countries focusing on humanitarian, cultural, and social stories. Her honors include the Leica Medal of Excellence, World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, the Medal of Honor for Distinguished Service to Journalism from the University of Missouri, the Alicia Patterson and Ernst Haas Grants, and a Knight Foundation grant for the New American Newspaper project.For over three decades, Steber has worked in Haiti. Aperture published her monograph, DANCING ON FIRE. In 2013 Steber was named as one of eleven Women of Vision by National Geographic Magazine, publishing a book and touring an exhibition in five American cities. Steber has served as a Newsweek Magazine contract photographer and as the Asst. Managing Editor of Photography and Features at The Miami Herald, overseeing staff projects that won the paper a Pulitzer and two finalist recognition. Her work is included in the Library of Congress, The Richter Library and in private collections. She has exhibited internationally. Clients include National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, and Geo Magazine among others. Steber teaches workshops internationally including at the World Press Joop Swart Master Classes, the International Center for Photography, Foundry Workshops and and the Obscura Photo Festival.
Compilation
31:06
Maggie Steber Evening Presentation – Foundry Photojournalism Workshop 2018
Photographer Maggie Steber has worked in 64 countries focusing on humanitarian, cultural, and social stories. Her honors include the Leica Medal of Excellence, World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, the Medal of Honor for Distinguished Service to Journalism from the University of Missouri, the Alicia Patterson and Ernst Haas Grants, and a Knight Foundation grant for the New American Newspaper project. For over three decades, Steber has worked in Haiti. Aperture published her monograph, DANCING ON FIRE. In 2013 Steber was named as one of eleven Women of Vision by National Geographic Magazine, publishing a book and touring an exhibition in five American cities. Steber has served as a Newsweek Magazine contract photographer and as the Asst. Managing Editor of Photography and Features at The Miami Herald, overseeing staff projects that won the paper a Pulitzer and two finalist recognition. Her work is included in the Library of Congress, The Richter Library and in private collections. She has exhibited internationally. Clients include National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, and Geo Magazine among others. Steber teaches workshops internationally including at the World Press Joop Swart Master Classes, the International Center for Photography, Foundry Workshops and and the Obscura Photo Festival.
PhotoWings
4:50
Maggie Steber - Lessons in the Field
Award-winning photographer and editor Maggie Steber is well-known for her passion for teaching, and so we were thrilled when she welcomed us into her classroom at the 2018 Foundry Photojournalism Workshop. Maggie provides insight into the art of teaching and how we can learn to find our own visual voice. "I really like to create an atmosphere where it's almost like a family," says Maggie, "I want us to be friends." Maggie Steber has worked in 64 countries focusing on humanitarian, cultural, and social stories. Her honors include the Leica Medal of Excellence, World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, the Medal of Honor for Distinguished Service to Journalism from the University of Missouri, the Alicia Patterson and Ernst Haas Grants, and a Knight Foundation grant for the New American Newspaper project.For over three decades, Steber has worked in Haiti. Aperture published her monograph, DANCING ON FIRE. In 2013 Steber was named as one of eleven Women of Vision by National Geographic Magazine, publishing a book and touring an exhibition in five American cities. Steber has served as a Newsweek Magazine contract photographer and as the Asst. Managing Editor of Photography and Features at The Miami Herald, overseeing staff projects that won the paper a Pulitzer and two finalist recognition. Her work is included in the Library of Congress, The Richter Library and in private collections. She has exhibited internationally. Clients include National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, and Geo Magazine among others. Steber teaches workshops internationally including at the World Press Joop Swart Master Classes, the International Center for Photography, Foundry Workshops and and the Obscura Photo Festival.
PhotoWings
20:28
Maggie Steber: The Secret Garden - Foundry Photojournalism Workshop 2017
PhotoWings
52:16
Panel: Ethics in Photojournalism - Foundry Photojournalism Workshop 2017
Adriana Zehbrauskas convenes a panel of Andrea Bruce, Guillermo Cervera, Ron Haviv, Enric Martí and Maggie Steber discussing ethical considerations in the line of photojournalism and documentary photography. Held at the 2017 Foundry Photojournalism Workshop in Mexico City.
PhotoWings
3:09
Family Albums: Why Preserving Photographs Matters
Photojournalists MaryAnne Golon, Annie Griffiths, and Maggie Steber are known for their award-winning work and illustrious careers—in this video, we get a small peak into their personal lives as they discuss how, even to veteran photographers, some of the most important photos they have are the ones in their family albums. MaryAnne Golon is director of photography at the Washington Post. As a member of the senior management team, she supervises all aspects of photography for the daily newspaper and its digital forms: on the web, mobile and tablet. MaryAnne received an IFA Lucie award as Picture Editor of the Year in 2013. She was previously Time magazine's director of photography and co-managed the international newsweekly’s photography department for more than 15 years, and was directly involved in the production of scores of award-winning Time covers and special editions, as well as coordinating Time's photographic coverage of the Olympic Games for sixteen years. She led the photo team that produced the Hurricane Katrina and the September 11, 2001 special Time editions that each won coveted ASME National Magazine Awards. MaryAnne received a B.S. in Journalism and Communications from the University of Floridaand is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University. She is on the Board of Directors of the Eddie Adams Workshop. One of the first women photographers to work for National Geographic, Annie Griffiths has photographed in nearly 150 countries during her illustrious career. She has worked on dozens of magazine and book projects for the Society, including stories on Lawrence of Arabia, Baja California, Galilee, Petra, Sydney, New Zealand, and Jerusalem. In addition to her magazine work, Annie is deeply committed to photographing for aid organizations around the world. She is the Executive Director of Ripple Effect Images, a collective of photographers who document the programs that are empowering women and girls throughout the developing world, especially as they deal with the devastating effects of climate change. Annie has received awards from the National Press Photographers Association, the Associated Press, the National Organization of Women, The University of Minnesota and the White House News Photographers Association. Photographer Maggie Steber has worked in 64 countries focusing on humanitarian, cultural, and social stories. Her honors include the Leica Medal of Excellence, World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, the Medal of Honor for Distinguished Service to Journalism from the University of Missouri, the Alicia Patterson and Ernst Haas Grants, and a Knight Foundation grant for the New American Newspaper project.For over three decades, Steber has worked in Haiti. Aperture published her monograph, DANCING ON FIRE. In 2013 Steber was named as one of eleven Women of Vision by National Geographic Magazine, publishing a book and touring an exhibition in five American cities. Steber has served as a Newsweek Magazine contract photographer and as the Asst. Managing Editor of Photography and Features at The Miami Herald, overseeing staff projects that won the paper a Pulitzer and two finalist recognition. Her work is included in the Library of Congress, The Richter Library and in private collections. She has exhibited internationally. Clients include National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, and Geo Magazine among others. Steber teaches workshops internationally including at the World Press Joop Swart Master Classes, the International Center for Photography, Foundry Workshops and and the Obscura Photo Festival.
Compilation
32:17
Maggie Steber: In Conversation with Claire Rosen and The Secret Garden – Foundry 2015
Acclaimed photographer and journalist Maggie Steber shares a poignant Q&A session with Claire Rosen at the Foundry Photojournalism Workshop, then shared moments of her career and body of work in a presentation titled "The Secret Garden". Maggie has worked in 64 countries focusing on humanitarian, cultural, and social stories. Her honors include the Leica Medal of Excellence, World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, the Medal of Honor for Distinguished Service to Journalism from the University of Missouri, the Alicia Patterson and Ernst Haas Grants, and a Knight Foundation grant for the New American Newspaper project. For over three decades, Steber has worked in Haiti. Aperture published her monograph, DANCING ON FIRE. In 2013 Steber was named as one of eleven Women of Vision by National Geographic Magazine, publishing a book and touring an exhibition in five American cities. Steber has served as a Newsweek Magazine contract photographer and as the Asst. Managing Editor of Photography and Features at The Miami Herald, overseeing staff projects that won the paper a Pulitzer and two finalist recognition. Her work is included in the Library of Congress, The Richter Library and in private collections. She has exhibited internationally. Clients include National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, and Geo Magazine among others. Steber teaches workshops internationally including at the World Press Joop Swart Master Classes, the International Center for Photography, Foundry Workshops and and the Obscura Photo Festival.
PhotoWings
5:09
The Power of Photography - Foundry Photojournalism Workshop: Guatemala
PhotoWings sat down with six of the esteemed instructors at the 2014 Foundry Photojournalism Workshop and asked them a simple question: What is it about photography that you find so powerful and important? They share heartfelt thoughts about their experiences and the work they have dedicated their lives to. Featuring: Ron Haviv, Photojournalist - www.ronhaviv.com Maggie Steber. Documentary Photographer - www.maggiesteber.com Andrea Bruce, Photojournalist - www.andreabruce.com Victor J. Blue, Photojournalist - www.victorblue.com Nacho Corbella, Visual Storyteller - www.nachocorbella.com Oscar Castillo, Photojournalist - www.eltestigo.net PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved.
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Foundry Photojournalism Workshop
Collection · Related
6:36
Jason Eskenazi - Storytelling and Visual Literacy
Photographer Jason Eskenazi, a Fulbright Scholar and Guggenheim Fellow, discusses storytelling and visual literacy through the extraordinary photographs he took for his book, Wonderland (which won the prestigious Pictures of the Year International Book Award in 2008). Jason illustrates what he calls the visual grammar of photography, which includes composition, light, perspective, and context, and how he strives to work within that grammar to capture images with an emotional resonance. See more interviews with Foundry Workshop Instructors: https://photowings.org/foundry-photojournalism-workshop/ The fall of the Berlin Wall led Eskenazi out of Queens into the larger world. After trips to Germany and Romania for their first democratic elections he traveled to Russia in 1991, just before the August coup that marked the end of the USSR, and has returned many times since culminating in a photography book project called Wonderland: A Fairy Tale of the Soviet Monolith, winner of Best Photography Book 2008 by Pictures of the Year International. In 2004 he received a Fulbright Scholarship to return to Russia to make a series of large format color portraits called Title Nation with a Russian colleague which will be published Fall 2010. Jason Eskenazi has received numerous awards including a Guggenheim Fellowship, 1999; The Dorothea Lange/Paul Taylor Prize, 1999, for his work in a Jewish Village in Azerbaijan; and The Alicia Patterson Foundation Grant, 1996. His work has appeared in many magazines including Time, Newsweek and The New York Times and Soros Foundation publications. http://www.jasoneskenazi.com/ PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved.
Foundry Photojournalism Workshop
22:11
Rodrigo Cruz: Mining in Peru - Foundry Photojournalism Workshop 2017
Foundry Photojournalism Workshop
17:49
Ron Haviv: My World of Motion - Foundry Photojournalism Workshop 2017
Foundry Photojournalism Workshop
54:17
Photo Stories from the Square Mile Initiative
This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the Photoville Festival. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. We are delighted to be joined by Peruvian photographer Alejandra Orosco, who presents her project “ Only Memories Do Not Drown”, highlighting the 1978 story of El Peñol, a town whose residents were compelled to relocate because of a hydroelectric project that would eventually supply 30% of Colombia’s population with energy. Doug Barrett is an American photographer who will discuss his series “Riley’s Cancel Journey.” Seven-year-old Riley Simmons faced WilmsTumor, a rare form of kidney cancer. Doug documented the emotions that Riley and her family experienced as they began their courageous battle for survival. Nepalese photographer Uma Bista showcases “ Stay Home, Sisters,” a personal project that addresses taboos surrounding menstruation. During ‘Chhaupadi,’ each month, women in Western Nepal are subjected to a ritual of isolation. Deemed impure, they are forced to stay in cowsheds. The event will be moderated by VII contributing photographer Espen Rasmussen.
Foundry Photojournalism Workshop
1:07:56
Photo Stories Documenting Abuse
This series showcases recent work from members of VII Community, in partnership with PhotoWings. Every few months, VII Insider invites photographers from VII Community to present their stories. In this episode, we look at three photography projects that documenting human rights violations. VII Community provides ongoing education and support to a network of VII Academy alumni and Foundry Photojournalism Workshop participants. VII Community is a program of The VII Foundation in partnership with PhotoWings. We are delighted to be joined by Ecuadorian photographer David Diaz Arcos, who presents his project “Bird’s Nest” telling the stories of young adolescent women who are survivors of sexual exploitation in Ecuador. Italian photographer Viviana Peretti, currently based in Colombia, discusses her series “Searching for Lost Lives” sharing a light on the people who forcibly disappeared in Colombia. Iranian photographer Shirin Abedi, who grew up and lives in Hanover, shows “Invisible Students” which investigates the long-term effects of school bullying in Germany. The event is moderated by The VII Foundation contributing photographer Anush Babajanyan.
Foundry Photojournalism Workshop
49:22
Photo Stories from the Square Mile Initiative
This series showcases recent work from members of VII Community. Every few months, we invite photographers from VII Community to present their stories. In this episode, we look at three photographers whose work is featured in “Square Mile” at the PhotoVogue Festival. VII Community provides ongoing education and support to a network of The VII Foundation’s alumni and Foundry Photojournalism Workshop participants, numbering more than 1200 professionals. Square Mile is an initiative that presents diverse photographic explorations by members of VII Community. It is a geographic framework, signifying a local focus on spaces where personal, local, and global influences intersect. The projects explore how themes such as climate change, identity, history, legacy, migration, gender, and environment appear within a local perspective. The upcoming edition of Square Mile, curated especially for the PhotoVogue festival, offers an insight into the work of twelve photographers. They show humanity’s multifaceted connection to the natural world, explore the resilience of communities deeply rooted in their land, and pay respect to ancestral traditions. They tell a story about nature’s guardians, who are protecting the environment and creatures that populate it, and examine the intricate relations between humans and all living. We are delighted to be joined by American photographer Jordan Gale, who presents “You Will Never Want for Anything.” His project explores the Klamath River, the site of the world’s largest dam removal project, and in doing so, examines the history of exploitation and resource extraction. Chinky Shukla is an Indian photographer who will discuss “When Buddha Stopped Smiling.”. Her project tells the stories of the desert communities of Pokhran. When India announced its nuclear capability in 1974, the explosions echoed across the world — but in that thunderous moment, local voices were silenced. Mexican photographer Sara Escobar showcases “Burrolandia: The Donkey Obsession,” a story about a donkey sanctuary led by German Flores. As mechanization has replaced working animals, Mexico’s donkey population has plummeted. At this shelter in Otumba, caregivers work to provide dignified lives for Mexican donkeys while preserving their legacy. The event will be moderated by VII contributing photographer Anush Babajanyan.
Foundry Photojournalism Workshop
1:20
Ron Haviv: The business of preserving a legacy, Foundry Photojournalism Workshop 2011
Foundry Photojournalism Workshop
10:03
Marko Drobnjakovic - Foundry 2023 Presentation
Foundry Photojournalism Workshop
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The VII Foundation
Collection · Related
1:26:12
The Camera at War: 170 Years of Weaponizing Photography, with Hilary Roberts
All forms of visual media are vulnerable to being manipulated or ‘weaponized’ in the context of modern conflict. However, the consequences of manipulating photographs are potentially far-reaching and long-term. In recent years, advances in digital technology have led many to question whether photographs of war and conflict can ever be trusted. The conflicts in Ukraine and the Middle East, as well as other world events, have lent urgency to this debate. Drawing on an incredible range of imagery from the Imperial War Museum’s vast collection and other major archives around the globe, expert curator Hilary Roberts presents a new perspective on the role of image manipulation in this field over the past 170 years, exploring the consequences for our understanding of historic and contemporary conflicts. Join Ron Haviv in conversation with Hilary Roberts as they discuss the complicated relationship between conflict photography and the ‘truth’. The discussion will explore the application and legacy of photomanipulation techniques in conflict photography and the myriad ways in which layers of meaning can be added, erased, or changed completely.
The VII Foundation
1:14:10
Photo Editors Series - Josh Lustig
The Photo Editors Series is a series of conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. The series combines an overview of the contemporary media landscape with practical tips. The editors speak as individuals rather than representatives of their organizations, and the event is interactive and offers good opportunities for audience questions. In this seventeenth episode, Ilvy Njiokiktjien and Fiona Stephen speak with Josh Lustig, deputy photo editor of the Financial Times Weekend Magazine. Josh writes regularly on photography for the magazine, is a frequent participant at festivals and workshops, and has been a visiting lecturer at several universities including, London College of Communication, University of Syracuse, NY, USA and the School of Media and Journalism, Aarhus, Denmark.
The VII Foundation
2:22:03
Open-Source Intelligence - An Investigative Journalism Workshop
Open-source intelligence (OSINT), publicly available data sources used in the verification of information and events, is integral to the work of many investigative journalists. Increasingly hostile or inaccessible reporting environments, and the weaponisation of disinformation, have intensified the need for verifiable source information to ensure the authenticity and integrity of independent reporting. In this special extended online event, we examine the application of open-source intelligence strategies within media and justice contexts. This two-hour workshop will introduce a range of practical OSINT tools, consider accessibility and online safety, and examine case studies, including long-term operations within closed states and recent high-profile events across the U.S. and Europe, where OSINT tools have enabled critical forensic analysis and reporting. Join David Campbell in discussion with a panel of expert guests; Documentary filmmaker and investigative journalist, Sara Creta, whose research focuses on the intersection of emerging technology and human rights; Davide Piscitelli, Advanced Researcher at Forensic Architecture, a research agency based at Goldsmiths, University of London; and Francesco Sebregondi, architect and researcher specialising in digital investigation, particularly the use of visual and spatial analysis to document violence and human rights violations.
The VII Foundation
1:12:20
Photo Editors Series – Gabriel Eisenmeier
The Photo Editors Series are conversations with well-known photo editors about how they view the media today, the role of visuals in reporting, the work they like to see, and advice for photographers on how best to connect with publishers. Hosted by David Campbell and Ilvy Njiokiktjien, the series combines an overview of the contemporary media landscape with practical tips. The editors in the series speak as individuals rather than representatives of their organizations. In this tenth episode, we are speaking with Gabriel Eisenmeier of de Volkskrant, a daily newspaper in The Netherlands.
The VII Foundation
1:00:57
A Presentation of Ed Kashi & Julie Winokur’s film, Sheila and Joe
In this special presentation, Ed Kashi and Julie Winokur introduce their short film “Sheila and Joe,” followed by a question and answer. with the filmmakers and subjects. “Sheila and Joe” is a love story that unfolds behind bars. This story is told through hundreds of letters shared by Sheila Rule, a former New York Timescorrespondent, and Joe Robinson, a man serving a prison sentence of 25 years to life. Despite a 20 year age difference, and undeterred by the physical barriers of prison, their love has unstoppable momentum. Intimate and nuanced, this short film visits the space between compassion and passion, revealing a man who transcends his crime and a woman who dares to break the rules. In the process, they shine a light on the practice of mass incarceration in the US. “Sheila & Joe” premiered at the Woodstock Film Festival in 2021 and received Second Place for Documentary Daily Life from Pictures of the Year International 2020. The film was published on NPR’s The Picture Show in 2021.
The VII Foundation
54:20
Arturo Soto – The Psycho-Geography of a British City
How can photography challenge stereotypes of a well-known city? Is it possible to picture the politics of a place? What are the costs and benefits of asking these questions from the position of the outsider? In this event, Mexican-born photographer Arturo Soto discusses these themes in his work about the British university city of Oxford following the controversial “Brexit” referendum that led to the UK leaving the European Union. Soto’s work has been published in his book “A Certain Logic of Expectations”, which is described as proposing a counter-narrative of Oxford. Drawing on psycho-geography, and using an interplay of words and text, the work reflects on the contested relationship between visual representation and the history and myths of a particular location.
The VII Foundation
54:26
Book Club – Ed Kashi, The Cali Years
The Cali Years is a 25-year collection of Ed Kashi’s archive from 1979-2004, from his time spent living in California. This significant period marked the development of a college graduate into a renowned visual storyteller. This motley collection of images contains everything from family life to celebrities, from magazine assignments to in-depth personal projects. What was originally intended to be a small zine became a fold-out hand-bound collectible book. This collaborative project made in Ed’s studio with Brenda Bingham and Michael Curry will be produced in a limited edition of 100. In this event – hosted by Ziyah Gafic – Ed, Brenda, and Michael discuss the purpose and production of this book.
The VII Foundation
45:35
Kris Graves – 1492/1619 American Aftermaths
This event is a conversation between 2021 Aftermath Project grant winner Kris Graves and Aftermath Project founder, and VII photographer, Sara Terry. Their talk focuses on Kris’ grant-winning project, Privileged Mediocrity and the Deceived Within. Kris shows images he made during his grant year, as he explores systematic unfairness in America – and talks with Sara about his critique of the ways racism, capitalism and power have shaped the U.S. They both share ideas about what goes into writing an American Aftermath grant proposal, and the kinds of projects that might be a good fit for the grant. Sara talks about the judging process and what judges look for.
The VII Foundation
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Lessons in the Field
Collection · Related
2:49
Lessons In The Field: The Photojournalism Workshop
For over a decade, the Foundry Photojournalism Workshop has helped to teach a new generation of photojournalist around the world, from the Philippines to Rwanda. In this video, we hear from some of Foundry’s esteemed leaders discuss why they are passionate about the Workshop, and how the lessons learned there are widely applicable in a myriad of ways.
Lessons in the Field
7:32
Adriana Zehbrauskas - Lessons in the Field
We had the privilege of joining veteran photojournalist Adriana Zehbrauskas on a day trip through the streets of Mexico City, her longtime adopted home. Adriana took us with her on assignment to document baptismal ceremonies at the Basilica de Guadalupe, where we learned about the ways she creates a connection and builds trust with the people she photographs. Adriana makes a point to send pictures to those she photographs whenever possible; "It's giving a little thing back," she says, "who are we without our memories?" Adriana Zehbrauskas is a Brazilian documentary photographer based in Mexico City, Mexico.Her work covers mostly issues related to migration, religion and the aftermath of the violence related to the drug wars in Mexico as well as the daily life of sub and misrepresented communities. She contributes regularly to The New York Times, BuzzFeed News, The Washington Post and others.Adriana is one of the three photographers profiled in the documentary “Beyond Assignment” (USA, 2011, produced by The Knight Center for International Media and the University of Miami. She’s one of the recipients of the first Getty Images Instagram Grant and was awarded Best Female Photojournalist -Troféu Mulher Imprensa (Brazil). Her mobile photography work was selected by Time Magazine for the “29 Instagrams That Defined the World in 2014″ and her project on Faith in Brazil and Mexico was awarded a Art & Worship World Prize by the Niavaran Artistic Creation Foundation.
Lessons in the Field
4:39
Michael Robinson Chavez - Lessons in the Field
In this video, award-winning documentary photographer Michael Robinson Chavez shows us around the Centro Histórico of Mexico City and gives us an inside look on his photographic processes, both as a professional photojournalist and a street photographer. Chavez tells us the importance of being present in the moment, taking your time, and "using the camera to show us what your curious about." Michael Robinson Chávez, a Pulitzer Prize winning former staff photographer for The Washington Post, became seduced by photography after a friend gave him a camera before a three-month trip to Peru in 1988. A native Californian and half Peruvian, he currently works as a Staff Photographer with The Washington Post. He previously worked for The Los Angeles Times, The Boston Globe and the Associated Press. He has covered assignments in over 70 countries including the collapse of Venezuela, climate change in Siberia, violence in Mexico, the historic drought in California, tsunamis in Indonesia and Chile, the Egyptian revolution, life in Brazil’s favelas, gold mining in Peru, the 2006 Hezbollah/Israeli war and the US led invasion and occupation of Iraq. Robinson Chávez was awarded a Pulitzer Prize in 2020 as part of a staff entry from The Washington Post covering climate change. He is also a three-time winner of the Robert F. Kennedy Award for Photojournalism and was named Photographer of the Year by Pictures of the Year International in 2020. He has received awards from the Best of Photojournalism, PDN Photo Annual, Northern Short Course and the Scripps Howard Foundation. His work has been exhibited widely, including the Visa Pour l'image festival in France, the Head On Photo Festival in Sydney, the Corcoran Gallery in Washington DC, The Los Angeles County Museum of Art, Centro de Imagen in Peru, Imagenes Havana in Cuba and War Photo Limited in Dubrovnik among others. In addition, he teaches and lectures at workshops and photo festivals throughout the world. Honors and Awards: Pulitzer Prize for Explanatory Journalism, winner, 2020; Pulitzer Prize for Breaking News Reporting, finalist, 2020; Robert F. Kennedy Journalism Award International Photojournalism, 2018 and 2011; Robert F. Kennedy Journalism Award Domestic Photojournalism, 2014 ; Photographer of the Year, Pictures of the Year International, 2020; Photographer of the Year, Pictures of the Year International, 2nd Place, 2014 and 2010 ; Pictures of the Year International, Environmental Awareness Award, Special Recognition, 2014 ; Scripps Howard Award for Environmental Reporting, finalist, 2017; Scripps Howard Award for Photojournalism, winner, 2008; Photographer of the Year, Northern Short Course, 2020; WHNPA, Photographer of the Year, 2007, 2004 ; Visual Journalism Award, News Leaders Association, finalist, 2020; Gerald Loeb Award for Explanatory Journalism, finalist, 2017 Professional Affiliations: Society of Professional Journalists, National Press Photographers Association Education: San Francisco State University, BA in Journalism
Lessons in the Field
6:27
Andrea Bruce - Lessons in the Field
PhotoWings spent the day with award-winning photojournalist and Harvard Nieman Fellow Andrea Bruce while in Bali for the 2015 Foundry Photojournalism Workshop. Andrea, an instructor at Foundry, has worked with many prestigious organizations, such as National Geographic and the Washington Post, and is a co-owner of the photo agency NOOR. Andrea shares valuable insights about creating compelling narratives, critical thinking, earning trust, perspective, and the importance of fixers to the work of photojournalists. We followed Andrea and her local fixer Wayan Tilik as she got acquainted with the island of Bali and researched potential stories for her students. Foundry Photojournalism Workshop was created to provide training, education and networking to emerging photographers and students who normally would not be able to afford workshops. FPW is a grassroots workshop series held in inspiring and photographically challenging global locations.
Lessons in the Field
6:29
James Whitlow Delano - Lessons in the Field
Prior to teaching at the 2014 Foundry Photojournalism Workshop in Antigua, Guatemala, award-winning reportage photographer James Whitlow Delano spent a day researching and documenting the lives and experiences of nearby village Santa Maria de Jesus. Specifically the complex issues of immigration, labor, and the lives of children. While on location, James shared some valuable insights: the philosophical and technical approaches he takes to photojournalism and bearing witness. Through high-contrast black and white film, Delano conjures a rich, silent beauty in his subjects. In 2012, he won the PX3 Award for his photo book, Black Tsunami. See more of James' photos at: www.jameswhitlowdelano.com James Whitlow Delano has lived in Asia for 20 years. His work has been awarded internationally: the Alfred Eisenstadt Award (from Columbia University and Life Magazine), Leica’s Oskar Barnack, Picture of the Year International, PDN and others. Delano’s series on Kabul’s drug detox and psychiatric hospital was awarded 1st place in the 2008 NPPA Best of Photojournalism competition for Best Picture Story. His first monograph book, “Empire: Impressions from China” and work from “Japan Mangaland” have shown at several Leica Galleries in Europe. “Empire” was the first ever one-person show of photography at La Triennale di Milano Museum of Art. “The Mercy Project / Inochi” his charity photo book for hospice received the PX3 Gold Award and the Award of Excellence from Communication Arts. His work has appeared in magazines and photo festivals on five continents from Visa Pour L’Image, Rencontres D’Arles; to Noorderlicht. PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved. www.photowings.org
Lessons in the Field
7:40
Matt Black - Lessons in the Field
PhotoWings spent the day with documentary photographer Matt Black in Firebaugh, California as he made images for his body of work in the Central Valley. While on location, he provided insights on his photographic philosophy and how he connects to the people, communities and landscapes that he encounters. He shared tips about critical thinking, resilience, and how to tell complex stories using photographs. Matt Black grew up in a small town in California's Central Valley, a rural agricultural area in the heart of the state. He graduated from San Francisco State University with a degree in Latin American and US Labor History. Matt's work has chronicled the decline of traditional farming life and the rise of its modern replacement in rural California and southern Mexico. Exploring the changing human relationship to land, food, farming, and community lies at the core of Matt's twin documentary projects The People of Clouds and The Kingdom of Dust. His work has been honored by the World Press Photo Foundation, the Alexia Foundation for World Peace, the Robert F. Kennedy Memorial Foundation, Pictures of the Year International, and others. www.mattblack.com
Lessons in the Field
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The Power of Photography
Compilation · Related
1:51
PhotoWings 20th Anniversary: The Power Of Photography
The Power of Photography
2:13
Photographer Agnès Dherbeys: Thoughts on the Power of Photography, Foundry Photojournalism Workshop 2012
While maintaining a healthy skepticism about photography, Agnès Dherbeys enjoys the immediately encompassing effect of a single, still image. Agnès Dherbeys is a Bangkok-based 35-year-old French photographer. She graduated with honours from the Master of Institut d’Etudes Politiques (Sciences Politics) of Lyon and from master 2 of Sciences of Information and Communication from Celsa, Sorbonne IV. She learned photography when she moved to Bangkok in 2001, and has since mainly focused her work in Nepal, East Timor, Indonesia, Cambodia and Thailand, with some parentheses in the Palestinian Territories/Israel. Her 2010 coverage of the Red Shirts unrest in Thailand last April and May 2010, was exhibited at the Bangkok Art Cultural Center in RUPTURE exhibition, curated by Olivier Pin. With this body of work, published in the New York Times, she recently was awarded THE ROBERT CAPA GOLD MEDAL AWARD of the OPC, for “Best published photographic reporting from abroad requiring exceptional courage and enterprise”. Dherbeys is currently photographing French band Limousine recording of their Third album, immerged in the universe of Molaam music in North East Thailand. The project is funded by l’Institut Français, Agnes B, Factory Festival, among others. http://www.agnesdherbeys.com/ PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved.
The Power of Photography
1:54
Kael Alford: Ethics, honesty and the power of photography, Foundry Photojournalism Workshop 2011
PhotoWings Interview with documentary photographer and writer Kael Alford - Foundry Workshop 2011 in Buenos Aires, Argentina Kael Alford explains her approach for photographing people and the importance of honesty and ethics in photography. PhotoWings' mission is to highlight and help facilitate the power of photography to influence the world. We help photography to be better understood, created, utilized, seen, and saved. Kael Alford is a documentary photographer, writer, and journalist. She has worked extensively covering culture, politics and conflict in the balkans and the Middle East for many US and European magazines and newspapers. She covered the US invasion of Iraq and her work was included in the book and exhibition "Unembedded: Four Independent Journalists on the War in Iraq." She is represented by Panos Pictures in London.
The Power of Photography
Family Albums: Why Preserving Photographs Matters
Compilation · Related
3:46
Family Albums: Why Preserving Photographs Matters Pt. II
In this video, photography industry professionals Nancy Borowick, Ed Kashi, Erika Larsen, Olivier Laurent, John White, Michael Williamson, and Chuck Zoeller provide insight into the important ways that family photographs and family albums enrich our lives and contribute to the important work of documenting history. Nancy Borowick is an internationally renowned photographer, author, teacher and speaker, delivering over 50 speaking engagements each year around the world, bringing her personal story to universities, hospitals, oncology units and community groups globally. Nancy is a graduate of the International Center of Photography and has exhibited her work in over 100 cities. Working regularly with the New York Times since 2013, Nancy has told the intimate stories of people and places from every corner of the globe winning her major accolades and awards, such as World Press Photo, Pictures of the Year International and most recently the 2018 Humanitarian Award from the organization Women That Soar for her photography and recent monograph, The Family Imprint. Ed Kashi is an acclaimed photojournalist who uses photography, filmmaking and social media to explore geopolitical and social issues that define our times. He is also a dedicated educator and mentor to photographers around the world and lectures frequently on visual storytelling, human rights and the world of media. A leading voice in the photojournalism world, Kashi frequently lectures on a wide range of topics for arts institutions, universities, schools and professional organizations. His work has been published and exhibited worldwide, receiving numerous awards and honors. Through his editorial assignments and personal projects Kashi has published nine books, including Curse of the Black Gold: 50 Years of Oil in the Niger Delta, THREE, and Photojournalisms. Erika Larsen is a photographer and multidisciplinary storyteller known for her essays, which document cultures that maintain close ties with nature. Her work has been included in the Smithsonian National Portrait Gallery, National Geographic Society, Fotografiska Museum and Ajtte Sámi Museum. Larsen is a recipient of several grants and fellowships including a Fulbright Fellowship, New Jersey State Arts Council Fellowship, Women in Photography Individual Project Grant, Lois Roth Endowment and a World Press Award. Her first monograph, Sami-Walking With Reindeer, was released in 2013. Larsen is currently a Fellow and Explorer with National Geographic Society. Olivier C. Laurent is an expert in social media, he partners with the Washington Post social team on photo-driven initiatives and contributes to the InSight blog. Before the Washington Post, Olivier was most recently at TIME, where he was editor of LightBox, the magazine’s former photography website, which provided a window into how great photographs are made and drew attention to groundbreaking work by photography masters and new pioneers. Before TIME, he was the associate editor of the British Journal of Photography starting in 2008, the world’s longest running photography magazine and the editor of FLTR, the first weekly magazine on smartphone photography. John H. White is a renowned American photojournalist. His photography documents everyday lives and political events in American cities, particularly Chicago. He was a staff photographer on the Chicago Sun-Times for 35 years, and won a Pulitzer prize in 1982. Michael Williamson was born in Washington, but grew up in a series of foster homes and orphanages in more than 15 states. It was an experience he says that has led to his interest in documenting the plight of the homeless for the past 18 years. He and a collaborator, writer Dale Maharidge, have produced three books.The first book, "Journey to Nowhere: The Saga of the New Underclass," inspired several songs on Bruce Springsteen's album "The Ghost of Tom Joad." The pair's book "And Their Children After Them" received a Pulitzer Prize for non-fiction in 1990. He shared a second Pulitzer Prize in 2000 with colleagues Carol Guzy and Lucian Perkins for their coverage of Kosovo. A photographer with The Washington Post since 1993, Williamson was named Newspaper Photographer of the Year in the 1995 Pictures of the Year contest and Photographer of the Year in 2000 by the National Press Photographers Association. Chuck Zoeller is director of creative services for The Associated Press. A former photographer, he joined the AP as a photo editor at the news cooperative’s New York headquarters, and later served 14 years as director of the AP Images photo library — one of the world’s largest collections of news photos. He has curated several books and exhibitions of AP photography. A graduate of the University of Rochester, he has served as chair of the Pulitzer Prize jury in photography.
Family Albums: Why Preserving Photographs Matters
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